Laurence Bédard’s tattoos range from a pale flower on her hand and a clock in her sleeve to an elephant on her thigh, a snake-and-skull stomach piece and a vintage microphone. The Canadian model, known online as Lolobe4, mixes bold outlines, red flowers and softer shading. She has said that some tattoos have personal meaning and others are there for their style; the five designs below are easy to describe from the photos.

The large flower tattoo on her hand

A broad-petalled flower covers the back of Laurence’s hand. Its center is densely marked, while the petals stay pale and open. Pointed leaves reach toward the wrist and knuckles, giving the design a wider outline than the flower alone.

The contrast between the dark center and lighter petals keeps the bloom distinct from the busier sleeve above it. The hand placement also brings the flower near her face when she raises her arm; with her hand lowered, it meets the rest of the sleeve.

The clock tattoo in her forearm sleeve

A round clock face sits among flowers and curved lines on Laurence’s forearm. The pale dial has darker hour marks and hands, framed by a decorated outer edge. Its circle interrupts the sleeve’s winding shapes without feeling separate from them.

The time isn’t clear enough in this photo to read as a date or personal reference. What stands out is the lighter dial against the color and shading around it.

The elephant tattoo on her thigh

A forward-facing elephant head runs down Laurence’s thigh. Its wide ears frame the face, and the trunk forms a long central line toward the lower leg. Lighter tusks stand apart from the darker folds and shading around the forehead.

Layered ornamental shapes spread around the animal like a border. Those details frame the elephant, but the trunk and face remain the main focus. The image alone doesn’t establish a personal meaning for the animal.

The snake, skull and rose tattoos across her stomach

A snake winds around a skull between red roses on Laurence’s stomach. Its body curves through the lower shapes, while the skull’s dark sockets and pale bone contrast with the scales and petals. Large script sits separately above the scene.

The red roses break up the darker snake and skull, and each subject has a different outline. The design is busy, but the snake’s curve gives the eye a path through it. The image doesn’t confirm a particular story about the animal, skull or flowers.

The vintage microphone tattoo on her inner upper arm

A vintage microphone sits on the inside of Laurence’s upper arm. Rows of horizontal grille bars make the head look like an older stage or studio model, and decorative curves frame its dark outline. The raised-arm pose shows it clearly; with her arm down, the design sits inside the sleeve.

The repeated bars look different from the softer flowers and shading nearby. The microphone may suggest music, but the image doesn’t establish why she chose it. For another approach to darker coverage, Monami Frost’s blackwork tattoos offer a comparison with Laurence’s warmer color accents.

The Freeway portrait film below shows Laurence on camera; it’s a modeling portrait rather than an explanation of her tattoos.