Maddie Ziegler has described her tattoos as small and personal. In a Wired interview, she put the count at about seven; that can change as she adds new ink. The pieces shown in photos are mostly fine-line designs, often in places she can cover for a role or costume.

The clearest examples include a family name on her ribs, a yin-yang at her nape and a small arm tattoo that has been identified as a cowboy boot. Maddie has explained some choices herself, while the meaning of others remains unknown.

Small, deliberate, and easy to live with

Maddie has worked as a dancer and actor since she was young, so placement matters in her line of work. Ribs and the nape can be covered by wardrobe or hair; small arm pieces are easier to handle for a role than a large sleeve. The tattoos remain part of her everyday life without appearing in every costume or frame.

The Frances tattoo on Maddie Ziegler’s ribs

The cursive word “Frances” honors Maddie’s grandmother. Frances is also her sister Kenzie’s middle name, so the tattoo carries two family connections. Maddie got it around her 18th birthday, and Dr. Woo did the work.

The fine script follows the curve of her ribs. It’s easy to cover, and the name stands on its own without a frame or extra imagery.

A closer look at the Frances lettering

The close-up shows the cursive lettering without added dates, flowers or a banner. The simple treatment keeps the name legible and the tribute personal.

The appointment behind the Frances piece

This photograph shows Maddie during the appointment, but the tattoo itself is out of frame. It provides context for when the piece was done, not evidence of its final design or placement.

The yin-yang tattoo at her nape

At the nape of Maddie’s neck, a yin-yang sits inside a rounded, floral-looking outline. It appears below the hairline and can be covered or shown depending on her hairstyle. She hasn’t publicly given a specific meaning for it in the sources cited here, so the visible design is all we can say for sure.

Maddie’s small arm tattoos and the Docta Woo connection

Photos show fine-line ink on Maddie’s arms. TattooFilter identifies one small arm design as a cowboy boot, though it isn’t clear in every image and Maddie hasn’t explained its meaning. The pictures show the placement; they don’t establish why she chose it.

Maddie has said she gets her small tattoos from Dr. Woo. His fine-line work fits the scale of the pieces visible in these photos.

Why coverable placements matter for her acting work

Wardrobe, makeup or digital work can sometimes cover a visible tattoo, but that can add time to a production. Maddie’s ribs and nape are easier to conceal, and her small arm pieces give costume teams less to work around than a full sleeve.

That doesn’t make the tattoos less personal. It gives her room to play characters whose appearance differs from her own.

What to borrow from Maddie Ziegler’s choices

Her collection offers two practical ideas: decide where you want a tattoo to show, then choose a design that stays readable at that size. The Frances lettering and nape symbol are simple enough to work small, and the placements give her control over when they’re visible.

A cowboy boot has been reported on her arm, but its meaning hasn’t been confirmed. Keeping that distinction between what photos show and what Maddie has actually said makes the collection easier to describe accurately.

Maddie Ziegler collection FAQ

What is Maddie Ziegler’s Frances piece?

It’s a cursive name on her ribs. Frances is her grandmother’s name and her sister Kenzie’s middle name. Maddie got it around her 18th birthday; Dr. Woo is credited with the tattoo.

Where is Maddie Ziegler’s yin-yang piece?

It sits at the nape of her neck, just below the hairline, inside a rounded, floral-looking outline. She hasn’t publicly explained its meaning in the sources cited here.

Does Maddie Ziegler have a cowboy boot piece?

TattooFilter identifies a small design on her left arm as a cowboy boot. Its personal meaning hasn’t been confirmed.

Can these placements be covered easily?

The rib tattoo can be covered by most tops, and the nape design by her hair or wardrobe. Small arm tattoos are also easier to cover for a role than a large sleeve.

Maddie’s best-documented tattoos are small, family-centered or simply visible in photos. The collection stays personal while leaving her room to work across dance, acting and everyday life.

Vanna White was 68 when she got her first tattoo: a small pink heart on the inside of her left wrist, made by her daughter, tattoo artist Gigi Santo Pietro. White said she wanted to see the heart every day. Photos and video from the appointment show her choosing the shape and colour, then reacting to the finished piece.

Vanna White’s first tattoo

The tattoo is an open heart in pink ink, placed on the inside of White’s wrist. She chose a spot where she could glance at it herself, and the small outline keeps the design simple. Gigi did the work, but White made clear that getting the tattoo was her decision, not a dare from her daughter.

Why the choice works

A heart is a familiar symbol, but White chose the pink colour and small scale for a specific reason: she wanted a daily reminder of Gigi. Photos from the appointment show them looking at different heart shapes and talking about colour. The image above captures the studio visit, not the finished tattoo.

In the studio with Gigi

White joked that she was shaking and wondered how much the tattoo would hurt. She later said the experience was easier than she expected and that she was happy with the result. The two hugged after Gigi finished.

Gigi is a professional tattoo artist, so the appointment brought together White’s first tattoo and someone she trusted to do it. The photograph provides studio context; the tattoo itself is not visible in it.

A mark she can see

The inside of the wrist puts the heart within White’s own view, though a sleeve, watch or bracelet can cover it. The placement fits what she said she wanted: a personal reminder she could see without turning it into a large public statement.

How it fits Vanna White’s style

White’s public look is polished and bright, and the small pink heart sits easily alongside both dressed-up outfits and casual clothes. It doesn’t announce a change in her image; it marks a relationship she wanted to keep close.

Getting her first tattoo at 68 also makes the point that there’s no age deadline. White had been considering it and waited until the idea felt right.

What makes the story stick

White wanted the heart because Gigi made it, and she chose a placement where she could see it each day. That is the public story; the rest of what the design means belongs to the two of them. It doesn’t need extra initials or a date to explain the connection.

Before you book the appointment

The useful part to borrow is the thought behind the choice: decide what you want to remember, where you want to see it, and whether the design will still read at that size. For colour work, ask to see healed examples from the artist and give yourself time to settle on the design.

White’s first tattoo is modest but personal: a pink heart Gigi made for her mother, placed where White can look down and see it.

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Bailey Sarian’s collection moves from script and repeated lipstick shapes to colourful illustrative work on her arms and legs. In an Inked interview, she explained two parts of it; photos show the other designs and where they sit, but she hasn’t confirmed a meaning for every piece.

Bailey Sarian’s Beauty Is Art Tattoo

Sarian told Inked she got “Beauty is art” at about 20. The phrase is set in loose lettering, without a frame or added decoration. Inked presents it as a nod to her love of beauty and makeup; Sarian hasn’t offered a more detailed explanation.

The Lipstick Tattoos Are Her Repeating Motif

In the same interview, Sarian said she had lipstick tattoos “like Waldos” on her arms and legs. She hadn’t noticed how many had accumulated until she looked at them together. The repeated shape links parts of the collection without making every version identical.

Her Arms Mix Bold Color With Fine Detail

Photos show both arms covered with a mix of bright colour, black outlines, faces, flowers, lettering and smaller designs. Red, blue, yellow and black recur across the pieces, with some skin left between the larger shapes. The photographs show colour and line, with open skin between the larger pieces.

The Leg Tattoos Carry The Same Playful Energy

Official photos show colourful illustrative tattoos across Sarian’s thighs and lower legs. The lipstick designs appear there too, linking the leg pieces with the tattoos on her arms.

Editorial Photos Show Her Hand Tattoos Clearly

The LA Weekly cover photo shows Sarian’s hand and forearm tattoos, with lighter pieces visible through her sheer blouse. It’s an editorial portrait rather than a close-up, so you can see how the ink sits with her hair, makeup and clothes, but not every design in detail. Hand tattoos also appear in everyday gestures, where they’re harder to keep out of view.

Planning A Sleeve With Different Tattoo Styles

The mirror photo shows Sarian’s arms and legs together. Different images and styles sit across the limbs, while the repeated colours and lipstick designs give the collection a few common threads.

If you’re planning a sleeve, choose the larger pieces first and leave room around them for later work. Check the stencil with your arm bent as well as relaxed; spacing can look different once the body moves. For small lettering or lipstick designs, ask the artist what size will keep the details readable after healing.

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Savannah Guthrie has two small tattoos tied to her family: “All My Love” in her father’s handwriting and two hearts drawn by her children. Her friend Drew Barrymore was with her for both tattoo sessions, several years apart.

Savannah Guthrie’s two-heart tattoo

Vale and Charley drew the hearts themselves. Guthrie had their outlines tattooed near her wrist during an on-air visit to The Drew Barrymore Show. The lines keep the uneven shape of the children’s drawing instead of turning it into a polished matching pair.

A design based on a child’s drawing depends on the original marks. The artist can make small adjustments for the skin, but smoothing every line would take away what makes these hearts personal.

The “All My Love” tattoo is written in her father’s hand

“All My Love,” written by Guthrie’s father, sits on her forearm. The handwriting is the design: its spacing and letter shapes keep the look of his note without added decoration.

Lettering needs enough room to remain readable as it heals and ages. With a handwritten phrase, the artist has to preserve the source while choosing a size that works on the curve of the arm.

A friendship that made room for ink

Guthrie was 51 when she and Barrymore got their first tattoos together in 2023, after talking about it for years. Their designs were different: Guthrie chose her father’s handwriting, while Barrymore got three sardines to represent herself and her daughters. They shared another tattoo session on the show in 2025, when Guthrie got the hearts Vale and Charley had drawn.

The friendship is part of the story because Barrymore encouraged Guthrie to try ink and was there for both appointments. The designs themselves point to family, not matching symbols.

Drew Barrymore was part of the story

The wider photos place Guthrie and Barrymore together around the tattoo conversations. They add context, while the close-up views and the original drawings show the designs themselves. The images don’t establish another tattoo or a separate meaning.

Why the placement feels practical

The phrase is on Guthrie’s forearm, and the hearts sit near her wrist. Both spots make the ink easy to see without a mirror, and a sleeve can cover it when she wants. The lettering has room to read; the hearts stay small enough to keep the children’s outlines.

Personal reasons can take time

The idea took years to become a tattoo. If you have a note or drawing you want to keep, show the original to your artist and discuss what needs to change at tattoo size before settling on placement.

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Mika Salamanca’s tattoos show up differently from one photo to the next: dark geometric pieces on her upper arms, fine botanical lines on her forearms, small lettering near her shoulder and a line of text across her upper back. Her recent decision to remove some of the ink is practical. GMA reported that she was finding it difficult to cover her tattoos for tapings and brand endorsements as she prepared for acting work. Salamanca has said she loves them, so she described removal as a pause for now, not a change of heart.

Arm tattoos in one clean view

The standing photo brings several pieces together: dark geometric shapes higher on the arms, lighter botanical lines below, and small lettering near the shoulder. The designs vary in weight, with the larger shapes drawing the eye and the fine lines leaving more open space.

Short sleeves show more of the upper-arm work; rolled sleeves bring the forearm details into view. The pieces sit separately rather than filling the arm as one solid sleeve.

Fine-line forearm work

In the coffee photo, Salamanca reaches toward the camera, making the fine lines and text-like details along her forearm easier to see. The image shows how the marks follow the length of her arm, though it isn’t clear enough to read every character.

The forearm work is lighter than the geometric tattoos above it, so the two areas remain distinct. No single large illustration dominates the lower arm.

The tiny chest mark and arm contrast

The white-dress photo also shows small lettering high on Salamanca’s chest. Its wording and meaning aren’t confirmed, but its placement is clear: it sits near the center of her body while the larger designs remain on her arms.

The bright dress makes the dark upper-arm tattoo easy to pick out, while the finer lines remain visible lower down. The chest mark is a smaller detail within that wider arrangement.

Back lettering

In the turned pose, lettering across Salamanca’s upper back comes into view. The photo doesn’t make out the exact words, so there’s no basis for assigning them a meaning. It does show how the back piece sits apart from the arm tattoos and can be covered by different necklines.

How Mika frames the ink

With her hands raised in this photo, the botanical wrist and forearm work is easy to see. The geometric pieces sit behind it, and the chest lettering is visible above the brown top. Other images in the GMA gallery show the collection from different angles, including the upper back.

The tattoos don’t all share one style: the arms combine darker geometric forms with finer botanical lines, while the lettering appears in smaller placements on the chest, shoulder and back.

When the job needs a clean slate

GMA reported that Salamanca chose to remove some tattoos because covering them for tapings and brand endorsements had become difficult as she prepared for acting projects. In the interview, she said she loves her tattoos and that each one has meaning for her. She called the removal a pause, adding that she may return to getting tattoos later.

Her explanation is about work requirements, not regret. Covering visible tattoos repeatedly can add time to a production day, and removal is the option she chose for now.

What stands out in Mika Salamanca’s collection

The photos show tattoos across Salamanca’s arms, wrist, chest, shoulder and upper back. The most visible contrast is between the dark geometric arm pieces and the lighter botanical lines; the small lettering adds detail in a few other places. The images don’t confirm the wording or meaning of every mark, so those details are best left open.

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The available sources document two small designs: a window on the back of Emily Ratajkowski’s left ankle, and a tiny “sly” tattoo listed as matching ink for her and her friends.

The “sly” tattoo is a tiny friendship piece

Tattoofilter lists “sly” as a matching tattoo for Ratajkowski and her best friends. The photo shows the word in small, loose handwriting, but the listing doesn’t explain why they chose it.

The tiny “sly” lettering stays deliberately small

In this close crop, the letters look loosely handwritten, with open skin around them. The small scale makes the word easiest to read up close.

A second “sly” tattoo view shows the placement clearly

The wider frame places the word near the foot and shows more surrounding skin than the close crop, making scale and placement easier to judge.

What the photos can actually prove

Steal Her Style lists a window outline on the back of Ratajkowski’s left ankle. It quotes her saying she got it at 18 and often forgets it’s there. The page also says the design reflects a feeling of home and draws on her collages; that interpretation is the site’s account.

Steal Her Style called it her only known tattoo when the page was written. Tattoofilter also lists “sly”; together, the pages don’t settle the full timeline.

The rest of the look comes from styling

The separate interview portrait shows her clothes and surroundings in another setting. It offers a styling reference; the tattoo details come from Steal Her Style and Tattoofilter.

Personal details matter more than copying

Tattoofilter doesn’t explain why they chose “sly.” If you’re considering a friendship design, settle on what it means with the people who’ll wear it; a photograph can show the lettering, but it can’t provide that backstory.

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Maya Jama has a small lion outline near her ankle, an Arabic phrase across her thigh and cartoon-like faces around her crossed wrists. The designs vary in size and mood, with some meanings clearer than others.

A recent Cape Town choice

The fine-line lion sits just above Jama’s ankle. She got it at Tomb Tattoo while visiting Cape Town with a friend, after a night out that left her hungover. She chose a lion because she’s a Leo.

The design is a small outline without a crown, heavy shading or extra lettering. The trip is part of the story too: Jama has described the tattoo as a spur-of-the-moment choice made with a friend.

A relaxed choice

Jama says she chose the lion because she’s a Leo. There’s no need to read a bigger personality statement into the symbol.

The phrase with more history

Jama has spoken about an Arabic phrase across her thigh, roughly translated as “love like you’ve never been hurt, dance like nobody’s watching.” She got it as a teenager. The text carries a longer personal history than the newer ankle tattoo.

The thigh gives a longer line of text room and keeps it covered by many everyday outfits. Jama has said some of her tattoos are hidden until she isn’t dressed.

Why placement matters

The thigh can keep a longer tattoo private unless Jama chooses to show it. For anyone considering an Arabic phrase, the wording should be checked by a fluent speaker who understands the intended meaning. A copied online translation can miss spelling or grammar.

Small details

Jama also has small cartoon-like faces around her crossed wrists. They’re more playful than the thigh text, and photographs show them alongside other fine-line pieces.

Small wrist designs are easy to see, but the skin moves and gets regular sun and friction. A simplified face can keep its expression more clearly than one packed with tiny details.

Different moods, one collection

The tattoos don’t follow one strict style. The lion is a sign-of-the-zodiac reference; the Arabic phrase is a long personal message; the wrist faces are playful. Photos sometimes show other small designs, but they aren’t always clear enough to identify. Jama works across radio, television, fashion and social media, and not every tattoo has to represent the same side of her life.

Good ideas without copying

If an animal design appeals to you, start with the connection it has to your own life rather than copying Jama’s outline. If you’re considering text, check the wording and look at the design at the size you plan to get before settling on its placement. A longer phrase needs room to stay readable.

The same tattoo collection can include a serious line of text and a playful drawing. The pieces don’t have to share one mood to feel personal.

A casual takeaway

The photographs show the placement and appearance of Jama’s tattoos; their meaning comes from what she has said about them, not from the images alone.

Final take on Maya Jama

Jama’s collection moves between a star-sign symbol, a long phrase and small playful drawings. She has given a reason for some pieces, while others are known mainly from photographs.

Watch the video below for more Maya Jama coverage.

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Kevin Platzer, known to German reality TV viewers as Flocke, has tattoos across his neck, chest, arms, hands and legs. The collection combines heavy blackwork with lettering, a chest figure and smaller hand designs.

In a 2025 interview with BLICK, he explained why several of the tattoos matter to him and how he chose others.

Who Flocke Is

Platzer first appeared as Flocke in Berlin Tag & Nacht in 2019. He later featured in First Dates Hotel, Temptation Island VIP, B:Real, The 50 and Forsthaus Rampensau.

The CRIMINEL Tattoo

CRIMINEL covers his right thigh above dense ornamental blackwork. Flocke told BLICK it recalls his time on the streets of Berlin, when he spent time in circles he described as not always clean, sometimes criminal. He said he learned from that period; the tattoo marks his past without glorifying it.

The thick lettering is easy to read, with dark ornament framing the word from below.

The BESTE LEBEN Tattoo

BESTE LEBEN sits on his lower leg. Flocke described it as a reminder to make the most of each moment and switch off from stress. When he looks at it, he imagines relaxing on a beach under a palm tree.

The words sit inside larger blackwork on the leg, so the phrase is part of a wider collection rather than a stand-alone piece.

LOVE and the Hand Pieces

LOVE spans the fingers of his left hand. He calls it the most important word, a reminder of his love for family, friends and the work he does.

He said the dollar sign on his ring finger reflects his love of the U.S. The Ushuaïa logo on his middle finger recalls an Ibiza trip and nights out; the small tomato on his index finger was a spontaneous Mallorca tattoo.

The close-up shows the lettering and symbols packed across the fingers. Some edges have softened, but the designs remain readable.

The Chest Figure

Flocke describes the large figure on his upper left chest as a warrior. It reaches toward his shoulder. He told BLICK he didn’t know who she was; he chose the design because he found her attractive. He also said it was about the moment and how it felt, not a deeper story.

The face has softer shading, with heavier black shapes around it and older lettering farther down the chest.

What the Collection Says

The portrait here is contextual rather than a tattoo close-up. The other images show the work itself, from large areas of blackwork to short phrases and small hand designs.

Blackwork gives some pieces a visual link, but Flocke doesn’t describe every tattoo as part of one story. Some have a personal meaning; others were chosen for their look or the moment.

Final Take

For design ideas, notice the contrast: heavy blackwork covers large areas, while the words and small hand symbols stay readable.

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Alex Minsky’s tattoos cover his arms, shoulders, chest and neck, forming a large composition rather than a set of isolated marks. Editorial photographs show flowers, lettering, skulls and portrait-like figures. The chest banner reading “In Memory of Brother” is among the clearest details. Minsky hasn’t publicly explained every motif, so this guide sticks to what the pictures show and the parts of his story he has discussed.

How the full tattoo composition comes together

Minsky’s ink spans broad connected areas. Flowers, shaded figures, lettering and darker shapes sit close together, so the tattoos read as a continuous illustrated surface. In a close crop, one detail may look like a separate piece; a wider view shows how the designs meet across the shoulder, chest and arm.

The color photographs help distinguish adjacent shapes, while black-and-white portraits bring out the outlines and shading. The work has an illustrative quality, with layered petals and portrait-like faces, but available reporting doesn’t reliably identify the artist or style behind every element. Those are visual observations, not attributions.

The chest memorial lettering

The banner reads “In Memory of Brother” and sits among skull and floral imagery. The photographs don’t identify the person or explain the circumstances behind the tribute. Without Minsky’s own account, the wording is as far as a reliable description can go.

The flowers soften the darker shapes around the banner, while the lettering gives the chest design an easy-to-read focal point. Its visibility changes with the pose: in a straight-on portrait the words are clear, but when he turns his shoulders the banner recedes and the adjoining pieces come forward. Light and camera angle also affect what a photograph reveals.

Portraits and lettering around the neck

Portrait-like faces and shaded shapes run along the side of Minsky’s neck toward the shoulder. From the front, the ink frames his face; from the side, it links the head to the tattooed torso. The photographs show the placement, but don’t provide a reliable guide to the identities or meanings of the faces.

The side portrait keeps his face and the neck work in one frame. A cropped headshot could hide the ink, while a torso-only photograph would lose the connection between the neck, shoulder and chest.

Color, sleeves and the shoulder line

The sleeves wrap around the arms rather than sitting only on the front. Flowers, curved lines and darker blocks move toward the shoulder and meet the chest work. In a wide editorial image, color helps separate those shapes; in monochrome, the outlines, shading and contrast stand out instead. Neither treatment shows exactly how the ink looks in every setting.

A reclining pose turns the shoulder toward the camera and compresses the chest into a narrower plane. It makes the designs look connected, while also hiding some of the sleeve behind his body. Comparing this view with a standing portrait gives a fuller sense of how the tattoos wrap around him.

What the published record tells us about the photographs

In a 2014 interview with Out, Minsky described a man approaching him at a gym and asking him to pose for photographs after he had decided to stop drinking. The magazine reported that, within months, underwear images of him were circulating online, showing his tattoos and prosthetic leg. A 2015 Out photo feature presented a portrait series by photographer Eric Pietrangolare as Minsky looked toward acting.

Those accounts explain why many of the clearest images are editorial portraits rather than casual snapshots. They document different presentations of the same collection, not a dated record of when each tattoo was done. Minsky has also said he named his prosthetic leg Clark. That detail belongs to the context of full-body portraits; it isn’t an explanation of the tattoos.

What can—and cannot—be said about the meanings

The photographs show chest lettering, skull imagery, flowers, portrait-like figures, neck work and sleeves that wrap around the arms. They don’t explain every rose, face, skull or line of script. Minsky’s published comments give context to his modelling photographs, but guessing at the meaning of each design would go beyond what he has shared.

The pictures are most useful when read as views of a three-dimensional composition: notice how the pieces meet and how posture, light and camera angle change what is visible. The memorial wording is clear; the private story behind it remains his to tell.

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Sabina Kelley’s tattoos came together over years. She wanted full sleeves before her Las Vegas showgirl job allowed visible ink, and her first tattoo went on the back of her neck.

Sabina Kelley’s neck tattoos and the start of her collection

Kelley was 20 when she got her first tattoo. In an interview at the London Tattoo Convention, she said she had wanted sleeves earlier but couldn’t have visible tattoos while working as a Las Vegas showgirl. The job required performers to maintain a uniform look, she said, so the back of her neck was the first place she could get ink. When that work ended, she began expanding the collection gradually.

In a 2025 interview, Kelley described her first design as a horseshoe with a swallow, flames and the number 13. She connected it to the pin-up and rockabilly scene she was entering, without assigning a separate meaning to each part. She has also said that seeing model Thea Hogan on the November 1998 cover of Tattoo Magazine made her want sleeves of her own. Traditional tattooed pin-ups were already part of the look she admired.

The three neck roses and Nixx’s name

Kelley has said that the three roses on her neck represent her children. She credited Chuey Quintanar with tattooing the flowers. Below them is her husband Nixx’s name, which she has credited to Franco Vescovi. The designs often appear together in portraits, but their stories are distinct: the roses stand for her children; the name records her relationship with Nixx.

In a 2017 interview, Kelley called both among her favorite tattoos and said she didn’t regret any of her work. She has also talked about wanting a throat tattoo to finish the neck area. In 2025, she described that as a future goal, not a completed design.

Her left arm’s traditional tattoo sleeve

In a 2008 interview, Kelley described her left arm as traditional and her right as Japanese. She had wanted full sleeves from the start, but built them over time rather than completing them as one project. That pace fits the photographs, which show work across her shoulders, upper arms, forearms and hands without offering a complete list of each design.

Her left sleeve carries the traditional style she admired in tattoo magazines. Kelley hasn’t described every figure separately, but the photos show how the designs run across the arm.

Her right arm’s Japanese-style sleeve

The right arm gives the collection a different visual language. Kelley has called it Japanese in style, in contrast with the traditional work on her left. The colorful sleeve runs from her arm into the shoulder and torso.

Kelley has named several artists she has worked with or returned to, including her husband Nixx, Franco Vescovi, Kat Von D, Chuey Quintanar and Mr Cartoon. She hasn’t assigned each part of the sleeves to a specific artist, so those individual credits are the clearest record.

Knuckle lettering, words and the tattooed back

One small detail that reads quickly is housewife across Kelley’s knuckles, tattooed by Mr Cartoon. In a 2016 conversation, she also mentioned the words PMA, meaning positive mental attitude, blessed and true love. She said she didn’t have song lyrics tattooed.

Kelley described her whole back as tattooed in 2017. In a 2025 Inked interview, she said Nixx was reworking both sleeves and her back to refresh the pieces. She described the work as a refresh of existing tattoos, not a wholesale replacement.

Why the tattoos became part of her pin-up identity

Kelley has said her showgirl work required performers to look alike and didn’t allow visible tattoos. After leaving that role, she moved into burlesque and pin-up work, where ink could be part of her public image instead of something to hide. In interviews, she has also described facing resistance in modeling and having to prove herself to photographers.

A 2023 Las Vegas Weekly interview connected that shift with her move into burlesque and tattoo-forward pin-up performance. Kelley has also described a long-standing interest in tattooed pin-ups and wanting sleeves, so the interviews don’t support the idea that she got tattoos solely to advance her career.

What Sabina Kelley has confirmed about her tattoos

Kelley’s interviews offer snapshots from different years rather than a complete inventory. Her own descriptions confirm a few specific meanings and broad design choices; the photographs show how the collection has grown between those accounts.

How Sabina Kelley’s tattoos are changing now

In 2025, Kelley said Nixx was reworking both sleeves and her back, and that she wanted a throat tattoo to finish the neck. She gave no completion date or final design, so that remains the latest update she shared—not confirmation that the work is finished.