Kate Madden’s tattoo is a small pair of fine-line angel wings high on her back, a personal nod to her mother, Nicole Richie. Kate showed the design in an Instagram carousel in February 2026, captioned with a single angel-wing emoji. Nicole’s own upper-back wings are more colorful; Kate’s are lighter and more restrained.

What Kate Madden’s angel-wings tattoo looks like

The wings sit between Kate’s shoulder blades, close to the spine. A light outline and a few feather marks keep the shape simple, with enough open skin around it to make the design easy to read.

This two-panel reference shows Kate’s tattoo on the right and Nicole Richie’s wings on the left. They’re separate images, so the left panel isn’t another view of Kate’s back. Kate’s photo shows the placement and scale: the wings are small, with clear space between the design and her shoulders.

Fine lines can blur if too many details are squeezed into a small tattoo. Here, the feather marks remain part of a clear wing shape instead of crowding the outline.

The Instagram reveal kept it simple

Kate posted a carousel: the first image shows her face, and the next turns to the tattoo. The angel-wing emoji was her only caption. The reveal itself was simple, and the design didn’t need a long explanation to make the family connection visible.

There’s no confirmed account from Kate that assigns the wings another meaning. The reporting connects them to Nicole’s tattoo; anything beyond that would be guesswork. Kate may also have liked the fine-line style, but she hasn’t said so publicly.

The upper-back placement lets Kate show the wings with a low-backed dress or strappy top and cover them with an ordinary shirt. It’s a private design she can reveal when she chooses.

Kate’s style around the reveal

Kate’s public looks have included black leather, long dark hair and makeup with a rock-and-roll edge. The small wings add a softer detail without turning her back into a larger display piece.

This mirror selfie with Nicole Richie gives a casual look at Kate away from the red carpet. The wings aren’t visible, so the photo offers style context rather than evidence of the tattoo.

Angel wings can be ornate or heavily shaded. Kate’s are much quieter. For someone drawn to the idea but not a decorative look, a light outline and a few feather lines can keep the design understated.

The family reference stays personal

Nicole’s wings are more colorful and prominent; Kate’s are smaller, mostly black and almost sketch-like. The tattoos share an image, but they aren’t exact matches. Kate kept the family reference and chose a different treatment.

The red-carpet photo places Kate with her family, but the tattoos in it can’t be reliably read. The private reference behind her wings is clearer than anything this image shows.

For a family tattoo, people can start with the same idea and still choose different designs. One person might want color, another black ink, or someone else a small symbol. The connection doesn’t depend on identical tattoos.

Why the placement works

Wings suit the upper back because the center line gives them an anchor and the shoulder blades leave room to spread. The design can stay small and still follow the shape of the body.

The location is also easy to cover while a new tattoo heals, which can help limit sun and clothing friction. The artist’s aftercare instructions still matter. Placement gives the wearer some choice over when the tattoo is visible.

Kate’s Coachella photo doesn’t show the wings; it’s included as a glimpse of her public style. For a similar placement, ask your artist to check the stencil with your shoulders relaxed and again as you move. Small changes to the width or feather direction can make the shape sit more naturally.

How to borrow the idea without making it too obvious

If you like the idea but don’t want a direct copy, the design could use a single outline wing, two short feather shapes or a pair of curved marks that suggest wings together. Keep the image readable at the size you want.

The family reference can stay private. Kate’s tattoo reads as wings even if someone doesn’t know the Nicole Richie connection. That balance can work for a tribute to a parent, sibling, friend or chosen family member: the image can be simple while its meaning stays personal.

This outdoor portrait shows Kate in another setting, with the wings out of view. An upper-back design can stay out of sight in everyday clothes and appear when a neckline or pose reveals it.

Fine lines may soften as a tattoo heals and ages, especially when many details are packed together. An artist can simplify the feathers so the wings keep a clear shape. More detail isn’t always better; leaving open space helps the design read.

The family idea can stay small

Kate’s wings connect her to Nicole Richie, but the design remains her own: small, fine-line and easy to reveal or cover. It doesn’t need lettering or extra shading to carry that reference.

The tattoo stands on its own, whether or not Kate adds more ink later. For a similar tribute, choose the part of the story that matters and let the design stop there.

Marciano Brunette has a small black J above an outlined heart on the inside of his left wrist. He got the tattoo as a dedication to Jessi Draper.

The design appeared in a video posted in August 2026. Draper came in covering her eyes and asked, “Does it have anything to do with me?” When she saw the tattoo, she covered her mouth, dropped down in disbelief, then got up to kiss him.

The ink is simple. Its personal detail is the J, which Marciano connected to Draper’s Utah hair salon, JZ Styles. Here’s what the reveal and close-up show, along with a few practical details about adapting a small design for skin.

Marciano Brunette’s J and heart wrist tattoo

The tattoo is a black J over an open heart, with no shading or extra ornament. Marciano said the J uses the same font as the J in JZ Styles. That gives the familiar initial-and-heart pairing a specific reference tied to Draper’s business.

The inner wrist is easy to see and can be covered with a watch or sleeve. The close-up is the clearest view of the fine outline and how the two marks sit together. At this size, spacing and a readable shape matter more than extra detail.

The moment around the surprise

The video gives the tattoo a story beyond a wrist photo: Marciano arranged the reveal as a surprise for Draper. After she saw it, he said, “It’s too late now. I can’t go back.” He also explained the JZ Styles font, so the letter choice was part of the reveal.

The footage shows her reaction and the dedication Marciano chose to make public. It doesn’t tell us everything about their relationship, and there’s no need to treat the tattoo as proof of rumors around them.

What the J actually stands for

Marciano connected the J to JZ Styles, Draper’s salon. The letter points to her, but also to something she built and is publicly associated with. That source makes it more personal than an initial picked without context.

The same idea can work in other designs: use a letter from a sign, a partner’s handwriting, a family monogram, or a shape from someone’s artwork. A clean sans serif, script, or block letter will each give a small tattoo a different feel. The open heart keeps the design easy to read even if someone doesn’t know what the J refers to.

Marciano Brunette’s public style

A tiny tattoo still needs careful placement. On the wrist, there’s little room to hide uneven lines or cramped lettering. Here, the J and heart form a short vertical stack that follows the inside of the wrist, while the open outline leaves some skin visible.

Small lettering and fine lines can soften over time, especially on a part of the body that gets used every day. Keep the drawing clear at the size you want; trying to fit a sentence into a few centimetres can make it hard to read later.

Marciano Brunette beyond the reveal

Marciano is known to viewers through reality television, including Vanderpump Villa. That helps explain why a wrist tattoo reveal became entertainment news. The show provides context for the public attention, but the design itself is still a J and an outlined heart.

Keep the details grounded

The documented details are specific: the tattoo is on the inside of Marciano’s left wrist, it pairs a J with an outlined heart, he said the letter uses the JZ Styles font, and he presented it as a dedication to Draper. The reveal and close-up support those points; they don’t establish a full inventory of his tattoos or what any other ink might mean.

When you use a celebrity tattoo as a reference, look for a close-up that actually shows the design. A contextual event photo can help identify the person or date, but it isn’t evidence of ink that can’t be seen.

How to make a personal gift feel right

If you like this idea, borrow the personal reference rather than copying Marciano’s tattoo. Start with a detail that belongs to the person or relationship: a handwritten initial, a flower from a meaningful bouquet, a coordinate, or a shape connected to a shared place.

You can keep the heart or choose another simple symbol, such as a star, lock, match, or wave. Think about placement too: the wrist is easy to show, while the ribs or upper arm are more private. A finger leaves very little room, so the design usually needs to stay simple.

Bring lettering examples to your artist, but let them adjust the drawing for skin. A font that looks clear on a screen may lose its shape at tattoo size. Ask how large the design needs to be to stay readable.

Personal style ideas without copying a celebrity

These small changes keep the general idea while making it your own:

• Use two initials in a stack, with a small dot or star between them.
• Pair a handwritten letter with the outline of a meaningful object.
• Swap the open heart for a tiny lock, key, crescent moon, or birth flower.
• Hide the initial inside the symbol for a more private reference.
• Use a date or coordinate in the same visual style instead of a letter.

A personal reference can carry the meaning without filling every bit of space. Marciano’s design stays compact: one letter, one heart, and a font choice linked to Draper.

For the reveal and the surrounding relationship context, watch the short video below.

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Esther McGregor’s tattoos are a collection of small drawings across her arms and hands: flowers, an eye, a portrait and fine-line sketches. British Vogue described them as a constellation of delicate tattoos, and McGregor has said she designed the pieces herself.

She has also worked as a model and actor, made music and tattooed other people. She opened a tattoo studio in New York and described tattooing as “almost like a form of therapy.” In one interview, she recalled giving a client the wrong coordinates for a large chest tattoo. The story shows she knows the work from both sides of an appointment.

Esther McGregor’s self-designed arm tattoos

Photos show pieces at different scales, with open skin between them rather than one solid sleeve. Some are simple line drawings; others have stronger outlines or a little color. The mix gives each design room.

The tattoos have a loose, hand-drawn quality, more like illustrations than one fixed style. A patchwork arm can feel connected through line, scale and spacing without making every subject match. McGregor’s collection also seems to have grown over time; no single plan has to account for every piece.

The hydrangea tattoo honoring her grandfather

One clearly reported piece is a hydrangea on McGregor’s upper right arm, connected in coverage to her grandfather. It sits among smaller sketches but has a fuller flower shape, between a simple outline and a developed botanical drawing.

An upper-arm placement can show with a sleeveless top and stay covered under a sleeve. For a floral tattoo, start with the person or memory you want to mark, then work with an artist on the drawing. The meaning can be personal even if the flower stays simple.

The hand tattoos and all-seeing eye

In a black-and-white portrait, small line drawings cross McGregor’s fingers and hand, with a larger eye near the back of the hand. Curved lines and lashes frame a strong center, so the eye reads without heavy shading. The smaller marks leave some skin around it.

Hand tattoos are harder to hide than arm pieces. The skin is washed, rubbed, bent and exposed, so fine detail can soften and some areas may need touch-ups. The eye works because its main shape stays clear; scale and placement matter more than filling every gap.

The portrait work across her sleeve

Editorial photos show a portrait among the flowers and smaller sketches. It adds a focal point without turning the arm into a portrait sleeve.

Faces are unforgiving at small sizes: the eyes, nose and mouth need enough room and contrast to stay recognizable. An artist can help choose a size that holds those features after the tattoo heals and settles.

McGregor’s arm isn’t evenly balanced. Darker pieces sit beside lighter linework, and the open skin is part of the composition; there’s no need to fill every gap at once.

Esther McGregor’s acting and fashion era

Her tattoos can look delicate in an editorial photo and more punk with a different outfit. Film, fashion and red-carpet styling show different amounts of the same ink, which changes its mood.

An upper-arm piece can disappear under a sleeve, while a hand tattoo stays visible; something near the wrist can read like jewelry. McGregor’s collection moves between those levels of visibility.

Her work as a tattoo artist gives her a close view of line and spacing, but not every mark needs a deep explanation. The hydrangea has a family connection; other drawings may simply be pieces she wanted to keep.

If you’re taking ideas from McGregor’s collection, borrow the approach rather than a specific design: leave space, choose subjects that matter to you, and let an artist adapt them to your body.

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Maddie Ziegler has described her tattoos as small and personal. In a Wired interview, she put the count at about seven; that can change as she adds new ink. The pieces shown in photos are mostly fine-line designs, often in places she can cover for a role or costume.

The clearest examples include a family name on her ribs, a yin-yang at her nape and a small arm tattoo that has been identified as a cowboy boot. Maddie has explained some choices herself, while the meaning of others remains unknown.

Small, deliberate, and easy to live with

Maddie has worked as a dancer and actor since she was young, so placement matters in her line of work. Ribs and the nape can be covered by wardrobe or hair; small arm pieces are easier to handle for a role than a large sleeve. The tattoos remain part of her everyday life without appearing in every costume or frame.

The Frances tattoo on Maddie Ziegler’s ribs

The cursive word “Frances” honors Maddie’s grandmother. Frances is also her sister Kenzie’s middle name, so the tattoo carries two family connections. Maddie got it around her 18th birthday, and Dr. Woo did the work.

The fine script follows the curve of her ribs. It’s easy to cover, and the name stands on its own without a frame or extra imagery.

A closer look at the Frances lettering

The close-up shows the cursive lettering without added dates, flowers or a banner. The simple treatment keeps the name legible and the tribute personal.

The appointment behind the Frances piece

This photograph shows Maddie during the appointment, but the tattoo itself is out of frame. It provides context for when the piece was done, not evidence of its final design or placement.

The yin-yang tattoo at her nape

At the nape of Maddie’s neck, a yin-yang sits inside a rounded, floral-looking outline. It appears below the hairline and can be covered or shown depending on her hairstyle. She hasn’t publicly given a specific meaning for it in the sources cited here, so the visible design is all we can say for sure.

Maddie’s small arm tattoos and the Docta Woo connection

Photos show fine-line ink on Maddie’s arms. TattooFilter identifies one small arm design as a cowboy boot, though it isn’t clear in every image and Maddie hasn’t explained its meaning. The pictures show the placement; they don’t establish why she chose it.

Maddie has said she gets her small tattoos from Dr. Woo. His fine-line work fits the scale of the pieces visible in these photos.

Why coverable placements matter for her acting work

Wardrobe, makeup or digital work can sometimes cover a visible tattoo, but that can add time to a production. Maddie’s ribs and nape are easier to conceal, and her small arm pieces give costume teams less to work around than a full sleeve.

That doesn’t make the tattoos less personal. It gives her room to play characters whose appearance differs from her own.

What to borrow from Maddie Ziegler’s choices

Her collection offers two practical ideas: decide where you want a tattoo to show, then choose a design that stays readable at that size. The Frances lettering and nape symbol are simple enough to work small, and the placements give her control over when they’re visible.

A cowboy boot has been reported on her arm, but its meaning hasn’t been confirmed. Keeping that distinction between what photos show and what Maddie has actually said makes the collection easier to describe accurately.

Maddie Ziegler collection FAQ

What is Maddie Ziegler’s Frances piece?

It’s a cursive name on her ribs. Frances is her grandmother’s name and her sister Kenzie’s middle name. Maddie got it around her 18th birthday; Dr. Woo is credited with the tattoo.

Where is Maddie Ziegler’s yin-yang piece?

It sits at the nape of her neck, just below the hairline, inside a rounded, floral-looking outline. She hasn’t publicly explained its meaning in the sources cited here.

Does Maddie Ziegler have a cowboy boot piece?

TattooFilter identifies a small design on her left arm as a cowboy boot. Its personal meaning hasn’t been confirmed.

Can these placements be covered easily?

The rib tattoo can be covered by most tops, and the nape design by her hair or wardrobe. Small arm tattoos are also easier to cover for a role than a large sleeve.

Maddie’s best-documented tattoos are small, family-centered or simply visible in photos. The collection stays personal while leaving her room to work across dance, acting and everyday life.

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Vanna White was 68 when she got her first tattoo: a small pink heart on the inside of her left wrist, made by her daughter, tattoo artist Gigi Santo Pietro. White said she wanted to see the heart every day. Photos and video from the appointment show her choosing the shape and colour, then reacting to the finished piece.

Vanna White’s first tattoo

The tattoo is an open heart in pink ink, placed on the inside of White’s wrist. She chose a spot where she could glance at it herself, and the small outline keeps the design simple. Gigi did the work, but White made clear that getting the tattoo was her decision, not a dare from her daughter.

Why the choice works

A heart is a familiar symbol, but White chose the pink colour and small scale for a specific reason: she wanted a daily reminder of Gigi. Photos from the appointment show them looking at different heart shapes and talking about colour. The image above captures the studio visit, not the finished tattoo.

In the studio with Gigi

White joked that she was shaking and wondered how much the tattoo would hurt. She later said the experience was easier than she expected and that she was happy with the result. The two hugged after Gigi finished.

Gigi is a professional tattoo artist, so the appointment brought together White’s first tattoo and someone she trusted to do it. The photograph provides studio context; the tattoo itself is not visible in it.

A mark she can see

The inside of the wrist puts the heart within White’s own view, though a sleeve, watch or bracelet can cover it. The placement fits what she said she wanted: a personal reminder she could see without turning it into a large public statement.

How it fits Vanna White’s style

White’s public look is polished and bright, and the small pink heart sits easily alongside both dressed-up outfits and casual clothes. It doesn’t announce a change in her image; it marks a relationship she wanted to keep close.

Getting her first tattoo at 68 also makes the point that there’s no age deadline. White had been considering it and waited until the idea felt right.

What makes the story stick

White wanted the heart because Gigi made it, and she chose a placement where she could see it each day. That is the public story; the rest of what the design means belongs to the two of them. It doesn’t need extra initials or a date to explain the connection.

Before you book the appointment

The useful part to borrow is the thought behind the choice: decide what you want to remember, where you want to see it, and whether the design will still read at that size. For colour work, ask to see healed examples from the artist and give yourself time to settle on the design.

White’s first tattoo is modest but personal: a pink heart Gigi made for her mother, placed where White can look down and see it.

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Bailey Sarian’s collection moves from script and repeated lipstick shapes to colourful illustrative work on her arms and legs. In an Inked interview, she explained two parts of it; photos show the other designs and where they sit, but she hasn’t confirmed a meaning for every piece.

Bailey Sarian’s Beauty Is Art Tattoo

Sarian told Inked she got “Beauty is art” at about 20. The phrase is set in loose lettering, without a frame or added decoration. Inked presents it as a nod to her love of beauty and makeup; Sarian hasn’t offered a more detailed explanation.

The Lipstick Tattoos Are Her Repeating Motif

In the same interview, Sarian said she had lipstick tattoos “like Waldos” on her arms and legs. She hadn’t noticed how many had accumulated until she looked at them together. The repeated shape links parts of the collection without making every version identical.

Her Arms Mix Bold Color With Fine Detail

Photos show both arms covered with a mix of bright colour, black outlines, faces, flowers, lettering and smaller designs. Red, blue, yellow and black recur across the pieces, with some skin left between the larger shapes. The photographs show colour and line, with open skin between the larger pieces.

The Leg Tattoos Carry The Same Playful Energy

Official photos show colourful illustrative tattoos across Sarian’s thighs and lower legs. The lipstick designs appear there too, linking the leg pieces with the tattoos on her arms.

Editorial Photos Show Her Hand Tattoos Clearly

The LA Weekly cover photo shows Sarian’s hand and forearm tattoos, with lighter pieces visible through her sheer blouse. It’s an editorial portrait rather than a close-up, so you can see how the ink sits with her hair, makeup and clothes, but not every design in detail. Hand tattoos also appear in everyday gestures, where they’re harder to keep out of view.

Planning A Sleeve With Different Tattoo Styles

The mirror photo shows Sarian’s arms and legs together. Different images and styles sit across the limbs, while the repeated colours and lipstick designs give the collection a few common threads.

If you’re planning a sleeve, choose the larger pieces first and leave room around them for later work. Check the stencil with your arm bent as well as relaxed; spacing can look different once the body moves. For small lettering or lipstick designs, ask the artist what size will keep the details readable after healing.

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Savannah Guthrie has two small tattoos tied to her family: “All My Love” in her father’s handwriting and two hearts drawn by her children. Her friend Drew Barrymore was with her for both tattoo sessions, several years apart.

Savannah Guthrie’s two-heart tattoo

Vale and Charley drew the hearts themselves. Guthrie had their outlines tattooed near her wrist during an on-air visit to The Drew Barrymore Show. The lines keep the uneven shape of the children’s drawing instead of turning it into a polished matching pair.

A design based on a child’s drawing depends on the original marks. The artist can make small adjustments for the skin, but smoothing every line would take away what makes these hearts personal.

The “All My Love” tattoo is written in her father’s hand

“All My Love,” written by Guthrie’s father, sits on her forearm. The handwriting is the design: its spacing and letter shapes keep the look of his note without added decoration.

Lettering needs enough room to remain readable as it heals and ages. With a handwritten phrase, the artist has to preserve the source while choosing a size that works on the curve of the arm.

A friendship that made room for ink

Guthrie was 51 when she and Barrymore got their first tattoos together in 2023, after talking about it for years. Their designs were different: Guthrie chose her father’s handwriting, while Barrymore got three sardines to represent herself and her daughters. They shared another tattoo session on the show in 2025, when Guthrie got the hearts Vale and Charley had drawn.

The friendship is part of the story because Barrymore encouraged Guthrie to try ink and was there for both appointments. The designs themselves point to family, not matching symbols.

Drew Barrymore was part of the story

The wider photos place Guthrie and Barrymore together around the tattoo conversations. They add context, while the close-up views and the original drawings show the designs themselves. The images don’t establish another tattoo or a separate meaning.

Why the placement feels practical

The phrase is on Guthrie’s forearm, and the hearts sit near her wrist. Both spots make the ink easy to see without a mirror, and a sleeve can cover it when she wants. The lettering has room to read; the hearts stay small enough to keep the children’s outlines.

Personal reasons can take time

The idea took years to become a tattoo. If you have a note or drawing you want to keep, show the original to your artist and discuss what needs to change at tattoo size before settling on placement.

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Mika Salamanca’s tattoos show up differently from one photo to the next: dark geometric pieces on her upper arms, fine botanical lines on her forearms, small lettering near her shoulder and a line of text across her upper back. Her recent decision to remove some of the ink is practical. GMA reported that she was finding it difficult to cover her tattoos for tapings and brand endorsements as she prepared for acting work. Salamanca has said she loves them, so she described removal as a pause for now, not a change of heart.

Arm tattoos in one clean view

The standing photo brings several pieces together: dark geometric shapes higher on the arms, lighter botanical lines below, and small lettering near the shoulder. The designs vary in weight, with the larger shapes drawing the eye and the fine lines leaving more open space.

Short sleeves show more of the upper-arm work; rolled sleeves bring the forearm details into view. The pieces sit separately rather than filling the arm as one solid sleeve.

Fine-line forearm work

In the coffee photo, Salamanca reaches toward the camera, making the fine lines and text-like details along her forearm easier to see. The image shows how the marks follow the length of her arm, though it isn’t clear enough to read every character.

The forearm work is lighter than the geometric tattoos above it, so the two areas remain distinct. No single large illustration dominates the lower arm.

The tiny chest mark and arm contrast

The white-dress photo also shows small lettering high on Salamanca’s chest. Its wording and meaning aren’t confirmed, but its placement is clear: it sits near the center of her body while the larger designs remain on her arms.

The bright dress makes the dark upper-arm tattoo easy to pick out, while the finer lines remain visible lower down. The chest mark is a smaller detail within that wider arrangement.

Back lettering

In the turned pose, lettering across Salamanca’s upper back comes into view. The photo doesn’t make out the exact words, so there’s no basis for assigning them a meaning. It does show how the back piece sits apart from the arm tattoos and can be covered by different necklines.

How Mika frames the ink

With her hands raised in this photo, the botanical wrist and forearm work is easy to see. The geometric pieces sit behind it, and the chest lettering is visible above the brown top. Other images in the GMA gallery show the collection from different angles, including the upper back.

The tattoos don’t all share one style: the arms combine darker geometric forms with finer botanical lines, while the lettering appears in smaller placements on the chest, shoulder and back.

When the job needs a clean slate

GMA reported that Salamanca chose to remove some tattoos because covering them for tapings and brand endorsements had become difficult as she prepared for acting projects. In the interview, she said she loves her tattoos and that each one has meaning for her. She called the removal a pause, adding that she may return to getting tattoos later.

Her explanation is about work requirements, not regret. Covering visible tattoos repeatedly can add time to a production day, and removal is the option she chose for now.

What stands out in Mika Salamanca’s collection

The photos show tattoos across Salamanca’s arms, wrist, chest, shoulder and upper back. The most visible contrast is between the dark geometric arm pieces and the lighter botanical lines; the small lettering adds detail in a few other places. The images don’t confirm the wording or meaning of every mark, so those details are best left open.

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Maya Jama has a small lion outline near her ankle, an Arabic phrase across her thigh and cartoon-like faces around her crossed wrists. The designs vary in size and mood, with some meanings clearer than others.

A recent Cape Town choice

The fine-line lion sits just above Jama’s ankle. She got it at Tomb Tattoo while visiting Cape Town with a friend, after a night out that left her hungover. She chose a lion because she’s a Leo.

The design is a small outline without a crown, heavy shading or extra lettering. The trip is part of the story too: Jama has described the tattoo as a spur-of-the-moment choice made with a friend.

A relaxed choice

Jama says she chose the lion because she’s a Leo. There’s no need to read a bigger personality statement into the symbol.

The phrase with more history

Jama has spoken about an Arabic phrase across her thigh, roughly translated as “love like you’ve never been hurt, dance like nobody’s watching.” She got it as a teenager. The text carries a longer personal history than the newer ankle tattoo.

The thigh gives a longer line of text room and keeps it covered by many everyday outfits. Jama has said some of her tattoos are hidden until she isn’t dressed.

Why placement matters

The thigh can keep a longer tattoo private unless Jama chooses to show it. For anyone considering an Arabic phrase, the wording should be checked by a fluent speaker who understands the intended meaning. A copied online translation can miss spelling or grammar.

Small details

Jama also has small cartoon-like faces around her crossed wrists. They’re more playful than the thigh text, and photographs show them alongside other fine-line pieces.

Small wrist designs are easy to see, but the skin moves and gets regular sun and friction. A simplified face can keep its expression more clearly than one packed with tiny details.

Different moods, one collection

The tattoos don’t follow one strict style. The lion is a sign-of-the-zodiac reference; the Arabic phrase is a long personal message; the wrist faces are playful. Photos sometimes show other small designs, but they aren’t always clear enough to identify. Jama works across radio, television, fashion and social media, and not every tattoo has to represent the same side of her life.

Good ideas without copying

If an animal design appeals to you, start with the connection it has to your own life rather than copying Jama’s outline. If you’re considering text, check the wording and look at the design at the size you plan to get before settling on its placement. A longer phrase needs room to stay readable.

The same tattoo collection can include a serious line of text and a playful drawing. The pieces don’t have to share one mood to feel personal.

A casual takeaway

The photographs show the placement and appearance of Jama’s tattoos; their meaning comes from what she has said about them, not from the images alone.

Final take on Maya Jama

Jama’s collection moves between a star-sign symbol, a long phrase and small playful drawings. She has given a reason for some pieces, while others are known mainly from photographs.

Watch the video below for more Maya Jama coverage.

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Kevin Platzer, known to German reality TV viewers as Flocke, has tattoos across his neck, chest, arms, hands and legs. The collection combines heavy blackwork with lettering, a chest figure and smaller hand designs.

In a 2025 interview with BLICK, he explained why several of the tattoos matter to him and how he chose others.

Who Flocke Is

Platzer first appeared as Flocke in Berlin Tag & Nacht in 2019. He later featured in First Dates Hotel, Temptation Island VIP, B:Real, The 50 and Forsthaus Rampensau.

The CRIMINEL Tattoo

CRIMINEL covers his right thigh above dense ornamental blackwork. Flocke told BLICK it recalls his time on the streets of Berlin, when he spent time in circles he described as not always clean, sometimes criminal. He said he learned from that period; the tattoo marks his past without glorifying it.

The thick lettering is easy to read, with dark ornament framing the word from below.

The BESTE LEBEN Tattoo

BESTE LEBEN sits on his lower leg. Flocke described it as a reminder to make the most of each moment and switch off from stress. When he looks at it, he imagines relaxing on a beach under a palm tree.

The words sit inside larger blackwork on the leg, so the phrase is part of a wider collection rather than a stand-alone piece.

LOVE and the Hand Pieces

LOVE spans the fingers of his left hand. He calls it the most important word, a reminder of his love for family, friends and the work he does.

He said the dollar sign on his ring finger reflects his love of the U.S. The Ushuaïa logo on his middle finger recalls an Ibiza trip and nights out; the small tomato on his index finger was a spontaneous Mallorca tattoo.

The close-up shows the lettering and symbols packed across the fingers. Some edges have softened, but the designs remain readable.

The Chest Figure

Flocke describes the large figure on his upper left chest as a warrior. It reaches toward his shoulder. He told BLICK he didn’t know who she was; he chose the design because he found her attractive. He also said it was about the moment and how it felt, not a deeper story.

The face has softer shading, with heavier black shapes around it and older lettering farther down the chest.

What the Collection Says

The portrait here is contextual rather than a tattoo close-up. The other images show the work itself, from large areas of blackwork to short phrases and small hand designs.

Blackwork gives some pieces a visual link, but Flocke doesn’t describe every tattoo as part of one story. Some have a personal meaning; others were chosen for their look or the moment.

Final Take

For design ideas, notice the contrast: heavy blackwork covers large areas, while the words and small hand symbols stay readable.

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