Anthony Loffredo’s Black Alien Project covers his face, scalp, neck, torso, arms and legs in dark tattoo work. Pale lines and geometric marks break up the black fill. In photos, the face draws the eye first, then the ink continues from the neck across the rest of his body.

Loffredo is also known for body modifications, including changes to his nose, ears, lips, tongue and fingers. Those procedures are part of the public project, but they are separate from the tattoos. This guide focuses on the ink that can be identified in the photographs.

The five body images show a close face view, the torso and arms, a side profile, details around the forehead and neck, and a wider view of the full-body coverage. The featured portrait is separate and appears in the post header.

Black Alien’s face tattoos use blackout ink and pale linework

Loffredo, known online as Black Alien, has almost completely covered his face in dark ink. Pale lines cross the cheeks, temples and brow. In a close photo, those marks give the blackout a shape instead of letting it read as one flat field.

The forehead, eyelids, nose area and jaw have different textures. Some sections are smooth and dark; others show fine geometric lines or raised, scar-like detail. The contrast gives the face structure even where the ink is dense.

The face relies on contrast. Broad black areas define its outline, while lighter marks direct the eye across the brow and cheeks. The smaller lines become clearer when you look closely.

Tattoos and body modifications appear together in these portraits, but they are different parts of the project. The face includes pale ink lines as well as changes to the nose, ears, lips and tongue. The photographs show where those details sit; they don’t make them the same procedure.

The torso and arm tattoos make the blackout work feel continuous

The mirror photo shows the design beyond Loffredo’s face. Dark ink covers the chest, stomach and shoulders, with lighter patterns breaking through the field. His arms use the same visual language, so the torso and head don’t look like separate pieces.

More pattern is visible on the chest than on the forehead. Marks continue down the arms toward the wrists and hands. The phone blocks part of the mirror image, but the surrounding ink still shows how the work is placed.

The edges matter in a blackout project. The shoulder, armpit, wrist and neck all bend and move. The dark fill crosses those areas, while lighter lines help keep the different sections legible.

The fingers and backs of the hands carry the pattern farther down the arms. In this photo, glare and the mirror angle make some of those details hard to see, but the hands clearly extend the design beyond the forearms.

The side profile shows how the ink follows the skull, neck and shoulder

The side profile shows the depth of the coverage. Ink reaches across the forehead, crown and back of the head, then continues down the neck to the shoulder and upper arm. Pale lines curve around the head and help set the direction of the design.

The photograph also separates the scalp from the neck. The head has broad dark coverage; the narrower neck introduces denser marks and different angles before it opens into the shoulder.

The look is dramatic, but the placement follows the body’s shape. The skull is rounded, the neck is narrow and mobile, and the shoulder widens into the arm. Each area needs a different layout even when the palette stays mostly black.

Photos from different dates show the project at different stages. Some areas appear darker or more finished, and lighting changes how much of the pattern comes through. It’s safer to describe what each image shows than to call the design complete.

The forehead and neck details keep the dark tattoo style readable

This square portrait brings the smaller face details into view. Raised metal studs sit across the forehead, while pale angular lines mark the cheeks and jaw over dark ink. Clothing and the camera angle partly cover the neck pattern.

The lines around the cheeks add another texture beside the forehead hardware. The studs are body modifications, not tattoos, so the portrait shows several kinds of detail together: dark fill, fine lines and physical changes.

The finer marks give the blackout definition. Lines around the brow, cheekbones, mouth and jaw follow features that already shape the face. Even a small mark can change how the larger dark area reads.

The image doesn’t explain why Loffredo chose each stripe or shape. It does show their placement and contrast, which is enough to describe how they work with the rest of the face.

The full-body tattoo views show the scale of the Black Alien project

This two-view image shows the coverage from head to legs. The upper body is dark from the head through the chest and arms, and the outdoor view shows the ink continuing down the legs. It’s a full-body project rather than a set of isolated tattoos.

The outdoor frame makes the proportions easier to read. The face is still the first focal point, but the shoulders, torso and limbs carry the same dark weight. The small lines become clearer when the camera moves closer.

The full-body design repeats a few choices across different areas. The blackout palette and geometric marks connect the sections; the body’s curves, poses and changing light keep them from looking identical.

Loffredo has described the work publicly as an ongoing transformation. These photos record particular stages. Later images may show new coverage or modifications, while older ones still show what was there at the time.

The same dark palette appears across very different parts of the body. The face uses blackout fill and pale geometry, the torso has a wider field of ink, and the limbs carry the design as they move. The details change with the placement.

That’s why it helps to look at the photos together. A face close-up shows how dense the head work is, but it can’t show where the shoulder or leg coverage begins. A full-body view gives the scale and loses the small cheek and eye-area marks.

Black Alien is a public name associated with Loffredo and the body-modification project. The tattoos are part of that image, but a photo doesn’t establish a personal meaning for every line. The visible blackout, geometry and placement are clear enough to describe on their own.

Lighting changes how the blackout looks. In sunlight, pale lines and scar-like details can stand out; indoor photos may make the same area appear almost solid. Comparing clear photos helps show which details belong to the pattern.

If you’re using Black Alien tattoos for ideas, pay attention to how the design crosses the head, neck, shoulder and arm. Those areas curve and move, so the line direction and amount of fill change with each surface.

Black is the dominant colour in the visible tattoo work. Pale skin and lighter marks provide contrast. With this much dark coverage, an even fill and legible linework matter as the tattoos age.

The close and wide photographs answer different questions. A face shot shows fine detail; a torso or leg view shows scale and how the ink sits on the body. Together, they give a clearer picture than one dramatic crop.

For more celebrity and public-figure ink, see the site’s celebrity tattoo guides. Use clear tattoo photos and reliable interviews to separate visible details from claims about meaning.

More celebrity tattoo guides

• Mateus Verdelho tattoos
• Levi Stocke tattoos

Jay Alvarrez’s tattoos are easy to spot. They’re a mix of black lettering, symbols and larger images, with plenty of short reminders about how he wants to live. Some are spare, others have more detail, and the travel theme fits the public image he has built around beaches, boards and airports.

This guide focuses on Jay Alvarrez tattoos that show clearly in photos: the phrases associated with him, the skull on his thigh, and travel-minded designs on his arms and legs. The focus is on the tattoos themselves, not pictures where a sleeve hides them.

The overall style of Jay Alvarrez tattoos

Jay’s collection relies on blackwork and lettering. Many of the words sit on his forearms, wrists, ankles and lower legs, like notes he has left for himself. Palm trees, bands, eyes, figures and larger images fill out the collection, with some pieces borrowing from traditional flash. The mix feels loose, rather than planned to look like one polished set.

Much of the work people recognize is associated with Konstantin Nossachev, who also goes by Noskos. The lines are often crisp, with open skin around each design. That helps when the tattoos are photographed outdoors, in motion or from a distance; they still have a clear shape without a studio close-up.

“Let’s Live” on the lower lip

One of Jay’s earliest and best-known tattoos is “Let’s Live” on the inside of his lower lip. The placement is tiny, but the phrase has attitude. It isn’t visible in every photo, though it stands out when he pulls his lip down.

The words fit the image Jay has built around travel, surfing, skydiving and chasing experiences. That makes it feel more like a personal motto than a stray inspirational quote. Lip tattoos can fade or soften faster than tattoos on an arm, so a clear close-up is useful here.

“Fantasy > Reality” on the forearm

“Fantasy > Reality” is one of Jay’s clearest examples of text used as a personal rule. The phrase sits on his inner forearm in a simple serif font. There is no heavy shading or ornament around it; the words carry the design.

The inner forearm gives the lettering room to breathe, and the phrase stays readable with his arm relaxed or extended. It also has a little tension to it. Jay’s photos move between polished fantasy and everyday travel, so the tattoo can read as a comment on the image he has built.

The Dream World, palm tree, and Isle group

On the other forearm, Jay has a few related details: “Dream World,” a palm tree, a fine line and “Isle” near the wrist. Together they read as a small composition, not four separate ideas. The palm tree connects with his Hawaiian background and beach imagery; the words make the arm feel like a map to an imagined place.

This is one of the quieter parts of the collection. The lettering is relaxed, and the palm tree has none of the heavy look of traditional flash. The narrow shapes follow the forearm. Fine lines like these also need careful healing and, at times, touch-ups.

The In Voluptas Mors inspired skull on his thigh

Jay’s thigh skull is a big change from the small text tattoos. It takes its cue from the famous “In Voluptas Mors” image associated with Salvador Dalí and photographer Philippe Halsman, in which bodies form a skull. Jay keeps that basic idea but gives it darker, more illustrative shading than his cleaner quote tattoos.

The larger area gives the shadows and facial details room, so the image doesn’t collapse into a dark patch. This piece also shows the range of Jay’s ink: alongside the short phrases and travel symbols, he has tattoos built around a much larger image.

“Never Be Insecure of Your Creativity”

Jay has the words “Never Be Insecure of Your Creativity” on his lower leg near the ankle. It sounds like advice from a friend, but the placement makes it feel personal rather than like a slogan for other people. He can see it himself without putting it across his chest.

The lettering is compact but readable. Long phrases can get cramped on curved, moving skin like the ankle; this one keeps a steady line and some space between the words. If you like motivational lettering but want it to stay private, the placement is one to consider.

“They Say I’m Crazy…” on the other forearm

Another forearm quote reads, “They Say I’m Crazy But It Keeps Me From Going Insane.” It runs along the inner arm, with bands around it. The line has a joke in it, but it also speaks to a mind that doesn’t always follow the usual route.

Long text takes planning. The letters need to stay clear without turning the forearm into a solid block. Jay’s version stays narrow, and the bands break up the phrase with a simple graphic detail.

Travel, circles, and the rest of the arm work

Jay also has simple bands and lines around his wrists and forearms. One armband has been described as representing the circle of life. These quieter details link the larger tattoos: a band can frame an area, while a fine line can lead from a quote toward a palm tree or another symbol.

Wider photos show more phrases, another palm tree, bands and designs running down his legs. Some are easier to identify than others. It’s better to leave an unclear mark unnamed than to assign it a story; a visible shape doesn’t confirm its meaning.

What makes his collection work

Jay’s tattoos move between clean lettering and larger images. The skull adds shade and texture, while the palm tree and island references carry the travel theme. Even the more abstract marks fit the same interest in movement and independence.

Placement does a lot of work here. A long quote needs enough length; a detailed image needs enough skin for its lines; small tattoos work best when they stay simple. Jay’s clearer designs respect those limits, so they remain readable in close-ups and regular travel photos. For another musician whose tattoos mix portraits, symbols and family pieces, see our Corey Taylor tattoos guide. Our Danny Trejo tattoos article shows a very different style built around bold blackwork.

Could Jay Alvarrez tattoos work as inspiration?

Yes, but it’s better to borrow the idea behind a design than the exact words. A small island, coordinates, wave or palm tree can give a tattoo a travel feel without turning your body into someone else’s scrapbook. If you like Jay’s lettering, choose a phrase that matters to you and leave it enough room to age well.

Think about sun exposure too. Jay spends a lot of time outdoors, and sunlight can soften fine lines faster. An artist can talk through line weight, placement and aftercare before you decide. The point is to choose a tattoo that still feels like yours after the holiday photos are gone, not to copy one of his forearms.

Quick questions about Jay Alvarrez’s ink

Who tattoos Jay Alvarrez?

Much of his collection is associated with Konstantin Nossachev, also known as Noskos. Jay has spoken about their close friendship and the trust between them.

What does “Fantasy > Reality” mean?

The phrase reads like a reminder to value imagination over a fixed idea of ordinary life. Jay hasn’t formally explained every tattoo, so the words themselves are the safest guide.

What is the biggest Jay Alvarrez tattoo?

The skull-inspired thigh piece is one of the most noticeable designs because it uses a large area and detailed shading. He also has larger compositions on his legs and arms.

Does Jay Alvarrez have mostly small tattoos?

No. He has small lettering and linework as well as a large skull, leg designs, illustrative figures and longer phrases. The collection varies in scale.

Watch Jay Alvarrez talk through his tattoo story

Here is a related video from Jay’s own channel, alongside the tattoo photos and the wider visual style he shares:

Carson Daly’s tattoos usually mark a person, a place or a moment from his life. Some designs are flashy, but the reason behind them tends to be personal.

The stories behind Carson’s tattoos run through family, his New York years and music. On TODAY in 2014, he explained eight designs, including tributes to his son Jack, father, grandfather and stepdad, family names, and a cover-up.

Why Carson’s tattoos are mostly family stories: He has said sentimental value matters most. He wanted tattoos he’d still care about years later, not designs he might tire of after one season.

Dates, initials, names and family objects can look unrelated without the backstory. Together, they read like a scrapbook spread across his arms and legs.

The tattoos weren’t planned as one sleeve. They were added over time, and their styles vary: some are detailed, others are small marks whose stories mainly belong to Carson and his family.

The one-eyed Jack tattoo for his son

One of Carson’s best-known tattoos is a one-eyed Jack playing card he designed for his son, Jack. It carries several references instead of being just a card.

A jack from the game Jacks pierces the card, playing on his son’s name. Jack was born on March 15, so the tattoo also nods to the Ides of March. A Pisces symbol marks his star sign, and the American flag is a detail Carson wanted.

At a glance, the tattoo reads as a playing card with a few bold shapes. The date, Pisces symbol and flag each point back to Jack, turning the design into a small family timeline.

Carson has often described himself as family-first, and this card is a clear example. It celebrates Jack without a portrait or a plain name. The playing-card design leaves room for humor and small details.

The NYC tattoo he got after 9/11

Carson said he got the NYC tattoo the day after September 11, after going to work at MTV in Times Square. The building was evacuated because of a bomb threat, and he walked around New York unsure what would happen next.

He ended up in a tattoo shop, listening to music, and chose a New York design out of pride for the city. It wasn’t planned; the day pushed him there, and the tattoo marked what the city meant to him during a frightening time.

The NYC design is more direct than the one-eyed Jack: its story comes from when Carson got it and his connection to the city. He said it marked New York while he was trying to process what had happened.

It marks both his connection to New York and an unsettling moment he lived through. In that sense, it works as a personal timestamp.

The Corvette hood ornament for his father

The initials J.D. connect several generations in Carson’s family. They stand for his father, James Daly, who died when Carson was five; his son Jack Daly; and Jones Daly, Carson’s middle name.

The lettering sits within the hood ornament of a 1977 Corvette. Carson’s father was a Corvette dealer, and Carson still owns that car. The ornament gives the tattoo a physical link to his dad, beyond the initials.

Carson said he wanted a memento that wasn’t too sad or heavy. The Corvette brings in something his father loved and makes the tribute feel more personal than initials alone.

At first glance, the Corvette shape may stand out before the initials. Carson’s explanation makes the family connection clear, while the design still reads as a car ornament on its own.

That’s how Carson often works: an object stands in for a person. The Corvette points to his father, just as the playing card points to his son.

The Green Beret tribute to his grandfather

Carson’s grandfather on his mother’s side served in Army Special Forces as a Green Beret. Carson kept his grandfather’s beret and later used it as the basis for a tattoo.

The tattoo includes “to free the oppressed,” which Carson said is the Latin phrase associated with the Green Berets. The inscription sits beside a beret that belonged to his grandfather.

The Green Beret tattoo follows the same pattern as the Corvette: both start with an object tied to a family member.

The beret and inscription fit into a compact tattoo. You don’t need a large portrait to see what it honors.

Carson said the Green Beret was one of his favorites. It links his grandfather’s service to their family history.

Jaden Patricia and the names that tie the family together

Carson’s tattoo honors his niece, Jaden Patricia, his sister’s first child.

Patricia is also Carson’s mother’s name, so the full lettering links Jaden with her grandmother.

That kind of link runs through Carson’s family tattoos: one name can bring another relative into the story.

The design stays simple. The names are enough; his more elaborate tattoos put their references into images instead.

In the TODAY interview, Carson also said he wanted tattoos for his daughter Etta and other family members. He joked that the children were arriving faster than he could get the tattoos done, so the collection was still growing then.

Curly Sark, his stepdad, and the drink behind it

One of the more playful tattoos is for Carson’s stepdad, whose favorite drink was Cutty Sark whiskey. Carson changed the name to “Curly Sark” after his stepdad’s nickname.

He also changed “Original Scots Whisky” to “Original Pops Whisky.” It looks like an old bottle label, but the wording makes it a family tribute. Carson said his stepdad was like a father to him; he felt he had two fathers.

The changed label turns a drink his stepdad liked into an inside joke Carson could carry with him, instead of a portrait or formal dedication.

“Curly Sark” is affectionate and a little silly without losing its meaning. Carson cares about the people behind these tattoos, but not every family piece has to be solemn.

The Corvette remembers his father, the beret his grandfather, and the whiskey label his stepdad.

The 456 logo and Carson’s music years

Carson also has the 456 logo from a New York City record label he had during his music years.

Carson said 456 refers to both a street dice game and the hip-hop label. He no longer has the label, but the tattoo recalls that period and the part New York played in his life.

Like the NYC tattoo, the 456 logo points back to New York, but to a different part of Carson’s life. One remembers September 2001; the other his work in music.

The label stands out because it marks something Carson built, not a relative. It still mattered to him after the label itself was gone.

The subjects change, but each piece points to a particular time or relationship in Carson’s life.

The crab cover-up: Carson also told the story of a crab tattoo on his leg. It covers an ex-girlfriend’s name, so the design began as a cover-up rather than something he had planned.

Carson was getting another tattoo and asked the artist to black out the old name. The artist suggested a crab claw coming out of a pocket knife, and Carson let him work while his leg was raised so he couldn’t see. When he finally looked and asked what it was, he heard the answer and said, “Perfect.”

Unlike the family tattoos, the crab didn’t begin with a planned symbol. The artist’s suggestion turned a cover-up into a story Carson could tell.

Carson didn’t see what the artist was doing until he looked down at the finished tattoo. His surprise is part of the story.

The common thread is the memory behind each design: a playing card for Jack, a Corvette ornament for his father, his grandfather’s beret, a whiskey label for his stepdad, and the 456 logo from his music years.

Carson’s rule was simple: choose something you won’t be embarrassed to see years later.

The tattoos weren’t planned as one sleeve; they grew over time. Together, they hold family stories, New York memories, music and a few jokes.

Our Steve Aoki tattoo guide covers a very different collection, but the stories behind the designs matter there too.

Watch Carson explain the tattoo honoring his mom

Carson’s collection kept growing after the original TODAY feature. In a later clip, he showed a tattoo based on his late mother’s handwriting. It’s another tattoo rooted in a family memory.

Brooklyn Beckham’s tattoos are mostly notes to people close to him: love letters, family names and short reminders. He has a lot of ink, but many designs are tied to someone or a moment in his life.

He began with tattoos for his parents and siblings, then added many for his wife, Nicola Peltz Beckham. Page Six’s January 2026 guide said he had dozens and dozens of pieces and reported that he once said 70 of his 100 tattoos were dedicated to Nicola. The number changes, but the theme is clear.

Some tattoos are short words, like “Married” or Nicola’s name. Others are longer notes, wedding vows, family initials, portraits and handwriting. This guide covers pieces he has shown publicly and the explanations he has given for them.

Brooklyn’s hand tattoos: Nicola, “our little bubble,” and “lover”

Brooklyn has several small tattoos on his hands for Nicola. “Nicola” crosses the back of one hand, with “beautiful girl” above it. An “N” and a heart on his ring finger echo the place of a wedding band.

Another hand tattoo reads “our little bubble.” Brooklyn and Nicola have used the phrase for the small world they share, away from the noise around them.

He has “lover” on his index finger. It’s a single word he can see throughout the day, without a longer message attached.

These hand tattoos show his preference for script and short phrases, some written like notes or cards. They make sense on their own, without needing a long explanation.

The long “my life” letter across his arm

Nicola showed one of Brooklyn’s larger text tattoos in an Instagram Story. It runs up his right arm. Her caption read “Forever my person,” while the tattoo says, “My life, my love, my truth, my breath, my reason, my beauty, my precious.” Her birthday, January 9, is written below.

It’s a long message, and Brooklyn hasn’t tried to shorten his romantic tattoos to a word or two. This one spells out the phrases he chose for Nicola.

The lettering looks handwritten, like much of his collection. It reads more like a message than a logo or slogan, giving the tattoo a private-letter feel.

There’s a bit of contrast in tattooing a full love letter: most people might send a text or card, while Brooklyn put the message on his arm. The wording is about Nicola, not a generic quote.

Nicola’s portrait and the wedding-song lyrics

Brooklyn’s most noticeable tattoo is a large portrait of Nicola on his upper arm. He showed it on The Jennifer Hudson Show in March 2023. It covers a large section of his arm.

He said he added lyrics from the song Nicola walked down the aisle to that same day. The portrait is tied to their wedding as well as to Nicola herself.

The portrait is a record of a particular moment, as well as an image of his wife.

The portrait is larger and easier to spot than the small words on his fingers, but it follows the same pattern: it points to Nicola.

“Peltz” across his chest and the Cupid connection

Brooklyn has “Peltz” in large letters across his chest. He got it in July 2022, after marrying into the Peltz family. The word sits between Cupid tattoos he already had; those were his nod to his father David Beckham’s similar angel designs.

The Peltz tattoo brings Nicola’s family into a design that already nods to his own father. It connects the new surname to older family references.

It’s hard to miss: unlike a small wrist tattoo, the chest lettering is a public statement. Brooklyn hasn’t shied away from large, visible tattoos about his relationship.

His tattoos range from tiny finger lettering to large chest words and portraits. The styles vary, but many return to Nicola and his family.

Gina, the prayer, and the family initials

Nicola’s grandmother Gina appears in more than one tattoo. After Gina died in 2020, Brooklyn tattooed her name as a birthday gift for Nicola. Nicola posted a photo of the fresh tattoo and called it the best birthday gift.

Two years later, he added a prayer Gina had held dear. It reads, “Focused in the present, sincere towards others and trusting in our self, know that you cannot fail.” The longer text sits on the left side of his torso.

Above the prayer are the initials “dvbrch”: David, Victoria, Brooklyn, Romeo, Cruz and Harper. The prayer honors Nicola’s grandmother; the initials name the Beckham family.

These tattoos include people from Nicola’s family as well as his own. They extend his focus beyond his wife to people who matter to her.

The handwritten style fits the material. The prayer looks like a message, not a standard typeface chosen from a tattoo menu.

The wedding vows that run down his arm: Brooklyn also tattooed part of his wedding vows down his arm. They begin with a line about how words cannot describe his love, followed by promises about Nicola being his world and his falling more in love with her each day.

He chose a longer passage from the ceremony rather than a short phrase. The vows become a love letter he wears on his arm.

The text adds to the crowded look of his arms, where a portrait, song lyrics, family messages and older tattoos sit close together. Some sections have little blank space.

Brooklyn keeps adding tattoos rather than planning one finished sleeve. The images and text build up over time, giving the arm the feel of a diary.

He has said he is addicted to tattooing. The vows, long letter and Nicola portrait show how often he returns to that subject.

The eyes, “Married,” and the other personal details: During their engagement, Brooklyn had Nicola’s eyes tattooed on the back of his neck. Beneath them is a note she wrote him, signed “your future wifey.” The tattoo also includes the coordinates of Portland Hospital in London, where he was born.

Later, he added “Married” to his hand and showed it to Nicola as a surprise. The word says exactly what he wanted it to say.

Brooklyn’s wrist also has a version of the rosary beads that belong to Nicola’s mother, Claudia. It can be easy to miss among the other tattoos, but it adds her mother to a collection that already includes Nicola, her grandmother, and Brooklyn’s parents and siblings.

Many of his tattoos haven’t been shown clearly. Page Six noted that most were not revealed publicly, so no list can cover the full collection. Counts also vary by date: older articles have reported 20, 50, 70 or 100 tattoos.

The public examples show a lot of ink, with an always personal mix of family, marriage and memories he wants to keep close.

Carson Daly’s collection offers another example of tattoos tied to parents, children and grandparents, as well as New York memories. Our Carson Daly tattoo guide covers those stories.

Watch Brooklyn show off his Nicola tattoo

Brooklyn has talked about his growing collection in interviews. This clip shows the large portrait of Nicola that became one of his best-known tattoos.

Nicole Richie’s tattoos include angel wings, an ankle rosary, ballet slippers, a shooting star and the “Richie” name at the back of her neck. Some pieces connect to family and friends; others are reminders of choices she made when she was younger.

She has talked about getting tattoos early and about feeling differently about some of them later. That gives the collection a personal timeline, from designs she still wears to one she once joked about removing.

The angel wings on Nicole Richie’s back

The best-known pieces are two small colored wings on Nicole’s shoulder blades. They sit on either side of her upper back and are easy to see in backless outfits and older red-carpet photos.

Wings can carry different meanings, but Nicole hasn’t attached a specific story to these in the source material. The design became part of her public look. Her daughter Kate later showed a similar pair, giving the wings a family connection as well.

The wings are small, but their placement makes them recognizable in photos.

Her rosary tattoo wraps around the ankle

Nicole’s rosary tattoo circles her ankle and continues toward her foot. Small beads form the chain, which ends in a cross; from a distance, the piece can look like an anklet.

It shows more clearly in sandals, heels and other open shoes. Older photos often pair it with bright red nail polish, which helped make the design familiar to fans.

The rosary has remained one of the tattoos most closely associated with her style.

The “virgin” wrist tattoo

One of Nicole’s wrist tattoos reads “virgin.” The word relates to her Virgo sign, represented by the maiden. She later said she felt awkward about having it on her wrist.

That’s a straightforward story: she liked the idea when she was young and her opinion changed. The lettering is small, but its position means it can show even when her other tattoos are covered.

Some celebrity tattoo stories are hard to verify. Here, Nicole has spoken about how she came to feel about the design.

Ballet slippers for Lionel Richie’s song

Nicole has ballet slippers tattooed as a tribute to her father, Lionel Richie. He wrote “Ballerina Girl,” and she has explained the connection herself.

The slippers aren’t as easy to spot as the wings or ankle rosary, but their meaning is clear. They link the tattoo to her father and his music.

The design is one example of how her collection moves between family references and more decorative pieces.

The cross on her lower back

Nicole has a cross low on her back. She later joked about it as a “tramp stamp” and, on Candidly Nicole, talked about looking into having it removed.

The dark cross is often covered by clothing, though older beach and red-carpet photos show it. Nicole’s comments make clear that she views the placement differently now than she did when she got it.

A tattoo can remain part of someone’s history even after it stops being a favorite.

The shooting star on her wrist

Nicole has described a red shooting star on her wrist as a shared tattoo connected to close friends, including Kidada Jones and the late singer Aaliyah.

The red ink stands out in older photos. The design is small, but the connection to those friendships is part of the story Nicole has shared.

It sits alongside more serious family designs in a collection that also includes playful, colorful pieces.

The tiara tattoo on her hip

Nicole’s tiara tattoo sits on her hip and dates from the earlier part of her tattoo years. The placement lets her keep it covered when she chooses.

She hasn’t given it a confirmed meaning in the source material. It may simply be a design she liked at the time, alongside other pieces that capture different stages of her style.

The Richie tattoo behind her neck

“Richie” is written on the back of Nicole’s neck beneath a small bow. The lettering shows when her hair is up and disappears under it when her hair is down.

The surname is direct, while the bow adds a small decorative detail. Together they read almost like a signature at the nape of her neck.

What Nicole’s tattoos say about her

Nicole’s collection brings together family, friendship, astrology and music, along with a few decisions she now sees differently. The wings and rosary became familiar parts of her look; the ballet slippers connect to her father, and the shooting star to friends.

She can laugh about the cross on her lower back while still treating it as part of her past. Some pieces remain favorites; others remind her of a younger version of herself.

Watch Nicole Richie talk about a tattoo

Nicole’s Candidly Nicole series included a segment about tattoo removal and the cross on her lower back.

More profiles with similar personal details are in the actors tattoo section.

More actor tattoo guides

• Alan Ritchson tattoos
• David Harbour tattoos

The black iron cross that became part of the look

Jesse James’s tattoos draw on the same world as his motorcycles and metalwork. The clearest recurring image is the black iron cross, which is tied to West Coast Choppers and the custom-bike scene James helped popularise. You can see it in photos and in the graphics around his business. It’s useful to keep the tattoo separate from the shop logo and from fan designs based on it.

The cross is simple enough to recognise from a distance. It can go on a motorcycle part, a shirt or someone’s skin, which helped make it shorthand for the shop’s style. James’s tattoos sit among the skulls, machinery and biker references that shape that look.

Online pages often give the cross one fixed meaning. James has spoken more about its place in the shop’s design culture than about a single definition. It works as an emblem and as part of his visual style.

Chest work, skulls and the biker vocabulary

Photos show extensive tattoos across James’s chest and upper body, including dark lettering and skull imagery. It’s hard to list every design because many pictures are cropped, blurry or taken while he’s working around motorcycles. The chest is clearly a major part of the collection, but not every symbol has a confirmed name.

Skulls have a long history in biker and tattoo culture. They can suggest mortality, danger or resilience, or simply appeal as strong graphic shapes. In James’s photos, the imagery sits alongside custom metalwork, engines and the workshop where he works. It belongs to the same hands-on world.

The tattoos look different depending on the setting. A magazine portrait makes them part of a public image; a shop photo shows them in the middle of daily work. Both are useful views of a collection that has changed over time.

Arms, lettering and the people behind the image

James also has lettering and symbols on his arms. Online summaries sometimes mix his tattoos with work by tattoo artists who share his name. Searches can also bring up Jesse James the historical outlaw. That leaves several different people in the results, so it’s worth checking who a photograph actually shows. Start with the person, then identify the tattoo.

Ranker and older lifestyle coverage describe some of James’s tattoos as tributes to people close to him and markers of his progress in entertainment and motorcycle culture. The visible names and symbols may fit that account, but a precise list needs a clear photo or a direct explanation. With lettering, the wearer’s account matters more than a caption.

The arms carry smaller, more legible marks than the broad chest work, at least in some photos. A vest or a day in the shop can leave them in plain view. The black ink and mechanical setting have become part of the silhouette people associate with James and West Coast Choppers.

Tattoos and the West Coast Choppers identity

West Coast Choppers became known for tall handlebars, rigid frames and a black iron cross logo. James’s tattoos share that visual world. Photos of him often include motorcycle parts, shop signs, skull graphics or custom paint. The ink echoes the work around him.

Context matters when naming a tattoo. A skull doesn’t automatically signal a prison tattoo, and an iron cross doesn’t prove every political meaning people attach to the symbol. The available coverage connects James’s ink to biker design, custom fabrication and his business. A more specific claim needs better evidence.

In interviews, James has talked about working with his hands and avoiding corporate polish. His tattoos look at home in that setting: direct, durable and a little rough. They have more in common with shop signs and old flash than a carefully coordinated celebrity sleeve.

The photos clearly show heavy coverage on his arms, with skulls, mechanical shapes and lettering. Some smaller pieces are hidden by sleeves or too blurred to identify, so there’s no reliable way to name every design.

What can be documented with confidence

The clearest account is that Jesse James has extensive tattoos across his chest and arms, including black iron-cross imagery, lettering and skull designs. These have repeatedly been linked to his public image and West Coast Choppers. Exact names and meanings are harder to establish, in part because searches confuse the celebrity with the historical outlaw and tattoo artists who share his name. The ink is also discussed alongside Iman Shumpert’s tattoos.

Keeping that distinction clear helps. A tattoo guide should identify what’s visible without turning every patch of dark ink into a story that the wearer hasn’t told. The broad picture here is already clear: handmade work, motorcycles, personal ties and a style outside ordinary celebrity fashion.

When you compare photos, look at the chest and both arms, and note which motifs appear in more than one image. Clothes and camera angles hide details; a dark shape can look like a symbol in one photo and lettering in another. Where James hasn’t explained a design, it’s better to describe what the image shows.

Watch Jesse James talk about his working world

We didn’t find a dedicated tattoo tour, so this interview from James’s shop offers a look at the working world around his tattoos.

Kat Von D has said she’s been tattooed by more than 30 artists. Her collection has grown through years of television, touring, friendships, family milestones and changes in taste.

The stars around her left eye are easy to recognize. Other work sits across her arms, hands, neck and chest, and some older designs have been changed or covered.

Kat Von D’s face stars are the first thing people notice

The stars around Kat’s left eye are her signature tattoo: one larger star near the outer corner, with smaller stars around it and toward her temple.

Their black shapes are clear in close portraits. Next to the eye they can look like eyeliner, but the stars remain visible as tattoos.

Kat has other small marks around her face and hairline. Makeup, hair and lighting change how they appear, so faint lines in a photo are not always easy to identify.

Lettering and small designs continue across her fingers and wrist. When she rests a hand near her cheek, the hand tattoos appear in the same frame as the stars.

In an interview, Kat described her first tattoo as a small “J” for a first love named James. She said she still loved it, even though people often warn against name tattoos.

She has described tattoos as memories and landmarks from different periods of her life. The face stars are the most recognizable, while older pieces carry their own history.

Her sleeves mix portraits, flowers and old-school blackwork

Kat’s arms carry layered black-and-gray work: flowers, faces, lettering, scrolls and smaller filler designs that run into one another.

A large portrait sits on her upper arm and shoulder within the sleeve. Floral work softens its edges, while darker shading gives the arm depth.

Clean outlines, grey wash and careful shading shape much of the work. Strong contrast gives it definition without bright color.

A jacket, a cropped photo or a different angle can hide part of a sleeve. Another image may reveal a design that was there all along.

Kat has also reworked and covered pieces, changing the look of her arms over time. Her collection has not stayed fixed since her early television years.

The portraits, flowers and smaller marks meet across the sleeve rather than sitting as isolated designs. The layers show how the arm has developed over time.

The blackout sleeve is a newer, heavier chapter

One of the biggest changes in Kat’s tattoo story has been her move toward blackout work. Solid black now covers large sections of her arm, including older designs.

Blackout changes the balance of a sleeve. Broad black areas sit beside older tattoos that remain visible on her hand, shoulder or at the edge of the arm.

Kat has said she wanted less visual clutter and liked the clean feeling of looking down at a blacked-out section. Even with a large collection, she chose to remove detail from parts of it.

People have different reactions to the change. Some prefer the earlier portrait-heavy sleeve; others like the darker, more graphic look. The blackout is her choice and one stage in a collection that has changed over time.

In poor lighting, blackout work can look flat. A clear, close photo shows the solid fill beside older designs that remain visible near the hand, shoulder or edge of the arm.

Older tattoo lists may describe designs that have since been covered. Those tattoos were there, even if the same details are no longer visible.

Neck and chest tattoos tie the bigger pieces together

Kat’s neck and upper chest use the same black-and-gray style as her arms. Depending on her clothing, photos show fine lettering, small symbols, leaves and shading beneath the jaw and along the collarbone.

The neck ink helps connect the stars on her face with the work on her arms. When her hair is back or she wears a lower neckline, more of that line is visible.

Makeup can soften the neck tattoos in some photos; a close, bare portrait shows their outlines more clearly. Styling changes how much ink a single image reveals.

Some tattoos are tied to people from Kat’s life and work. Names and initials can be hard to read in photos, but she has described tattoos as landmarks in time.

Leaves, stars and curved lines add space between the denser areas of ink. They guide the eye from her neck toward the chest and shoulders.

The transitions matter alongside the individual designs. Kat’s face, neck and sleeves have been built up over time, and the smaller details help the areas sit together.

Family ink, High Voltage and the tattoos linked to her story

Family, music and her tattoo career recur in Kat’s accounts of her ink. One design is linked to her father; others point to people and places from different periods of her life.

The High Voltage tattoo refers to the shop that became a major part of her career, including her years on LA Ink. The name has a place in her personal and public history.

Kat has had tattoos connected with former friends, relationships and fellow artists. Some remain, some have changed and some have been covered over the years.

Music appears in her collection too. Kat has talked about classical music and Beethoven, and the video below discusses that side of her taste.

A small letter, date or symbol may matter to the person wearing it even when other people don’t recognize it. Not every tattoo needs a public explanation.

Taken together, the collection reflects family memories, relationships, work milestones, music and designs she liked at the time. It doesn’t fit one theme.

Kat has had time to collect, revise and cover pieces. For comparison, Post Malone’s tattoos use a different mix; Kat’s work is especially associated with portraiture, tattoo-shop culture and black-and-gray shading. She has described the collection as a record of different moments in her life. Some pieces have changed along with those moments.

Watch Kat explain the stories behind her tattoos

The video covers several of Kat’s better-known tattoos, including the family pieces, face stars, her first tattoo, the blackout sleeve and the High Voltage reference.

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Jenni “JWoww” Farley’s tattoos read like a scrapbook: family memories, old mistakes, a large Disney sleeve and stories from very different parts of her life. Some are playful, others deeply personal. The Disney designs turn romantic fairy tales into something much darker, while a few other pieces remember people she has lost.

Some tattoos have changed over time. Her first ankle flame was covered with a rose, angel wings and “OPA” after her grandfather died. A tiger on her thigh was later removed. Her most widely discussed recent tattoo is on her hand: a portrait of her son Greyson, honoring him after his autism diagnosis during a difficult period for the family.

Here’s a look at JWoww’s documented tattoos, keeping her own explanations separate from guesses.

The Disney sleeve is called “Happily never after”

JWoww’s best-known tattoo is a large Disney-inspired sleeve. It features Belle and the Beast, Ariel and Eric, Cinderella and Prince Charming, and Sleeping Beauty with her prince. The scenes aren’t sweet portraits from the films; they turn the stories into realistic, unsettling versions of romance.

When she revealed the sleeve at the 2016 MTV Video Music Awards, she called the theme “Happily never after.” She said she took four of her favorite Disney love stories and made them feel closer to reality. Eric looks away from Ariel, the Beast is frightening, Sleeping Beauty has overdosed, and Cinderella’s prince is violent.

The sleeve is intentionally heavy. It isn’t a cute Disney tribute that stops at character portraits. JWoww has said the stories reflect how relationships take work and how real life doesn’t promise a ride into the sunset. She grew up with the idea of a knight in shining armor, then learned that relationships can be much messier.

The arm is crowded with faces, figures, roses and dramatic shading. The sleeve wraps around rather than sitting flat, so different red-carpet photos show different characters.

Belle and the Beast sit at the heart of the sleeve

The Beauty and the Beast section is one of the easiest parts to recognize. Rather than showing the Beast as a misunderstood romantic hero, JWoww’s version leans into the frightening side of the story. The relationship looks controlling and difficult to escape.

That’s what sets the sleeve apart from most Disney tattoos. The characters are familiar, but their expressions and the way they’re placed change the mood. JWoww has said the films are among her favorites; she uses them to talk about the distance between fantasy and real life, not to dismiss them.

The sleeve also captures a time when she was thinking openly about love, marriage and what relationships look like from the outside. It’s romantic imagery with the rose-colored filter removed.

Ariel and Eric look in different directions

The Ariel and Eric scene spells out the sleeve’s idea. JWoww described Eric looking away as if he wants nothing to do with Ariel, while Ariel looks at him with desperate, pleading eyes. It deliberately reverses the happy couple image from The Little Mermaid.

The characters are doing something, not just posing for a portrait. The sleeve reads like a series of film stills: Belle, Ariel, Cinderella and Sleeping Beauty each stand for a different version of love going wrong.

The contrast is part of the meaning. The princesses are familiar symbols of happy endings, but the scenes on JWoww’s arm are about disappointment, compromise and the effort real relationships require.

Cinderella and Sleeping Beauty complete the darker story

The sleeve’s other two stories are Cinderella and Sleeping Beauty. Cinderella’s prince is shown abusing her, while Sleeping Beauty is depicted dead after an overdose, with her prince crying over her. JWoww has been direct about the grim scenes: she wanted the tattoos to show relationships as complicated, painful and sometimes destructive.

There’s a lot on one arm, which is part of why the sleeve stays with people. The images aren’t background decoration. Someone expecting a standard Disney sleeve sees a very different story.

The documented inventory credits tattoo artist Sarah Miller. Given the detail and the way the figures connect around the arm, the sleeve was a larger project, not a tiny one-time appointment.

Her son Greyson’s portrait is on her left hand

One of JWoww’s most personal tattoos is a portrait of her son Greyson on her left hand. Tattoo artist Nikko Hurtado began it in 2019. JWoww later explained why she chose that placement.

In 2025, she told Parade that the tattoo honored her son and was connected to the week he was diagnosed with autism. She was also going through a divorce. She said she told herself she only needed one man on her left hand for the rest of her life. The portrait marks a stressful period and the way motherhood reshaped her priorities.

JWoww has also spoken publicly about Greyson’s diagnosis and early intervention. She has explained the tattoo herself: it remembers a difficult time, the good times and the experience that made her the mother she is today.

Her first ankle flame became a rose for her grandfather

JWoww’s first tattoo was a flame by her right ankle. She got it at 15 during a house party, which she later described as far from an ideal setting. Her father was angry and eventually asked her to have it removed.

The removal hurt and left the design badly distorted. When JWoww turned 18, her father agreed to a cover-up. Her grandfather died that same day, so she changed the plan: the flame became a rose with angel wings and “OPA,” the German word she used for grandfather.

The cover-up changed the meaning of that patch of skin rather than simply making the original tattoo disappear. The flame was a teenage mistake; the rose and wings turned it into a memorial. It’s now one of the most sentimental pieces in her collection.

The dragon on her ribs was a reward for graduating

JWoww has a dragon on her left ribcage. She had always wanted one, and a college adviser who was also an artist promised to give her the tattoo if she got good grades and graduated. She did, and he kept his word.

The tattoo marks an achievement. She didn’t choose the dragon only because it looked fierce; it became a reward for finishing something difficult. Rib tattoos are also known for being painful, which adds to the story around this one.

There are plenty of general meanings attached to dragons online, from power to luck, but JWoww’s own explanation is more useful: a promise between a student and adviser, and a design she earned.

Her back carries a cross, praying hands and family initials

During the fourth season of Jersey Shore, JWoww got a back tattoo from an Italian artist while filming in Italy. The piece includes a cross, praying hands, “RIP” and “OMA”, another family tribute. She has said it was difficult to communicate because neither she nor the artist spoke the other’s language.

The result combines religious imagery with a family reference. The cross and praying hands have a traditional tattoo look, while “OMA” makes the design specific to her family. Like the ankle rose, it’s connected to remembrance.

Footprints were matching tattoos for her daughter

In November 2014, JWoww and her then-husband Roger Mathews got matching footprints for their daughter Meilani, who was born that July. JWoww posted about the tattoos and called them “corny cute parents” ink.

The design is much quieter than the Disney sleeve, but the reason is just as clear. Tiny footprints are a familiar parent tattoo; matching ones also mark the couple’s experience of becoming parents together.

She also has roses, a wrist tattoo and “Once Upon a Time”

Other documented designs include a rose on her left elbow, a tattoo on her left wrist and “Once Upon a Time” on her left shoulder. JWoww hasn’t given the same detailed public explanation for each of these pieces.

The rose fits the memorial and relationship themes elsewhere in her collection, but it shouldn’t automatically be tied to one particular person. “Once Upon a Time” sits naturally beside the Disney sleeve, though available sources don’t confirm that the phrase was part of the same project.

The tiger on her thigh has been removed

JWoww had a tiger tattoo on her right thigh and later had it removed with laser treatment in 2019. Older photos may show more ink than she has now. The tiger belongs in her tattoo history, but it should be identified as a design she decided to remove.

Removal is another chapter in a tattoo story. It doesn’t erase the fact that the design once mattered; it shows she reconsidered it. Her collection includes cover-ups, memorials, family tattoos and at least one piece she no longer wanted.

The documented list is more personal than random

The tattoos documented in JWoww’s collection include:

• Her dark Disney sleeve featuring Belle, the Beast, Ariel, Eric, Cinderella, Prince Charming, Sleeping Beauty and her prince.
• A portrait of her son Greyson on her left hand.
• A rose with angel wings and “OPA” near her right ankle, covering an earlier flame.
• A dragon on her left ribcage.
• A cross, praying hands, “RIP” and “OMA” on her back.
• Matching footprints for her daughter Meilani.
• A rose on her left elbow.
• “Once Upon a Time” on her left shoulder.
• A tattoo on her left wrist.
• A tiger on her right thigh that she later had removed.

That’s the public list, not a claim that every mark in an old photo can be identified. It also separates existing tattoos from the tiger she removed and the flame she covered.

JWoww’s tattoos form a life timeline

Viewed together, the tattoos mark different stages of JWoww’s life. The flame was a teenage impulse; the rose and “OPA” remember her grandfather. The dragon was a reward for graduating. The footprints and Greyson portrait are about motherhood, while the Disney sleeve turns her view of relationships into a large visual story.

That sleeve is the loudest piece, but it isn’t the whole collection. The smaller tattoos explain where some of the bigger ideas came from. Her ink tracks mistakes, family, love, loss and changing expectations.

Watch JWoww explain the stories behind her ink

JWoww’s own tattoo-tag video gives more context. She walks through the designs and explains the choices in her own words.

From the “Happily never after” sleeve to Greyson’s portrait and the rose for her grandfather, JWoww’s tattoos make more sense with their stories attached. The collection is dramatic, personal and a little messy.

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Twenty4Tim’s tattoos match his online style: visible, playful and a little dramatic. The German singer and creator has used ink to mark a television adventure, shape the look around his neck and make parts of his changing image permanent.

Photos tell more than public explanations do. The clearest story is a small koala linked to Ich bin ein Star, Holt mich hier raus!, the German version of I’m a Celebrity. Other pictures show a rose and several neck pieces, but there’s no complete public map or confirmed meaning for every line.

Even so, a pattern comes through. Much of the ink is meant to be seen, especially around his neck, and it has grown alongside his work in music, reality television and social media.

The koala tattoo turned the jungle camp into a lucky charm

The best-documented piece is a small koala on Twenty4Tim’s inner forearm. He showed it before entering the German jungle show, making it a souvenir of the experience rather than a random animal design.

A koala points straight to Australia and the jungle setting without needing a long caption. Its friendly, slightly goofy look also fits the playful side of his online persona. It’s cute and easy to understand, yet small enough to feel like a good-luck charm.

People responded to it that way, too. Coverage of the reveal described fans calling it a lucky charm and reacting with the affection usually reserved for a new pet. It marked an exciting new experience, not a dark or overly serious turning point.

The inner forearm is a useful place for a memory like this. He can show it when he wants, but it isn’t always on display. The tiny koala boils a loud television adventure—cameras, costumes and constant commentary—down to one small image he can carry with him.

His neck tattoos make the look much bolder

The koala is small and tied to one event; the neck pieces make a much stronger first impression. In mirror selfies and close-up photos, dark lines and lettering appear around the sides and front of Twenty4Tim’s neck, framing his face and becoming one of the most recognisable parts of his look.

The placement keeps the ink in view with a hoodie, shirt, suit or T-shirt. For someone whose work depends on images and short videos, that consistency matters. His hair, clothes, nails and makeup can change, while the neck tattoos remain a familiar anchor.

Photos show several designs in the area: curved lines near the jaw and darker work lower down toward the collar. Some images also catch lettering or shapes too small to identify with confidence. No reliable public source has explained every neck piece, so there’s no point turning each dark mark into a definite symbol.

That missing explanation doesn’t make the tattoos incomplete. They may be personal expression, part of the visual identity he shares with the public, or both. The contrast with the koala is what makes the collection interesting: one piece is small and tied to a trip; the neck work is hard to hide and part of his everyday look.

The rose tattoo adds a softer detail to the neck work

A side-profile photo shows a rose behind Twenty4Tim’s ear and along the side of his neck. Fine lines make it look lighter than the darker pieces lower down. It’s a small detail, but it softens the whole area.

Roses are common tattoo images, which is a good reason not to assign a personal meaning without hearing it from the person wearing one. The design could suggest love, beauty or a relationship, or it could simply be an image he liked. Public coverage shows the rose but doesn’t confirm its story.

Its placement is easier to describe. Tucked behind the ear, it shows in a side profile and can disappear under hair or a collar. It’s more discreet than the front-of-neck ink, creating layers rather than one flat block of black.

The fine petals and curved stem bring movement to an area that could otherwise feel heavy. It’s the kind of tattoo you notice after a closer look, not one that announces itself across a room.

The designs don’t all have to do the same job. The koala marks a television adventure; the neck tattoos shape his everyday look; the rose adds a gentler note. Together they feel collected over time instead of copied from one trend.

Reports around the show have mentioned a planned mega-tattoo, and the video below focuses on that idea. That doesn’t mean the larger design has already been inked; it shows that he sees tattoos as an ongoing project.

For now, the public record is clearest on three things: the koala tied to the jungle camp, the visible neck work and the rose at the side of his neck. The pieces vary in size and mood, but they all fit his playful, public-facing style. If he explains another design or reveals the planned larger piece, the story can grow without guessing at every unidentified line.

The Phoenix tattoo marks a fresh start

Twenty4Tim has also shown a clear PHOENIX tattoo on his upper arm. The lettering is easy to read in the close-up, so this is one design that needs little guesswork.

He shared it with a message about starting over, strength and carrying on. A phoenix is often associated with rebuilding and a new chapter; here, the word itself gives the tattoo a direct, personal feel without needing a long explanation.

The wing tattoos add a strong shape to the back of his neck

Another close-up shows a pair of detailed wing tattoos across the back of Twenty4Tim’s neck. The feathers spread from the centre and create a clearer shape than the smaller pieces visible in casual selfies.

A side angle shows how the wings sit below the hairline and follow the curve of his neck. The two photos fill in different details: one shows the overall design, the other makes the placement and linework easier to see.

The video below focuses on Twenty4Tim’s plans for a mega-tattoo.

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