Katie Price’s tattoos cover her back, arms, stomach, thighs and wrists. The collection includes wide feathered wings, floral work, script, bracelets and designs tied to people and moments in her life. Some pieces cover a large area; others are small details. The overall look is bold, busy, and very personal.
Price often chooses designs that read from a distance, then adds smaller details around them. The angel wings across her back change its whole shape, while a horse, flowers and feathered forms make a separate composition over her stomach and thighs.
Her tattoos have changed over time, too. The phrase “tattoo transformation” suits a collection where names and relationship tattoos have been covered, altered or built over. The ink reflects more than one moment in her life. Here are the pieces that stand out in the clearest photos.
Katie Price’s giant angel-wing back tattoo is the main statement
The newest and most dramatic part of Katie Price’s tattoos is the large pair of angel wings across her back. The feathers start high on the shoulders, spread across the shoulder blades and narrow as they reach toward the waist. In photos, the outer edges look soft, while darker shading through the middle gives the wings depth.
At this size, the tattoo sets the shape of the back. It widens across the shoulders and draws the eye toward the spine. Under an open-backed dress or crop top, it becomes the main detail rather than a small mark among others.
Price has shown the work while it was still fresh, when the ink appeared darker and the skin was settling. Those photos make the feather structure easy to see. Each feather points in its own direction, but the overlapping sections hold the two wings together. The design gets its scale from many smaller strokes rather than a thick outline.
Angel wings are a familiar subject; the full-back placement is what makes this version striking. A design that spans the shoulders, spine and lower back needs an artist to keep both sides balanced. At this scale, even a small difference between the wings will show.
Her older back and shoulder ink shows a layered layout
A second photo shows the wings from another angle. The feathers curve around the shoulders rather than forming a strict mirror image, and some skin remains open through the center. That keeps the back from looking like one solid panel.
The view also makes the older tattoos around her shoulders easier to pick out. They have their own line weights and shapes, and the newer wings sit around them instead of replacing every detail. The result has more than one layer.
Price’s back is an example of how a tattoo collection can grow gradually. A larger piece can give earlier designs a frame, as long as there is room for each to remain visible. The lines and shading don’t all have to match.
Clothing changes how much of the back work people see. A low neckline can reveal the upper feathers; a shirt can cover the whole design. The placement can make a large tattoo feel private one day and central to an outfit the next.
Floral and horse tattoos bring movement to her stomach and thighs
The stomach and thigh work looks different from the wings on Price’s back. In beach photos, a detailed horse stretches across her stomach, surrounded by flowers and leaves. Related feather shapes continue down her thighs and follow the line of her legs.
The horse gives the composition a clear focal point. Its head and mane are easy to recognise, while the flowers soften the edges. The feathered forms on the thighs point downward, carrying the eye toward the legs rather than stopping at the hips.
These designs sit on parts of the body that bend and move. The stomach changes shape when someone sits or stretches, and the thighs shift as the legs turn. The open space between the horse, flowers and feathers helps keep the details distinct in different poses.
Flowers also appear elsewhere in Price’s collection, though they don’t all use the same design. Some are lighter; others sit inside darker shading. Repeating a subject without repeating the exact image can help a large collection feel connected.
The garter tattoo on her thigh is a very different kind of design
One of Price’s older thigh tattoos is a black-and-pink garter. It sits high on her leg. In photos with a short dress and tall boots, the band almost reads as part of the outfit. Its shape wraps around the thigh, with a decorative, lingerie-inspired look.
This piece is smaller and more graphic than the feathered back work. The garter shape is clear without taking up a large area. It can stay under everyday clothes, then show with a skirt, shorts or swimwear.
A garter design has to follow the leg without appearing to slide up or down. The band needs a clean line, and its details need enough room to stay distinct as the thigh changes shape. The simple outline here does the work without crowding the narrow space.
Not every tattoo in a collection has to share the mood of its largest pieces. A bold back tattoo can sit alongside something playful, bright or fashion-inspired on the leg. That contrast gives the collection more range.
Katie Price’s arm sleeve mixes flowers with darker shading
The floral work on Price’s arm is easy to spot in close portraits. The sleeve runs from her wrist toward her upper arm, layering flowers and leaves with darker shaded sections. The full floral arm sleeve has enough contrast to show clearly even in a night-time photo.
Unlike the repeated feather shapes on her back, the sleeve combines several textures. Some petals are outlined and left open; other areas use heavier black or gray shading. The difference gives the flowers room to stand out.
Price has described floral work connected to her mum. Flowers can carry that personal meaning without a line of script or a portrait, and the design can be extended later with more leaves, stems or shading.
An arm sleeve is visible in everyday gestures. A hand near the face, a folded arm or a short-sleeved top can bring a different part of the design into view.
What ties the whole look together
Price’s tattoos share a confidence about scale. The wings take over much of her back, and other designs cover large sections of her legs and arms. Smaller script, bands and wrist details break up the larger pieces, giving the collection different weights.
Several designs use familiar symbols with personal associations. Wings can suggest protection or change; flowers have a family connection; and the horse reflects Price’s long-running interest in horses. The garter brings a fashion reference into the mix. The exact meaning of every piece isn’t clear from the photos, but the subjects recur across the collection.
If you’re using Katie Price’s tattoos for ideas, think about placement before settling on a subject. Wings need enough room to spread across the back; a flower sleeve has to wrap around the arm; and a band must follow the thigh. The same design can look quite different in another spot.
Her tattoos have also changed over the years. Names and relationship designs can be covered or reworked as a person’s life changes. The different stages remain visible in the collection, giving it a history rather than a single finished look.
Price wears much of her ink where clothes can reveal or cover it. A backless dress shows the wings; sleeves hide them. That combination of large placement, personal motifs and changing work gives the collection its distinctive look.