Joe Talbot’s tattoos look like a collection built one choice at a time. Photos show dense black-and-grey work on his arms, hands and neck, with portraits, lettering and smaller symbols rather than one coordinated sleeve.

In a GRAMMY.com interview, Talbot named several pieces: Otis Redding, a chair, Biggie Smalls, Frida Kahlo on his left hand, Bill Murray’s face and “pops” on his neck. The interview gives those designs names; photos show their placement and style. Other shapes are harder to identify.

Joe Talbot’s arm tattoos

The arms carry most of the visible work. In this close live photo, shaded portraits, lettering and smaller designs sit close together. A different angle brings the hand or neck into view.

The ink is mostly black and grey. Faces and graphic shapes sit beside lettering, giving the collection a patchwork feel instead of the look of one planned sleeve. The photo shows placement and style, but it doesn’t confirm the subject or meaning of every mark.

The Otis Redding tattoo and the musical side of the ink

Talbot told GRAMMY.com that he has Otis Redding tattooed on his arm. He mentioned it while discussing “Beachland Ballroom,” an IDLES song shaped by his interest in soul music. That’s the connection he gave; there’s no need to add a meaning he hasn’t shared.

Concert photos can make a portrait hard to read. A microphone or stage light may cover part of it, so the interview identifies Redding while the image shows where the tattoo sits.

A few personal references

The same interview names a chair, Biggie Smalls, Frida Kahlo on Talbot’s left hand and Bill Murray’s face. It also mentions “pops” on his neck; Talbot has explained the family connection behind that word. The references range from music and art to film and family.

They don’t share one visual theme, and they don’t need to. A portrait can sit beside a small object or a short word because each piece has its own reason for being there. “Pops” is often visible above a shirt collar, while the hand tattoo appears in some photos.

Why stage photos reveal more than a list

IDLES shows are physical: Talbot moves around, grips the microphone, raises an arm and leans toward the crowd. A still catches one moment. A sleeve, cable or bent arm can hide a tattoo that appears in another frame.

These photos confirm that his arms are tattooed and show the general style. Unless Talbot or a reliable source names a design, a blurred shape is best left unidentified.

A closer view of the festival frame

Talbot’s hand and neck tattoos are harder to hide than pieces under a shirt. “Pops” sits at the neck, and the interview identifies Frida Kahlo on his left hand.

The festival frame gives a sense of scale as he moves. It shows where the ink appears beside his gestures, but it doesn’t add a new explanation of what the designs mean.

Joe Talbot’s public image away from the microphone

A wider performance portrait shows how the tattoos sit with Talbot’s clothes and stage gear. It gives context for his public look, but it isn’t close enough to identify another design.

Clothing and lighting change how much of the collection is visible. One photo may reveal a familiar tattoo from a new angle rather than show a new addition.

GRAMMY.com is the source for Talbot’s own list: Otis Redding on his arm, a chair, Biggie Smalls, Frida Kahlo on his left hand, Bill Murray’s face and “pops” on his neck. Photos show dense black-and-grey work across his arms, hands and neck.

The reporting doesn’t give a full count, dates or an artist credit for every tattoo. The interview can identify a design; the photos can show its placement and appearance. Unclear shapes should stay unnamed.

What the confirmed sources actually tell us

Talbot’s collection shows how tattoos can grow without a single motif. A portrait can sit beside a small object or a word if each one matters to the person wearing it. It helps to think about why a reference matters and whether it will still feel right years later.

Placement deserves the same thought. Hand and neck tattoos are visible in everyday settings, while an upper-arm design is easier to cover. An artist can help plan spacing if the collection will keep growing.

Ideas to borrow from the collection

The interview names Talbot’s references; the photographs show the dense arm, hand and neck work. Where a design’s meaning hasn’t been explained, it’s better to leave it open than turn a guess into fact.

Final thoughts

Some of Nadine Lustre’s tattoos are small enough to miss; others, like the dragon on her right shoulder and upper arm, cover more space. She has described tattoos as art and as notes to herself.

Her collection includes a song lyric, flowers, a moon, Japanese lettering, short calf phrases and the dragon. She has explained some of the meanings in interviews; the photos show the placement and appearance of the rest.

The Tadhana Lyric on Her Forearm

The words on Nadine’s inner forearm are “Nakayapak at Nahihiwagaan,” a lyric from Up Dharma Down’s “Tadhana.” She said the song was a favorite of her late brother and that she got the line around the anniversary of his death. She has also connected it with childlike innocence.

The small black lettering sits where she can see it during the day. The reason she gave for choosing it is more specific than the photo alone: it’s tied to her brother, the song and that anniversary.

The Lotus on Her Upper Arm

Nadine told Dr. Aivee Teo that the lotus’s growth through mud and water reminded her of moving through difficult periods and finding light. She described it as a reminder to rise above trials.

The shaded flower sits high on her upper arm. Its layered petals make a compact design that can stand on its own, while the placement lets it show with a sleeveless top or disappear under a sleeve.

The Rose and Her Smaller Wrist Ink

The rose on Nadine’s wrist was one of her first tattoos. She has described it as an act of self-love: a way of giving herself a flower when she was struggling to love herself.

The photo shows the flower among other small marks on her arm. It can look softer at a casual angle than in a close view, but the rose and its wrist placement match the published account. Its size is small; the meaning she gave it is not.

The Crescent Moon Wrist Tattoo and Japanese Name

A crescent moon sits on the wrist opposite the rose. Nadine has connected it with Coldplay’s “Everglow” and remembering people close to her who have passed away.

The same relaxed portraits show lettering on her arm and marks on her fingers. She explained that the Japanese characters refer to “Nozomi Komiya,” a name tied to her family history. “Nozomi” means hope, like her own name; “Komiya” was the family name carried by her great-great-grandfather before it changed.

In 2021, Nadine added “That’s it” to one calf and “It is what it is” to the other. She said the first phrase came from a meaningful trip to La Union with a close friend she considers like a brother. She was recording her album Wait for Me at the time, and the tattoo reminds her of what they learned together.

She has explained the second phrase as a way to accept what is outside her control. The matching scale and plain lettering make the two pieces feel like a pair, though each has its own story.

How the Rest of the Collection Fits Together

PhilSTAR Life reported that the dragon runs from Nadine’s right shoulder toward her upper elbow. It was her first large, prominent tattoo. Vimana Tattoo shared images of the session, and the published coverage credits artist Indygrain.

Nadine Lustre’s Dragon Tattoo

The long design follows the curve of her shoulder and upper arm, making it more visible than the fine-line pieces. The reports identify the tattoo and its placement, but don’t confirm a private reason for choosing a dragon. Any symbolism beyond what Nadine has said would be speculation.

The smaller tattoos remain part of the story even beside the dragon. The forearm lyric, lotus, rose, moon and calf lettering sit in different places and carry different memories; none needs to be treated as a footnote to the largest design.

Their placements also let Nadine choose when to show them. Wrist and finger marks are easy to see, upper-arm pieces can be covered, and the calf phrases appear when she wears clothing that reveals them.

Why the Smaller Pieces Still Matter

The photographs show the lotus, rose, moon, forearm lyric, calf phrases and dragon, but not always in the same frame. Interviews supply the meanings Nadine has shared. Later removal coverage suggests some older, heavier lines may have changed or softened over time, so the photos are not a permanent, complete inventory.

A close crop can make a small mark easier to see; a casual portrait shows how the tattoos sit in everyday life. Both are useful, as long as a shadow or blurred line isn’t turned into a new design without evidence.

What Nadine’s Photos Can Actually Confirm

Nadine discussed her tattoos with Dr. Aivee Teo and described them as art and stories tied to the person wearing them. The conversation gives her own context for the lotus, rose, moon and forearm lyric; the dragon is documented in separate coverage, without a confirmed personal explanation.

Taken together, the pieces range from a family memory to short phrases and a larger arm design. They don’t have to share one style to feel personal.

Seeing the Collection in Motion

Hunxho’s tattoos cover his face, neck, chest, stomach and arms. In photos, the collection reads as dense, layered coverage rather than a few isolated pieces. Some designs are clear; others depend on the angle, lighting or whether his hair is in the way.

A portrait shows only part of the collection. Shirtless and side views reveal more of the torso and how it meets the arms. These are different views of the same tattoos, not evidence that every crop shows a new piece.

The overall look of Hunxho’s tattoos

The broadest coverage is across Hunxho’s chest and stomach, where large shapes and shaded sections sit beside smaller designs on both arms. The pieces overlap visually, giving the upper body a compact, layered look.

The face tattoos change a portrait more immediately than the larger work hidden by a shirt. The contrast between those small marks and the broader body coverage is one of the collection’s clearest visual features.

Chains and pendants appear in several photos and help show the scale of the work. The tattoos continue below the necklace line, down the sternum and onto the stomach.

The chest and stomach pieces

The chest combines curved forms, shaded panels and lettering around a central area. The designs continue toward the stomach, where the linework looks more ornamental and tightly packed.

From a distance the chest can read as one dark piece. Close photos separate the heavy outlines from lighter grey shading; there is little open skin, but the area isn’t one solid block.

A straight-on shirtless photo shows the central symmetry and density. A three-quarter view shows the work wrapping toward the shoulders and joining the arm coverage. Neither angle shows everything.

Hunxho hasn’t publicly explained every shape. The photos support a description of extensive black-and-grey work across the torso, added in separate sections; they don’t confirm a meaning for each line.

The facial tattoos and the healed heart

The marks on Hunxho’s forehead and around his eyes are small compared with the torso work, but their position makes them prominent. The close-up also shows the tattoos continuing down his neck.

Photos have shown a shattered-heart design on his forehead, followed by a version that appears healed or reworked. The images document a visible change, though they don’t establish exactly how it was made.

Fine marks near the brow and cheek are easier to see in a sharp close-up. Hair, lighting and image compression can blur lines, so a single unclear photo isn’t enough to identify another tattoo.

The neck work and the upper-arm lettering

The neck work sits beneath the jaw and along the sides, then meets the upper chest. In profile, the smaller marks near his head give way to broader shading toward the shoulder.

The word “SAVAGE” is visible high on Hunxho’s upper arm in several photos, including a darker portrait with a rose. Its size and repeated appearance make it one of the easier details to confirm.

The lettering can look compressed when his arm is flexed and more spread out when it’s relaxed. A change in how it reads across photos doesn’t necessarily mean the tattoo itself changed.

The arm coverage

Both arms carry heavy outlines, shading and smaller designs between larger forms. Some details show from the outside of the arm; others appear when he turns toward the camera.

The arms aren’t mirror images in the photos. Their balance comes from the amount of ink, while the lettering and shaded sections differ from one side to the other.

A performance photo with both arms raised makes the inner sections easier to see and follows the coverage from shoulder toward forearm. It still can’t serve as a map of every tattoo.

Why the photos look so different

Lighting changes how the ink reads. Studio portraits soften the shading, bright stage lights can flatten it, and a tight crop can make facial marks look darker than they do in a wider shot.

Clothing and posture matter too. A shirtless image shows the chest and shoulders; a dressed portrait may reveal only the neck and upper arm. Twisting the torso can also change how wide a design appears.

The clearest repeated details are the forehead heart, the upper-arm lettering, the broad chest coverage and the neck placement. Those provide useful reference points without requiring a guess about every blurred area.

What Hunxho’s style says about placement

Placement gives the collection different visual effects: the face is always in view, the chest carries a wider composition, and arm designs shift as he moves.

The photos show lighter shading and small gaps between some designs. A large area doesn’t have to be filled with the darkest ink everywhere to read as a complete composition.

Hunxho’s look is built around extensive upper-body coverage, strong outlines and the contrast between small face marks and larger torso work. Planning how separate pieces meet is especially important across the chest, stomach and neck.

How to use these references without copying the collection

The useful reference is the mix of scale: a small face detail, a larger chest arrangement and arm lettering. You can study that layout without reproducing his specific designs.

Face and neck tattoos stay visible in portraits and are difficult to cover. The chest and upper arm allow more room and can be hidden by clothing. The right placement depends on how visible you want your own design to be.

Bring your artist clear reference photos and separate what’s confirmed from what you simply like. Hunxho’s pictures show how light and posture affect a tattoo; an artist can adapt a layout to your body rather than copy his exact one.

The clearest features are the forehead heart, neck work, “SAVAGE” lettering and broad torso coverage. The photos show where the ink sits; where Hunxho hasn’t explained a symbol, its story can remain open.

Cleo’s newest documented tattoo is a forearm portrait of Carlo Conti, shown in close photographs after Bambole di Pezza’s Sanremo Top appearance. It sits within an older black-and-grey sleeve, so the view changes with the camera distance.

The portrait and the visible 76 and 13 numerals can be described from the photos. The meaning of the numbers and the details of every older mark have not been publicly established.

Cleo’s arm is the starting point

A wider photograph shows the arm as part of Cleo’s overall look. Black-and-grey shading runs across the sleeve and forearm; stage lighting and clothing hide some edges, but the coverage is clear.

The Carlo Conti portrait isn’t on an empty forearm. It shares space with older ink, which makes it stand out in a close crop and blend into the sleeve from farther away.

The new tattoo is a portrait of Carlo Conti

Reports around Bambole di Pezza’s Sanremo Top appearance identified the portrait as a new tattoo. The close photo shows a face rendered as a portrait, rather than a simple outline or symbol.

Up close, the face is the arm’s focal point. At a wider distance it merges with the surrounding black-and-grey work. Both views help explain how the portrait sits in the sleeve.

The visible 76 and 13 numerals

The visible numbers 76 and 13 frame the portrait. They are part of the design, but the photos and reporting don’t establish what they refer to.

A number can look personal without its meaning being public. The grounded description is that 76 and 13 appear beside the portrait; a birthday, date or private code would be speculation.

One new tattoo, several photographic views

The images show the same arm at different distances and in different settings. Compare the portrait, numerals and sleeve edge to follow one tattoo across the views, rather than counting each angle as another piece.

Older black-and-grey tattoos surround the portrait. Some shapes remain visible, but the photos don’t show enough to name every motif with confidence.

The older black-and-grey sleeve around it

The new portrait draws attention because it sits against a substantial existing sleeve. That context affects both its contrast and the amount of open skin around it.

Cleo, whose full name is Martina Cleo Ungarelli, is the lead vocalist of the Italian band Bambole di Pezza. The tattoo appeared in performance and interview coverage, not just a posed studio shot.

Cleo away from the close-up

A contextual image helps identify Cleo and the setting; it isn’t evidence of another tattoo. The ink details come from the close and wider arm photos.

The Sanremo Top appearance brought the portrait into wider view. Reports said Cleo revealed the fresh piece after a pre-show promise connected to Carlo Conti; that explains the timing without adding a private motive.

Why the Sanremo Top appearance matters

Stage lights flatten some shading, movement changes the forearm angle, and clothing covers parts of the sleeve. A close frame is best for the portrait; a performance shot shows the occasion.

Wider photographs confirm that the portrait belongs to a heavily tattooed arm. They show its scale within the sleeve, not a complete catalogue of Cleo’s ink.

What the wider photographs actually confirm

Distance softens smaller details and some parts are covered. The photos support a clear account of the portrait and surrounding coverage, rather than a name for every mark.

On stage, movement and uneven light make the sleeve read as a field of dark and light before individual details stand out. The portrait is clearer when the camera moves closer.

How the sleeve reads on stage

The performance photos help with placement and scale, but they don’t show another tattoo. They show the same arm in motion and alongside Cleo’s stage clothes.

The available record confirms the Carlo Conti portrait, 76 and 13, and older black-and-grey work. It doesn’t identify the artist, the date of each earlier piece or a private meaning for every shape.

What remains unknown about the older ink

Those gaps are normal when tattoos are documented through scattered performance photos. A close angle may clarify one design while hiding another; a full inventory would need clearer images.

The forearm gives a portrait room to read while keeping it connected to the sleeve. The close view isolates the face; the wider view shows how it sits in the surrounding shading.

What the placement says about the composition

That balance can be useful when planning a portrait tattoo: it can remain legible without looking separate from older work. In Cleo’s photos, the contrast makes the face stand out while the sleeve ties it in.

For inspiration, focus on the relationship between the portrait and existing ink rather than copying the exact design. Its visibility changes with distance, but the placement works in both close and wide views.

The cleanest way to read Cleo’s tattoos

Start with the sharpest photo to identify the portrait and numbers. Then use a wider arm view to see how they meet the old sleeve, and performance images for setting rather than extra tattoo claims.

That sequence keeps the evidence straight: close views show detail, wider views show placement, and contextual images show the event where the tattoo became public.

The short version

The clearest account is a Carlo Conti forearm portrait framed by visible 76 and 13 numerals, added to Cleo’s older black-and-grey sleeve. The photos show how the piece reads at different distances.

The numbers’ meaning and the finer details of earlier tattoos remain unexplained in the available record. The guide can leave those questions open and still show how the portrait fits the arm.

Logic’s tattoos read like a record of his music, books, films and personal reminders. The collection mixes hand lettering, album symbols, Japanese characters and character art rather than following one sleeve design.

Several pieces have explanations because he discussed them in GQ’s Tattoo Tour. Those comments help distinguish a confirmed story from a guess based on how a mark looks.

The left-hand phrase “Happy Wife, Happy Life” was Logic’s first tattoo, which he got before he married. He described it as a reminder that success means less if there’s no one to share it with.

His first tattoos are the hand-lettered reminders

“Balance Yourself” is on the other hand. Logic has said he can take on too many projects; he treats the phrase as a prompt to slow down before work takes over.

The useful idea is to choose a short line that matters in your own life. The point is the reminder, not the exact wording or its appearance in a reference photo.

Logic explained that the emblem associated with his album Everybody can read as an E; turned sideways, it resembles the Roman numeral three. The compact shape works as both a graphic and an album reference.

The album reference

An emblem can point to an album without spelling out its title. Logic’s example keeps the connection specific while letting the mark stand on its own.

The design is small compared with a portrait or album-cover tattoo. If you’re adapting the idea, choose one detail from a record—a number, icon or piece of lettering—and make it work as a tattoo, not just merchandise.

The Japanese characters on Logic’s wrist are connected to Kill Bill. He has called Quentin Tarantino a favorite writer and director and linked the film to discovering hip-hop through RZA’s score.

The Kill Bill kanji is tied to a favourite film

In his account, Kill Bill led him to RZA, then Wu-Tang Clan and a wider world of rap. The tattoo marks that chain of interests, not only a favorite movie.

If you choose lettering in a language you don’t read, check it with a qualified speaker and an artist who can reproduce the script accurately. A personal reference still needs to be correct.

Another Japanese-character tattoo on Logic’s wrist refers to Ultra 85. He said he got it in Japan while he was working toward the project, so it records an album in progress rather than only a finished release.

Ultra 85 keeps a future goal close

A tattoo about a goal can keep the work in view. Plans can change, though; a symbol for the idea may last better than a title or date tied to one particular outcome.

Several pieces in Logic’s collection relate to projects he was making or ideas he wanted to keep close. The stories he has shared give those designs context without assigning a meaning to every mark.

Photos show additional forearm references: Supermarket, the title of his novel; What For?, linked to Toro y Moi’s album; Salad Days, associated with Mac DeMarco; and Bobby Boy imagery connected to Logic’s creative identity.

His forearm tattoos bring music, books, and inside references together

Together they read like a record of what he was writing, hearing and building: a book, other artists’ records, and the identity around his own music.

Lettering can be personal without being generic. A title can stay recognizable while the artist gives it character through placement, scale or line weight. Decide whether you want the reference to read immediately or remain more private.

The colored Bobby Boy design stands apart from the mostly black hand and arm tattoos. It shows the animated version of Logic and connects the ink to the character world around his music.

The Bobby Boy tattoo adds a bit of colour

Character work needs enough room for its lines and colors to remain clear. If you choose a mascot, let it carry the design instead of crowding it with tiny text.

Logic has explained several pieces: the hand phrases are reminders, the album emblem marks Everybody, and the film reference ties to music that shaped his listening. Other work points to books, records and Bobby Boy.

Why Logic’s collection feels personal instead of random

Not every tattoo has a public explanation. A photo can show placement, but it can’t confirm a private meaning Logic hasn’t discussed. It’s better to leave those details open than invent a story.

The collection doesn’t rely on one style to hold together. Lettering, kanji, an album symbol, character art and forearm text connect through relationships, creative work and culture that mattered to him.

Borrow the thinking rather than the exact art: choose a phrase you want to remember, turn a book or album reference into a symbol, or connect a film to a personal memory. Verify any foreign-language script and give character designs room.

A few lessons from the collection

Hand tattoos stay visible, which suits a reminder you want in front of you. Wrists and forearms offer more cover and room for detail. Match the placement to how often you want to see the piece.

Logic’s tattoos keep track of people, ideas, films, records and goals. They don’t need to form one perfect image; their connection comes from the stories he has shared about them.

The GQ Tattoo Tour below is where Logic explains several of these designs.

Aitana’s tattoos are mostly small, fine-line designs. Some mark career moments; others point to family, friends or her dog Sopa. Their meanings range from well documented to private, and not every tattoo has a confirmed story.

Over the years she’s worn tattoos on her arms, wrists, forearms and ankle. Photos catch some clearly; others appear only when her arm turns or her clothes leave them visible. Many are discreet, with the personal reference carrying more weight than the size.

The Munay tattoo

The word Munay sits on Aitana’s left forearm in slim, handwritten lettering. It was the first tattoo she discussed publicly. She has said it expresses love for herself, her family, everything around her and life itself. She shares it with her cousins, so the word connects her to a wider family circle.

The left forearm keeps the script in view without making it the focus of her whole look. Its light lettering suits a reminder she can see herself.

The story matters more than the typeface. Before getting a word in another language, check its meaning with a reliable speaker; delicate lettering can’t fix a bad translation.

1727: the number that started everything

Aitana’s 1727 tattoo goes back to her Operación Triunfo audition in 2017. Contestants were assigned numbers during casting, and she has said that period changed her life.

The inner-forearm design is just four black digits, with no frame or extra symbol. To anyone else they are four digits; for Aitana, they point back to the audition, the waiting and the start of a new career chapter.

She has also spoken about the number seven appearing often in her life. The 27th is tied to both her birthday and her mother’s, adding another personal link to the digits.

The sunflower she shares with her best friend

The sunflower on Aitana’s arm is a matching tattoo with her longtime friend Marta. They got it around the time Aitana left Barcelona for Madrid. She has described the flower as a symbol between them: sunflowers turn toward the sun, and share its energy when it disappears.

The petals give this piece a clearer outline than the small lettering elsewhere on her arm. It’s still compact, so the flower doesn’t take over the space.

The shared meaning is the friendship and the move that left them living farther apart. The tattoos don’t need to be exact copies to mark the same bond.

Aitana’s small spider tattoo

Aitana has a small spider in black ink on her forearm. Its compact body and long, fine legs make it look like a sketch from a distance; up close, the shape is easier to read.

Aitana hasn’t confirmed what the spider means. Some coverage has linked it to her father’s fear of spiders, but that remains speculation, not her explanation.

The fine lines give the legs movement without heavy shading. At this size, the artist has to leave enough space for the shape to stay legible.

Aitana’s soup-bowl tattoo

The small bowl on Aitana’s arm is a tribute to her dog, Sopa. Instead of a portrait or paw print, she chose the bowl of soup that connects directly to the dog’s name.

Light lines and soft shading make it read as a bowl while keeping the look closer to a little illustration than a stock symbol. The everyday object keeps the tribute warm and specific.

The two faces on her right arm

Above Aitana’s right elbow, two faces look in opposite directions. The design has been described as a marker of the change between her life before Operación Triunfo and what followed: one face looks back, the other forward.

The horizontal space above the elbow lets both faces read clearly. The image also shifts as her arm bends, separating the two profiles before they line up again when she straightens it.

Aitana has a bee near the back of her right ankle. When she shared it, she used the words “placeres de la vida,” or “pleasures of life.” Fans have linked the bee to her love of honey, but she hasn’t confirmed that meaning.

The back of the ankle is easy to cover, though shoes and socks can rub against it. For a fine-line design there, placement and aftercare are worth discussing with the tattoo artist.

The other tattoos in the collection

Other tattoos she has worn include a moon-phase design made with family in Ibiza, a second butterfly, and a friendship tattoo connected with her childhood friend Marmi. She also has her parents’ initials, Belen and Cosme, on her left wrist.

A first butterfly sits above the 1727 tattoo, though she hasn’t said much about it. A private initial on her chest drew attention after her relationship with Miguel Bernardeau; fans later connected it to lyrics on her Alpha album, but that doesn’t confirm the tattoo’s full story.

Photos from November 2023 showed a fairy on her left arm, with fine wings, long hair and knees drawn toward the chest. Another butterfly appeared around the same time.

At a concert in Bilbao in September 2026, Aitana said she was having many of her tattoos removed. She still likes tattoo art, she said, but several pieces no longer feel like her. She expected the process to take about two years and planned to keep some of them.

Older photos show how the tattoos looked at the time; they don’t establish which designs are still visible now. Laser removal can take time; some tattoos may look lighter or partly covered while the process continues.

The design lesson in Aitana’s tattoos

Aitana’s tattoos start with concrete references: a career number, a shared move, a family gathering, or an object tied to a pet. The design can stay small because the story is already specific.

That’s a useful order to work in if you’re planning a tattoo: begin with the person, place or moment, then decide what image can carry it. A symbol chosen only because it’s popular may not feel connected once the trend passes.

Final look

Her collection has changed along with her. Aitana’s update puts the older designs in context: they belong to different periods of her life, and some will remain while others are removed.

More musician tattoo guides

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• Sebastián Yatra tattoos

Becky G’s tattoos are modest in size, but their stories connect to family, grief, faith and music. Most sit on her wrists, ribs or spine, where clothing can cover them until an outfit or photo reveals the ink.

Some pieces have a clear public explanation; others have only been partly documented. The dragonfly, “Familia,” the spine numerals, “Faith” and the dollar sign have reported context. A 2021 session showed newer work on her wrist, neck and shoulder, but she didn’t give a full explanation for each design.

A careful look separates what Becky has shared from what a photo alone can’t establish. Her collection is a group of smaller pieces, each tied to a different part of her life.

The dragonfly tattoo on her side

The dragonfly sits on the left side of her ribs. Fine black-and-gray lines form its narrow body and wings; Dr. Woo is credited with the tattoo.

Becky has connected the dragonfly to her cousin Ceci, who died when Becky was young. She has described Ceci as a guardian-angel presence and said she notices dragonflies at moments when she needs a reminder of her cousin. The design is a memorial with a personal story behind it.

The rib placement keeps it mostly private, though an outfit that leaves her side exposed can show it. Its narrow shape follows the curve of the ribs, with the wings extending out from the body.

The insect carries the idea without a frame or lettering around it. If you like fine-line memorial work, pay attention to how much space the wings need; crowding the lines can make them harder to distinguish.

The “Familia” wrist tattoo

Becky wears “Familia” in black cursive on her left wrist. The word follows the wrist in a soft script, with a small flourish on the capital F.

The Spanish word means family. Becky has spoken about her Mexican-American roots and the family history and traditions that shaped her. “Familia” connects the tattoo to that background in a way the English word might not.

Dr. Woo did the piece in 2016, around the time of the dragonfly. Reports say Becky had considered the word for a while before the appointment. Its inner-wrist position lets her cover it with a bracelet or turn it outward to show it.

A family word can be written in the language that feels right to you, but small cursive needs room between letters. An artist should size the script for skin rather than simply shrink a font.

The Roman numeral spine tattoo

Her spine piece is a vertical column of Roman numerals for the birthdays of her three siblings. The narrow serif lettering reads like a private record rather than a decorative pattern.

The dates are for her brothers Frankie and Alex and her sister Stephanie. Becky is the oldest of four, and the column brings their birthdays together without a row of names or portraits.

Roman numerals keep dates compact and create a clear vertical line. They also need careful checking: one wrong character changes a date, and the spacing must stay readable as the skin moves.

The spine is usually covered, then becomes visible with an open-back outfit. If you’re planning date ink, bring the dates in standard numerals and the intended Roman version; check each character on the stencil while standing naturally.

The small “Faith” wrist tattoo

Becky also has “Faith” in small cursive on the inside of her right wrist. The dark but fine lettering is easiest to make out in a close photo.

Dr. Woo is also credited with this tattoo, which was reported in 2018. Unlike the dragonfly and “Familia,” it doesn’t have a detailed public explanation. The word is clear, but Becky hasn’t publicly tied it to a specific event or story in the reporting cited here.

An inner-wrist word can serve as a reminder the wearer sees throughout the day. The inside of the wrist sees sun and daily friction, so line weight, a clear stencil and good aftercare matter.

The dollar sign tattoo for “Dollar”

In 2019, Becky got a small dollar sign on her inner forearm to mark the release of her song “Dollar.” The simple black design is more visible than the rib and spine pieces.

The tattoo was done at Bang Bang in New York; Becky credited Ms. Santana in the post she shared at the time. The timing links the symbol to the single’s release, and she showed it while celebrating the track.

It can also read as a compact graphic on its own. If you choose a tattoo tied to a song or project, consider whether the symbol will still feel personal after the release has passed.

Tiny symbols need open space around their lines. A lot of shading or miniature lettering can make them harder to read. The inner forearm keeps this piece more visible than the rib or spine tattoos without covering the whole arm.

What Becky G’s collection has in common

Becky’s collection moves between fine-line memorial work, cursive words, family dates and a music reference. Family appears in “Familia,” the sibling birthdays and the dragonfly tribute; “Faith” adds another word, while the dollar sign marks a song release.

The pieces feel related through their personal context, not because they share one style. Each has a different role, and several are placed where they can stay private most of the time.

If you want a similar approach, start with the detail you want to remember: a family word, a few dates or a symbol tied to an event. The design doesn’t have to copy Becky’s motifs.

Ideas worth borrowing from Becky G’s style

Use placement to decide how often the tattoo will show. A memorial can sit somewhere covered, while a word you want to see may fit on a wrist. A line of dates can run down the spine if you prefer to keep it out of view.

Becky’s wrist pieces can sit beneath jewelry, her spine tattoo stays under a shirt, and the side dragonfly appears when clothing leaves it uncovered. That gives her some choice over when the designs are visible; privacy doesn’t make a tattoo less meaningful.

Before choosing tiny script, view the stencil at the size you intend to get. Check it with your wrist bent and your arms relaxed, and give the letters enough space to stay clear over time.

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Luísa Sonza’s tattoos range from fine script to bright colour and dense blackwork. In a Gshow interview, she explained five designs: a phrase from her parents, a heart with a music note, an ET in a rocket, a balloon with “believe,” and an ornate forearm piece. The close-up photos show the tattoos themselves, so their meaning doesn’t have to be guessed from a distant red-carpet shot. They look like separate choices gathered over time, rather than one planned set.

Onstage, Sonza’s styling can be high-gloss. The tattoos in the close-ups are often simpler: thin lettering, clean outlines and a few vivid colours. Here’s what she has said about the designs.

The family phrase on her arm

The script around Sonza’s upper arm reads “Tudo sempre dá certo,” or “everything always works out.” She told Gshow that her parents used to say it to her and that it became a personal mantra.

The thin, loose lettering follows the arm like a bracelet, with enough space between the words to keep them readable. It feels more like handwriting than a formal slogan, which suits a phrase she grew up hearing.

The heart with a musical note

A fine-line heart and musical note sit on Sonza’s upper thigh. She said the tattoo represents her love for her profession, rather than a particular song. The two parts are small but easy to distinguish: the heart gives the design its feeling, while the note points to music.

The little ET in a rocket

The ET riding in a rocket is the most playful of the five. The small cartoon sits near Sonza’s ribs, with a loose, sketch-like outline rather than realistic detail. She said it represents having the courage to face the unknown. The rocket gives that idea a direction; the little alien keeps it light.

The balloon and the word believe

A coloured balloon on Sonza’s forearm has patterned panels in yellow, red and teal, with “believe” written below in a loose script. She connected it to believing she could build a life in music. The balloon gives the word a picture to sit beside, and the forearm’s length lets the two elements move vertically together.

The bolder forearm work

This close-up shows a denser black ornamental design, with repeated shapes, curved borders and a central geometric form. Its mirrored flourishes give the pattern a clear centre, unlike the finer script and line work elsewhere in the gallery.

The Gshow feature describes one of Sonza’s five tattoos as a dinosaur drinking wine. This crop doesn’t show a small animal clearly enough to identify the image that way, so the design is best described by what is visible: an ornate forearm pattern. That distinction matters when a photo can’t support a more specific label.

Why the collection feels balanced

The five designs don’t share one style: there’s fine script, a tiny music symbol, a cartoon, colour and ornamental blackwork. Their link is personal meaning. The family phrase, music references and rocket each point to something Sonza has explained, while the forearm piece adds a different scale and texture.

Their placements also vary. The arm tattoos appear more readily in photos, while the rib and upper-thigh designs are seen in closer images or particular outfits. That gives the collection room to be both visible and private.

Ideas worth taking to your appointment

If one of Sonza’s tattoos catches your eye, start with the idea behind it rather than copying the image. A phrase you actually hear, a lasting interest or a small joke tied to a memory will mean more than a design chosen only because it photographs well.

Think about size and placement together. Fine lettering needs room to stay legible; a detailed pattern needs a broader, flatter area; and a vertical image can follow a natural line on the body. Sonza’s collection works because the designs don’t all have to match. Each has its own reason and its own place.

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Chaeyoung’s tattoos make a patchwork of small drawings, fine lines and a few bright colors. She’s a South Korean singer, rapper and songwriter with TWICE, and her interest in drawing comes through in the designs. Some pieces are well documented; others appear only in quick or unclear photos, so their exact shape or meaning isn’t always certain.

The arm collection is the main event

Her arm holds the largest mix: food drawings, music notation, a fish, a birdcage, flowers and longer line work. Rather than one continuous sleeve with a background, the tattoos sit as separate illustrations with skin between them. That open spacing lets each design read on its own and leaves room for the collection to change over time.

Chaeyoung’s playful food tattoos

A small group of carrots above her hand is drawn more like a notebook doodle than a realistic vegetable. Nearby, a tiny cherry tomato shows up in some airport and casual photos; its red color makes it easier to spot when her arm turns toward the light.

She also has colorful lips on her wrist, in apricot and neon magenta. Fans have linked those colors to TWICE’s official palette, but Chaeyoung hasn’t confirmed that meaning. The mix of a few colored motifs with black linework gives this part of the arm contrast without making it crowded.

The fish she designed herself

Chaeyoung confirmed to fans that she drew the fish herself. It sits near her elbow, with loose proportions and an illustrated look rather than smooth realism. Knowing it came from her own drawing makes the uneven lines feel like part of the design, not an attempt at a polished flash image.

If you’re inspired by it, the useful idea is to bring your own sketch to an artist and ask them to keep some of its character while adapting it for skin.

Birdcage, linework and the more delicate side

The birdcage stands out from the loose drawings. Its vertical bars and clear outline give it a more structured shape, which sits alongside the smaller, softer marks in the magazine photos. A cage can invite symbolic readings, but Chaeyoung hasn’t supplied one here. What’s visible is a fine-line cage that follows the curve of her arm.

The musical symbol and the long forearm mark

Just above the carrots is a small musical symbol, often identified as a quarter rest. It’s a compact mark that fits between the larger drawings without competing with them.

A longer fine-line design runs along the forearm in the same performance image, but its softer details aren’t clear enough to name confidently. Its length adds movement to the patchwork, balancing the colored tattoos higher on the arm. The image shows placement and general form; it doesn’t confirm every small shape.

The hand details: flowers, butterfly and tiny marks

Small flowers and a butterfly appear around Chaeyoung’s hands and fingers. The colors are soft—pink, blue and yellow—and the details are easier to see in close-ups than in full-body stage photos. Hand tattoos also face more sunlight, washing and friction than pieces under clothing, so tiny details may soften over time.

Behind her ear is a heart with an arrow. Its simple outline is easy to recognize, while the placement lets hair cover or reveal it. It’s a different kind of visibility from the arm pieces.

The larger back tattoo and what we can’t confirm

Chaeyoung has also appeared in photos with a larger back tattoo. In some images, clothing, shadows and the angle make it hard to separate ink from the rest of the scene. Fans have offered different descriptions, but the exact design isn’t clear enough in every shot to identify confidently.

The back piece appears broader than the small arm drawings, giving the collection another scale. Photobook images show several arm tattoos together in a controlled setting, but styling, lighting and pose can change how much of any tattoo is visible. Repeated views are more useful than one dramatic frame.

Why her tattoo style works

The collection mixes fine lines, playful subjects and color without forcing them into one uniform sleeve. The skin left between the drawings keeps the arm from feeling heavy. The carrots, lips and fish also reflect a personal drawing style rather than a set of matching symbols.

If you like the patchwork approach, start with one image that means something to you and leave it room. You can add another later if the first still feels right. A small palette can help a few color pieces stand out without making every tattoo compete for attention.

Chaeyoung tattoo ideas worth borrowing

Borrow the approach rather than tracing her designs: collect a few images tied to your own interests, and keep them simple enough to read at the size you want. Wrist and forearm placements suit small marks you want to see often; behind the ear keeps a strong outline partly private; an upper arm or back gives a larger illustration more room.

Ask an experienced tattoo artist how fine lines and hand or finger designs may age. And keep uncertain details uncertain. The confirmed fish, carrots and other visible pieces are interesting on their own; there’s no need to invent a story for every tattoo.

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Andra Day’s most clearly documented permanent tattoo is a small black-script word, “faith,” on her right foot. She has spoken about faith as a source of grounding, and the lettering stays understated alongside her music and acting work. There’s a separate story, too: a temporary tattoo made for a film reportedly remained visible two years later. It shouldn’t be confused with the permanent foot piece.

The word on Andra Day’s foot

The close photo shows the word faith in compact, handwritten script across the top of Day’s right foot. The letters have a slight slant and movement, without a heavy outline or decorative frame. She has spoken publicly about prayer, God and belief as part of how she stays steady. The tattoo’s full origin hasn’t been documented, so the connection to her public comments is the clearest context available.

Why the placement works

A foot tattoo can be covered by shoes or a longer hem and seen in sandals or close-up photos. It also gets friction from footwear and moves as the wearer walks, so the lettering needs enough space to remain legible. Anyone considering this location should discuss scale and aftercare with the tattoo artist, especially if shoes will rub the area while it heals.

A separate film story

A People exclusive, syndicated through Yahoo, reported that Day received temporary ink for a film and was still dealing with it two years later. That’s a different story from her permanent “faith” tattoo: the movie design was made for a role, but the mark stayed visible beyond its intended use.

The distinction matters in photos. Temporary makeup, stage details and permanent tattoos can look alike in a still image. In Day’s case, the right-foot script is the documented permanent piece; the film tattoo belongs in its own category. A temporary design can help someone try out an idea, though it can’t predict how permanent ink will heal or age.

Andra Day keeps her look understated

This editorial portrait shows Day in a dark gown against a soft spotlight, not the foot tattoo. The small script doesn’t compete with her more dramatic styling; it becomes visible when the outfit or camera angle allows it.

The meaning sits beneath the style

Day’s breakthrough song “Rise Up” became associated with resilience, and playing Billie Holiday required her to inhabit a difficult story. Neither fact proves that the foot tattoo was chosen for a particular career moment. She has spoken about faith as a grounding force and about growing through mistakes; those comments provide context for the word without inventing a backstory.

That’s what makes a short word meaningful: the wearer has a relationship with it beyond its appearance. In Day’s case, “faith” connects with ideas she has discussed in her own interviews.

Three ways to plan a small piece

First, choose a word that matters in your own life, not only one that looks good in a reference photo. Second, let the placement determine the size; letters need enough room to stay open as they age. Third, resist adding borders or symbols unless they add something you want to keep. Day’s tattoo leaves the word to carry the idea.

Her red-carpet images show the quieter side

This image comes from the same editorial shoot. The strong light and black outfit give it a stage-like mood, but the tattoo isn’t visible here. Some photos show the ink itself; others simply place it within Day’s broader public style.

The full-length look keeps the focus on her presence

The full-length portrait shows Day in a long black look with her arms raised. It’s contextual, not evidence of the foot tattoo. Posture, light and clothing carry the image; the small script remains one detail among her music, acting and style.

How to adapt the idea without copying it

If you’re drawn to a word tattoo, write it by hand a few times and take the versions you like to your artist. Talk about line weight, spacing and how the lettering will sit with the movement of your foot. A temporary version can help you decide whether the location feels natural, but it can’t guarantee how a permanent tattoo will heal or fade.

The quiet detail that lasts

The documented permanent piece is a clear word on Day’s right foot, while the movie-related tattoo was temporary and stayed visible longer than expected. The design is small enough to sit quietly in her overall look, but it connects with the faith she has discussed publicly.

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