Ryan Castro’s tattoos follow the same threads as his music: Medellín, the artists he grew up listening to, and a taste for big, cinematic images. The most ambitious piece is a black-and-gray back tattoo inspired by Al Capone and old gangster films. His neck also carries “El Cantante del Ghetto,” the name he uses as an artist and the title of his first album.

Castro has shown portraits of musicians he admires, including Lauryn Hill. Some photos document the tattoos; others simply show him at Coachella or in his usual clothes and settings. I’ve kept those kinds of images separate here, so a contextual portrait isn’t mistaken for close-up proof of a design.

Who Is Ryan Castro?

Ryan Castro is a rapper, singer and songwriter from Medellín, Colombia. “Jordan” and “Mujeriego” helped him reach an international audience, and his nickname, El Cantante del Ghetto, points back to Pedregal, the neighborhood where he grew up. He has linked his music to that place and to the perspective he brings to his songs.

That background helps explain why his tattoos connect music, home and older crime-film imagery. The back piece is a large, planned composition, while the neck lettering names his first album. In public photos, sunglasses, chains and sportswear often sit alongside visible neck and hand ink; the tattoos are part of his look, but the designs also refer to things he has discussed in his work.

The Huge Al Capone-Inspired Back Tattoo

LOS40 Colombia described Castro’s large black-and-gray back tattoo as a collage inspired by Al Capone and 1930s gangster films. The reported details include women, broken glass, roulette wheels and old cars. The common palette ties the elements together, making the tattoo read as one scene.

The available image shows the scale of the piece, with Castro’s back inset beside a larger front-facing portrait. It covers most of his back, rather than sitting as a small shoulder design.

The imagery brings casino details, cars, women and shattered glass into the same imagined world. Castro hasn’t explained what each object means to him, so the grounded description is the one in the reporting: an Al Capone-inspired, gangster-era collage.

LOS40 reported that five tattooers worked on it for about ten hours, and that Castro was under general anesthesia during the session. It was a substantial project, not a quick filler piece.

The Album Behind the Look

In an interview with El Nuevo Herald, Castro discussed the words El Cantante del Ghetto on his neck while promoting his first album of the same name. The phrase is his artist identity as well as the album title, so the lettering has a direct connection to his career.

He described the album as personal, drawing on his beginnings, musical influences and the graffiti imagery behind the project. The neck tattoo puts that title in a visible place; Castro hasn’t said it was designed as a logo.

The Coachella Moment

At Coachella, Castro showed Lauryn Hill a portrait of her tattooed on his arm. El Colombiano reported that the same area includes portraits of Celia Cruz, 2Pac, Héctor Lavoe and Michael Jackson, and described a separate Snoop Dogg portrait on his left leg.

This festival photo captures Castro with Hill, but it isn’t a close-up of the tattoos. The reporting identifies the portrait and the other musicians. Castro has described Hill as an important influence, and the moment gave him a chance to show her the tribute.

The reported names span salsa, rap and pop: Cruz and Lavoe, 2Pac and Jackson. Together, they point to some of the performers Castro has said shaped his musical taste.

Ryan Castro’s Visual Style

Castro’s public style often leaves his neck, hands or arms visible. Tattoos sit alongside chains, sunglasses and streetwear in those photos, while his large back piece draws on the same bold, cinematic look.

This is a contextual portrait, not evidence of a particular tattoo. The photo shows Castro’s styling; the reported details about his ink come from the sources and images that actually document it. His collection leans toward large compositions and portraits, rather than small, delicate designs.

The Medellín and Album Connection

The neck phrase connects Castro’s public identity to the album and to Pedregal, where he grew up. He has described the record as a way of looking back at his beginnings and the influences that helped shape his music.

This portrait is also contextual. The meaning of the neck lettering comes from Castro’s interview and the album title, not from trying to infer details from the photo.

For a tattoo tied to music or home, the useful idea is to choose a phrase with a personal connection. It doesn’t need to copy Castro’s lettering or sit on the neck.

What’s Confirmed and What Isn’t

LOS40 Colombia reported the Al Capone-inspired back piece and its collage of gangster-film imagery. El Nuevo Herald noted the neck lettering while Castro was promoting the album, and El Colombiano covered the Lauryn Hill portrait and the other musicians reported on his arm and leg.

Some smaller marks in social photos are too cropped or low-resolution to identify. A photo may show Castro’s style without documenting a tattoo, and the Coachella image shows the meeting more clearly than the portrait itself. Where Castro hasn’t explained a design, its meaning remains unknown.

Building a Personal Theme

Castro’s back piece holds together because it stays within one visual world: gangster films, old cars, casino details and broken glass. For a large composition, choosing elements that belong together can make the whole design easier to read.

His portrait tattoos take a more personal route. The musicians reported around his arm are people he admires, so the idea is more specific than a generic music symbol. You might choose artists, relatives, athletes or characters, but it helps to pick subjects that will still matter to you later.

The neck lettering offers a simpler starting point: a phrase tied to work, home or family. Lettering on the neck is hard to hide, so check the stencil and size with an experienced tattooer before committing.

Sebastián Yatra has two tattoos that are clearly documented: “Dharma” on his right wrist and small symbols by his ankle tendon. He has explained the wrist lettering and the 2022 album connection. In 2024, he said the ankle design had almost disappeared within about two weeks.

The tiny ankle tattoo that disappeared

Yatra shared this close-up in July 2024. It shows a narrow line of small black symbols just above his foot, beside the ankle tendon. La Vanguardia reported that about two weeks later he said the tattoo had almost disappeared and warned people to think carefully before choosing that area. He didn’t describe it as a regret; the fine lines simply didn’t hold as he expected.

The ankle moves constantly, and shoes and socks can rub against it while it heals. The design was also small and light, leaving little ink if some faded. Yatra hasn’t said the symbols had a hidden meaning, so the practical point is the one he made himself: placement matters.

A practical note on small pieces

This concert portrait is contextual; it doesn’t show another tattoo. For an ankle design, ask an artist how movement, friction and healing affect the size and line weight. A small mark may need more spacing or a slightly heavier line to stay readable.

Dharma on the right wrist

The word Dharma runs vertically along Yatra’s right wrist. He got it in January 2022, around the release of his third album, also titled Dharma. A process photo shows an artist tattooing the simple lowercase lettering.

Yatra explained that the word is about accepting reality and the feelings that come with it—sadness, happiness, anxiety, excitement, regret or peace—instead of trying to force one emotion to stay. He described the tattoo as a message he was willing to carry for life.

The wrist is visible when he performs or reaches for a microphone, and close enough for him to see. The narrow lettering keeps the design simple without extra symbols or framing.

A note about that period

This stage photo places Yatra in the album era but doesn’t show a tattoo. He described Dharma as a collection of experiences, with songs moving through romance, loss, nostalgia, excitement and recovery. That context helps explain why he chose the word without reducing it to one fixed definition.

The photos around the story

This performance photo is also contextual; no additional tattoo is visible. The public images support the wrist and ankle details above, but there isn’t a clear basis here for adding more designs to the list.

A personal way to use the idea

Yatra’s wrist tattoo works as a word he has explained in connection with an album and a period of his life. If you’re considering lettering, choose a word you’ll still understand after the moment that inspired it has passed. Ask the tattooer to draw it for the actual skin and placement instead of tracing a celebrity photo.

What we can actually confirm

The right-wrist “Dharma” tattoo is documented and explained by Yatra. The ankle symbols appeared in his 2024 post, and he later said they had almost vanished in about two weeks. The other photos here provide context, not evidence of more tattoos.

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Tom Kaulitz’s tattoos are easy to miss beside the hair, beard, lip ring and guitar. The Tokio Hotel guitarist’s best-documented pieces are small: an initial linked to Heidi Klum, a newer heart tattoo on his hand, and older marks that show up in photos.

The couple’s matching initials are reported as an H for Tom and a T for Heidi. More recent podcast coverage described a heart on Tom’s left hand that joins with Heidi’s matching half. The details are simple; the stories come from the link between the two designs.

Tom Kaulitz’s tattoo style is personal without being loud

The clearest reported tattoos are small and fine-lined. Older photographs also appear to show marks on Tom’s hands and fingers, but the images aren’t clear enough to assign a meaning to each one. Low-resolution photos can make a shadow, jewelry or temporary design look like permanent ink.

The close-up gives a sense of the small hand details seen in older photos, but it doesn’t confirm every mark. Hand and finger tattoos have little room for crowded lines and get daily wear. If you’re considering one, ask the artist how the design may heal and whether it needs a little more space.

The matching H tattoo for Heidi Klum

Coverage of the couple’s matching tattoos identifies Tom’s small H with Heidi and her corresponding T with him. The marks are simple black initials. They don’t need extra decoration to explain the connection.

A small initial can stay private most of the time, though its visibility depends on where it sits. The useful design choice is giving the character enough room and using lettering that suits the placement.

A softer detail in the couple’s story

Recent reports also describe a small heart on Tom’s left hand and a matching half on Heidi’s. When their hands meet, the two parts form a shared image. The report presents it as a pair, not as a standalone heart design.

Matching tattoos don’t have to be identical copies. Two pieces can each work on their own and make a fuller picture when the people wearing them are together. On the hand, even a simple outline needs to account for movement and wear.

What makes the couple’s approach work

The initials and reported heart are restrained, and their connection is clear without turning the relationship into a large public statement. Each tattoo can be seen separately; the pair adds another meaning when Tom and Heidi are together.

A small design may also give an artist more options if someone later wants to cover or rework it. That’s a general planning point, not a prediction about the couple.

A note about older photos

Fan pages have described a twin tattoo connected to Tom’s brother Bill, and older photos show other small marks on his hands and arms. The linework can look different with lighting and image quality, so those posts are visual references rather than a direct explanation from Tom or an artist.

This event photo is contextual only, not tattoo evidence. It shows Tom in a vest, jewelry and long hair on a bright set, but it can’t confirm a particular design. A tattoo can be visible in one photo and still have an unknown meaning; the distinction matters here.

Ideas to borrow from Tom Kaulitz’s placement choices

Hand and wrist tattoos are visible while a musician plays, holds a microphone or reaches for something. Think about how the design will look when your fingers bend, and whether you’re comfortable with it showing at work or in family photos.

Before settling on a small hand design, ask:

• Will it still read clearly when your fingers move?
• Are you comfortable with that level of visibility?
• Would the design hold up better at a slightly larger size on the forearm?
• Does the placement matter to you, or does it only look good in a photo?

Tom’s initial works because the reference is clear. Decide what you want the tattoo to say, then let an artist help with the lettering and scale.

This HeidiFest photo shows Tom in another setting, but it isn’t evidence of a specific tattoo. It helps place the article’s tattoo discussion alongside his public style without asking the image to prove more than it shows.

How to make the idea work

If two tattoos are meant to connect, decide how they meet before the appointment: a shared line, two letters or halves of one drawing. Print both at actual size and check the placement on the body. A design that looks spacious on a phone can feel cramped on a finger.

Hand tattoos are hard to hide and exposed to wear. Choose an artist with healed hand and finger work in their portfolio, and discuss whether the lines need to be bolder to hold up over time.

This black-and-white couple photo is contextual too. It shows their hands in the frame, but doesn’t identify a particular tattoo. Keeping that distinction clear helps the reported matching designs stand on the evidence available.

The takeaway from Tom Kaulitz’s style

The H linked to Heidi and the reported hand heart are small designs with a clear connection. Their scale keeps them quiet; the shared meaning comes from the people wearing them.

If you like the idea, start with a symbol that means something to you, then settle the lettering, size and placement with an artist. The tattoo doesn’t have to be large to be specific.

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Teen Vogue’s breakdown counts 11 tattoos for KATSEYE’s Lara Raj, though several are only briefly visible in photos or performances. The designs include family words, zodiac symbols, a lyric written in her friends’ handwriting, and a small fairy. Some meanings come directly from Lara; others are known only from the source that documented the image.

Small, fine-line tattoos with a personal thread.

Most of the reported pieces are compact and spread across her ear, fingers, hand, wrist, ribs, shoulder, inner arm and chest. The collection mixes lettering with small symbols, and there’s open space around the designs rather than one large connected piece.

The scorpion behind Lara’s ear.

The scorpion behind her ear refers to Lara’s Scorpio sign. It’s a small placement that can stay covered by her hair or show when she pulls it back.

The “ZZZ” tattoo on her ring finger.

Lara has “ZZZ” on her ring finger, connected to the idea of three cats. It’s one of her smallest designs, but the hand placement makes it easy to notice. Fine lettering on fingers can fade with wear, so the simple three-letter shape has a better chance of staying readable than a detailed drawing.

The Taurus constellation on her hand.

The stars on Lara’s hand form a Taurus constellation. She has connected it to her late grandmother. The hand stars later sit near the “angel” tattoo, though the two designs use different styles.

“Love is life and life is free” on her wrist

The phrase “Love is life and life is free” on Lara’s wrist comes from Erykah Badu’s song “Didn’t Cha Know.” The lettering is based on the handwriting of two of her close friends, which gives the quote a personal source as well as a musical one.

“Habibi” for her family.

Lara has “Habibi” on her upper forearm as a family tattoo. It’s a short word, and the placement can be shown or covered with a sleeve.

“Paranji” in Tamil for her grandfather.

Her shoulder tattoo reads “Paranji” in Tamil and is connected to her grandfather. The script gives the piece a different shape from the short English lettering elsewhere in the collection.

The Scorpio symbol and “APRIL V” on her ribs.

Lara also has a Scorpio symbol and “APRIL V” in Roman numerals on her ribs. The date marks her sister Rhea Raj’s birthday, April 5. Both designs can stay covered under clothing.

The fairy tattoo on her inner arm

Lara’s fairy sits on her inner bicep. Tyler Dillon at The Fig Leaf Tattoo in Los Angeles did the piece; the artist and studio are also connected to her Taurus constellation. She showed it in a Weverse peek after the 2025 Kids’ Choice Awards and before Lollapalooza.

The inner arm lets the fairy stay out of view when Lara’s arm rests at her side, then appear when she lifts it or wears a different sleeve.

The Gothic “angel” hand tattoo.

The word “angel” is tattooed in Gothic lettering on Lara’s left hand, near the stars. The heavier type contrasts with the fine-line constellation. Both marks sit in an exposed area, where small details can fade or soften over time.

The Tamil name on Lara’s chest.

The latest tattoo in Teen Vogue’s breakdown is the Tamil name விஜயலட்சுமி, transliterated as Vijayalakshmi, on Lara’s chest or sternum. She shared it in January 2026 and showed it on the red carpet at a Spotify Best New Artist party before the 2026 Grammys. It sits centrally, above the neckline.

Tamil script has its own proportions and flow, so an accurate reference matters. The chest gives the lettering more room than the hand or fingers, while the sternum’s center line affects how it sits.

What makes Lara’s tattoo collection work.

The pieces point to specific people and references: her grandmother, grandfather, sister, family and friends, plus a lyric and her zodiac sign. They don’t need a single visual theme to fit together. The small scale and separate placements let each one keep its own character.

Lara’s stage context

Stage photos catch some of Lara’s hand, arm and wrist ink while she’s singing or moving through choreography. The behind-the-ear and rib tattoos are less likely to appear. These three images are contextual portraits, not close-up evidence for a particular design.

Watch KATSEYE’s “Gnarly.”

Some tattoos also appear briefly in KATSEYE performances and videos, including “Gnarly.” Here’s the official choreography video:

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Danna Paola’s tattoos include family tributes, short phrases, a crescent moon and a red kiss on her shoulder. Some meanings come from her own posts or interviews; for the smaller marks, the photos don’t always show enough to identify more than the design and placement.

Danna Paola Tattoo: Grandmother Tribute and Moon

After her grandmother Chelo died, Paola got Ser de luz—“being of light”—with the year 1935, Chelo’s birth year. The fine lettering runs across Paola’s upper side, with space between the words and numbers.

A second design from that session shows a hand holding a crescent moon. Paola has described feeling close to the moon, calling it an energetic mother, confidante and witness to her wishes. That’s the context she gave the image; it doesn’t need extra symbols or shading to read as personal.

Danna Paola Tattoo: The Red Kiss

The red kiss high on Paola’s back near her shoulder is one of her most recognizable tattoos. It looks like a lipstick print, with the red shape doing most of the work. She first showed it when she was young, and entertainment coverage has called it one of her earliest tattoos.

It appears when she turns for a photo or wears an open-back look, then disappears in other frames. The placement gives it a small moment of its own. The color is another option for a tattoo that needs to read without a heavy black outline.

Danna Paola Tattoo: The Kiss in a Full Portrait

This wider portrait shows the kiss on Paola’s shoulder and a small star below her eye. The star is a separate, quieter detail; the photo doesn’t explain its meaning. The kiss follows the curve between her shoulder and upper back, while the facial mark sits in a more visible place.

A face tattoo is part of every close-up, so its visibility deserves a different kind of thought from a piece under clothing. The image confirms the star’s placement, not why Paola chose it.

Onstage Details

This editorial portrait is context, not tattoo evidence. Paola’s fashion and beauty work moves between polished looks and more experimental styling, which can change how the same small tattoo reads. Clothing, makeup and hair frame the ink; they don’t add meaning to it.

Fine-Line Placement in Everyday Life

Paola’s reported tattoos sit on the wrist, hand, nape, ribs, shoulder and behind the ear. Each placement changes who is likely to see the design: a wrist appears in close-ups, ribs stay under clothing, and hair can cover the nape or the mark behind her ear. This photo is also contextual, not proof of a particular tattoo.

The heart-and-infinity design she shares with her mother and sister appears in different placements on each of them. The tattoos are related without needing to be identical. A shared design can keep the same idea while fitting each person’s body.

Paola has also shown Fiorire, Italian for “to flourish”; My future is unlimited along her ribs; and Patiente behind her ear. The small “XX” marks were part of the group of additions she shared at the end of 2020. She presented them together during a difficult, unusually creative year, without attaching one grand explanation to each mark.

Fine-line ink needs room. Leave space between letters and don’t force detail into a spot too small to hold it. The lettering in Paola’s collection works because the words and placements stay simple.

Why These Small Details Feel Personal

The red kiss is playful; the moon and Ser de luz 1935 are tied to family and memory. The heart-and-infinity mark connects Paola to her mother and sister, while the words and “XX” record other parts of her life. The collection doesn’t need one visual theme to hold those details together.

If you’re using her tattoos for ideas, focus on the part that makes each one specific: a family member, a phrase you actually use, or a color and placement you’ll enjoy seeing. The same shape can mean something different on another person.

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InkMonstarr has described tattoos as a way to wear his story. The artist, actor, model and musician says he has more than 700 tattoos. The first he discussed publicly was a group of stars for his mother; his face tattoos connect to belief and the people who support him. He hasn’t given a complete explanation of every design, so the visible details don’t all have confirmed meanings.

InkMonstarr’s first tattoo was for his mother

The stars on InkMonstarr’s left hand were a tribute to his mother and the unconditional love he associates with her. The hand is hard to keep out of view, so the piece serves as a daily reminder as well as the start of a much larger collection.

In his Inked feature, the finger marks and lettering sit beside darker black-and-grey work on the backs of his hands. Hand tattoos take constant wear from washing, movement and sunlight; a clear shape has more room to hold up than a design packed with tiny detail.

The face tattoos are personal, not just shock value

He has pushed back on the idea that the face tattoos are there just to provoke. InkMonstarr has said they mark his beliefs, his support system and periods when he decided to bet on himself. He also said they remind him to “dream bigger than big.” He hasn’t attached a public explanation to every symbol.

The forehead lettering follows his hairline, with smaller marks at the temples and cheek. A cross-like shape sits beside one eye, and the neck work continues toward the chest. The pieces connect across the area, though the full composition was built over time.

His hand and finger tattoos reward a closer look

The fingers carry small symbols and lettering; the backs of the hands are darker and more layered. Some of the older marks sit alongside newer-looking work, but the photos don’t establish the date or meaning of each one.

The collection uses two scales: tiny marks that read like punctuation and heavier work that covers more of the hand. If you’re planning hand tattoos, think about how they’ll sit with rings and the creases of your fingers, and leave enough space for each shape to stay clear.

InkMonstarr’s chest and arm tattoos

His chest, shoulders and arms are heavily covered, mostly in black and grey, with some red on the upper chest. Lettering crosses the chest; denser images fill the shoulders and sleeves. In photos, the designs follow the body rather than sitting as flat, separate patches.

The photographs show dark coverage, lettering, religious-looking symbols and portrait-like forms, but InkMonstarr hasn’t published a full inventory. It’s better to describe what’s visible than assign a name or story to each shaded area.

InkMonstarr’s leg tattoos

Both legs are heavily tattooed from the knees toward the ankles. The photos show faces, dark outlines, layered shading and designs in several sizes. The overall coverage has a consistent weight, even though the pieces don’t look like one matching set.

In the interview, InkMonstarr said he was working on filling a few open spots on his legs. He didn’t name future designs or give a schedule, so those plans should stay open. The negative space is part of the current look, not a gap that has to be filled at once.

The placement makes the collection’s scale clear: face, hands and neck are the most visible; the chest, arms and legs give him more room to keep adding work. The first stars for his mother and the belief-related face tattoos sit in the same collection without sharing one style.

InkMonstarr has said tattoos gave him a voice before he learned to speak his truth. He described wearing his story on his skin instead of carrying it. He has also joked that he spent his first year of college financial aid on tattoos instead of books, then said he cleared it up.

Living with the ink is part of the story, but the tattoos don’t explain everything about him. In interviews, he has also talked about meditation, family, travel, comics and creative work. The photos show the designs; they can’t tell us what every one means.

He has described tattooing as a lifestyle rather than a phase. The collection is still growing, but its scale isn’t the only point: the stars honor his mother, and he has tied the face work to belief and support. Those are the meanings he has shared; the rest can remain personal.

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Laura Fella has counted 19 tattoos, though she doesn’t explain every piece. The Faun singer has said she is superstitious and believes symbols can carry power and energy. Her collection mixes family references, birds, flowers and ornamental work, with an unfinished sleeve she plans to keep building.

Some details are visible in photos; others come from Laura’s own interviews. Keeping those separate matters: an image can show a design and its placement, but it can’t tell us a private meaning she hasn’t shared.

Laura Fella’s first tattoos: Hungarian folk flowers

Laura says her first tattoos were two flowers in a traditional Hungarian folk style, drawn by her and placed on the insides of her wrists. She chose one for her mother and one for her father. Summers spent in Hungary with her grandmother are part of the story behind the style.

The close photo here shows one of the motifs from another angle: rounded petals, a narrow stem and small dots around a compact, symmetrical outline. The dark lines are easy to see, while the open space keeps the design light. Laura has described the family connection; the photograph shows the shape, not the story.

The bird on Laura’s left-arm sleeve

One bird sits high on Laura’s left upper arm. The black-and-grey design has layered feathers and a darker wing; below it, leaves, flowers and ornamental curves bring in muted greens, reds and blue-grey shading.

Laura calls the arm an unfinished sleeve. She has talked about adding magnolias, Gothic symbols and possibly another bird, but hasn’t assigned a public meaning to every existing bird. She plans the work over time and chooses artists whose style feels right, leaving room for the sleeve to grow.

How the sleeve reads from the side

This side view shows more of the forearm: framed, architectural-looking linework with scrolls, leaves and darker shapes running along the arm. The narrow borders and shading connect the larger pieces rather than separating them into boxes.

Laura has said she avoids inhuman or sadistic imagery because she believes tattoos carry strong energy. The visible work leans on birds, flowers and ornamental forms. If you’re planning a sleeve, this view is a reminder to think about the spaces between focal designs as well as the main image. Curves and shading can link pieces while leaving enough skin around them.

Laura Fella’s hand and wrist tattoo details

The hand photo shows a small circular motif on the back of her hand, scrolling blackwork and botanical shapes at the wrist, and a tiny mark on one finger.

Separately, Laura has described a tiny sun wheel above her heart as the tattoo that brought the strongest change in her energy and life. That story comes from her interview; this photograph shows the hand and wrist, not the sun wheel.

Hand tattoos move constantly, get washed often and see plenty of sun. An artist may need to leave extra space or use a slightly heavier line so small details remain legible as they heal and age.

The blue-and-black bird on her forearm

A second bird sits on the lower forearm. It angles across a pale blue shape, with blue-and-black coloring framed by curling ornamental lines. The color and longer movement set it apart from the darker bird higher on the arm, while the scrollwork ties the two sections together.

Laura hasn’t said whether the birds stand for particular people or ideas. She has mentioned wanting another bird, but the designs can be appreciated without assigning each one a story. Repeating a subject doesn’t mean repeating the same silhouette or treatment.

Some stories remain private

Laura says an old-school anchor at her groin took four hours, her longest tattoo session. No photo in this feature shows it; the detail comes from her own account. She has also said she keeps some meanings private because she believes tattoos can hold power and energy.

She sometimes books sessions with her best friend, and they hold hands during difficult parts. For a first tattoo, Laura recommends finding an experienced artist, taking time with placement, paying attention to how you feel with the artist and remembering to breathe.

What ties Laura Fella’s collection together

Laura’s 19 tattoos span folk flowers, birds, ornamental blackwork, botanical color and small personal symbols. Family and nature recur, but the pieces don’t all follow one strict style. The sleeve is still in progress, and she has room to add to it without making every line match.

Her first flowers connect to her parents and her time with her grandmother in Hungary. Other stories are hers to share or keep. The photographs show part of the collection, not a complete record of what each mark means.

Ideas to borrow from Laura’s style

Start with a memory or image that belongs to you: a family symbol you drew yourself, a folk pattern tied to someone you know, or a bird or flower you want to keep close. Think about how its shape will sit on the body before settling on the details.

A sleeve can take years to finish. You can begin with one piece, leave room around it and decide later what belongs beside it. And if a tattoo has a private meaning, you can keep it private; no design needs a public explanation to matter to the person wearing it.

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Thomas Rhett’s most visible tattoo story began with a clip of an artist writing “Lauren” across his right cheek. It looked permanent for a moment, but the video was made as a joke. A separate 2015 report confirms he got his first tattoo; it doesn’t identify the design.

Those are two different accounts: one is a temporary face-tattoo stunt, and the other is an early tattoo appointment with no confirmed image. The distinction matters when describing what Rhett has actually had inked.

A familiar look with one sharp surprise

Rhett is usually photographed in caps, denim and stage clothes, with the focus on his performance rather than visible body art. The cheek lettering stood out because it changed the way his face read at a glance.

The Lauren face tattoo was a stunt, not a confirmed permanent tattoo

In the February 2025 clip, Rhett reclines in a pink chair while an artist writes “Lauren” on his right cheek. He mouths the chorus of All the Bars Are Closed. The caption reads, “They said we needed content,” which makes the setup clear: the video was meant to surprise people and then land as a joke.

Reports described the lettering as temporary or playful, and there is no solid confirmation that Rhett permanently tattooed his wife’s name on his face. It is more accurate to call it a stunt than to list it as lasting ink. The word refers to Lauren Akins, but its visibility does most of the work: a name on the cheek can’t be mistaken for a private detail.

Why a name in plain sight gets such a big reaction

Names are common tattoo subjects because they can stand for a partner, child, parent or friend. Rhett’s clip got a bigger response because the name was placed on his face, where a word is visible in nearly every expression and photograph.

The same name on an arm might read as a private tribute. Across the cheek, it takes over the face and is seen before anyone knows the story behind it.

Rhett’s first appointment matters more

A 2015 report from WKDQ documents Rhett getting his first tattoo. It quotes an Instagram caption thanking the artist for not hurting him too badly and says Lauren was up next.

The report doesn’t name or show a design clearly enough to identify it now. That’s a real limit, not a gap to fill with a guess. The appointment is still useful context: it records Rhett’s first experience getting tattooed, while the viral cheek lettering was temporary.

Context matters more than a single close-up

The performance images here show Rhett onstage in open shirts and caps. They give a sense of his usual look and movement, but they don’t establish additional tattoos. A screenshot can make a mark seem larger or more permanent than it is; lighting, makeup and the angle all matter.

Before treating a mark in a photo as ink, look for more than one view and check whether the source calls it temporary. A music-video still, social clip or red-carpet image can show something different from a healed tattoo.

What to borrow from the temporary stunt

The practical idea is to test a design before making it permanent. A temporary transfer, washable marker or stencil can show how lettering sits when you smile, talk and turn your head. Check it in a mirror and in ordinary photos, not only in the pose that made the design look exciting.

Ask to see the lettering at its actual size. A name can look neat when enlarged on a phone but feel cramped on skin. For a face placement, think about work and daily life as well as how the design looks in a single clip. A temporary version cannot predict healing, but it can reveal a scale or position you don’t want to keep.

The real Thomas Rhett takeaway

The available record supports a temporary “Lauren” cheek-tattoo stunt and a 2015 first-tattoo appointment whose design isn’t described. Those details don’t make a full catalogue, but they do show why the context around a photo matters.

If you’re drawn to the lettering, borrow the idea of testing it first and make the words your own. A face tattoo is a different commitment from a joke that disappears, and the design should still feel right after the clip stops getting attention.

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Manon Bannerman’s tattoos are mostly small pieces gathered over time. Teen Vogue counts more than ten, including finger dots, fine-line hand ink, words on her ribs, arm, foot and hip, matching stars with friends, and more pieces on her legs. The collection mixes personal details with designs that are only partly visible in public photos.

Teen Vogue provides the clearest inventory, though some designs are easier to identify than others. Its report names the tattoos that can be read or placed from photos; less clear details are noted cautiously below.

The Femme fatale rib tattoo is the easiest piece to place

Manon’s Femme fatale lettering sits along her ribs, just below the edge of her top in the Teen Vogue cover photo. The black script is fine and slightly loose, running in a compact line with space around the letters. It is one of the clearest views of her tattoos.

The placement keeps the phrase covered by an ordinary shirt and visible in a crop top or editorial look. The useful reference is its scale and position on the curve of the ribs. An artist can help size the letters for the body in motion, rather than copying what fits in a phone-sized crop.

A second view shows why the lettering stays delicate

A wider Teen Vogue image shows the same tattoo alongside Manon’s face, braids and outfit. It helps put the phrase in proportion: the lettering is readable, but it remains a narrow detail on her ribs. A close view shows the line work; the wider photo shows how it sits with clothing and the rest of her look.

Those two views answer different questions. If you are collecting references, keep both a close image and a wider one so the lettering and placement are easy to compare.

Small details that repeat

Teen Vogue lists dots on Manon’s three middle fingers. They can disappear in a full-body photo, then stand out in a close-up. Finger tattoos also get more friction and washing than ink on the arm or torso, so tiny marks may soften or fade with time. Their spacing and size are worth discussing with an artist before settling on a stencil.

Fine lines that follow the body

Teen Vogue credits Los Angeles artist Arbel for a fine-line design around Manon’s ring finger and notes that it appeared in a Glossier campaign and in selfies. Later public appearances show more delicate motifs extending down her left hand. Together, the images suggest that the hand work developed over time rather than arriving as one finished piece.

Fine lines can connect a finger, knuckle and hand without filling the whole area. The design still needs enough space to remain legible as it heals; an artist can advise what detail will hold at the intended size.

A joke shared with friends

Manon has the word Ham on her inner bicep. Teen Vogue quotes her saying she got it “just bc I’m hot as a mf.” Three friends each wrote one letter, so their handwriting is part of the design. The inner-bicep placement also lets her cover the word with a sleeve or show it when she raises her arm.

Keeping the letters in their original handwriting ties the joke to the friends who made it with her.

A softer note in the mix

Above her elbow, Manon has cursive lettering that reads Bliss. Fans first noticed it in 2025, and it later appeared at public events. The short word sits apart from the denser hand designs and the rib phrase, with no extra frame or ornament around it.

The space above the elbow gives a small script tattoo room while keeping it easy to cover. The artist still needs to account for how the arm bends.

Reading the details carefully

Teen Vogue says a fine script tattoo on the side of Manon’s left instep is believed to read Sophie. The wording is cautious because the tattoo is small and the available views do not clearly confirm every letter.

The instep is exposed to shoes and daily friction, and the foot flexes as it moves. Anyone considering script in that spot should ask an artist about a legible size and an aftercare plan that works with their usual footwear.

Two later additions with different moods

Teen Vogue also lists Rockstar on Manon’s hip, where the word is mostly covered, and matching stars on her hand with close friends. The stars were reported in December 2025. One is a short word with a bit of swagger; the other is a shared mark in a visible part of her collection.

The stars sit near her finger dots and fine-line hand tattoos. That makes the hand a place where several small designs can be seen together, while the hip lettering stays more private.

Some details remain outside the frame

During an Instagram tattoo tour, Manon reportedly mentioned “a bunch” of leg tattoos. The available photos do not show enough detail to make a reliable list of them. That is as far as the public record goes for those pieces.

What makes Manon’s collection feel connected

The collection moves between fine lines, short words, finger dots and matching stars. The designs do not all share one style, but most stay small and leave space around them. The contextual KATSEYE photo here sets the scene; it is not evidence of another tattoo.

For a reference of your own, focus on placement and scale rather than copying Manon’s exact designs. A short phrase can sit along the ribs, while hand tattoos can grow a little at a time. Leave enough room for the skin and the artist’s work.

Manon’s off-stage look is part of the reference

This portrait adds context, not tattoo evidence. Manon’s public styling ranges from curls to braids, editorial makeup and casual selfies. Clothing and hair can change what a photo shows, so one image is rarely a complete view of her ink.

The group setting around these photos

The group photo places Manon with KATSEYE but does not show her tattoos clearly. The embedded tour diary offers context for the article; the individual designs above are described from the reporting and photos that identify them.

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In a 2019 interview, Italian singer Alessandro Mahmoud, known as Mahmood, said he had four tattoos: Nefertiti, a triangle for his family, a scarab and a phrase. The pieces are small, and they show more clearly when he wears a vest or an open shirt onstage.

Photos help show their scale and placement, but not every image is clear enough to explain the details. For the meanings, the interview is the firmer source: Mahmood identified the triangle as a family symbol and named the other three designs.

Mahmood’s Nefertiti tattoo

Nefertiti is the most recognizable of the four. The famous bust gives the portrait a strong profile and tall crown, but the available photos don’t show enough detail to treat it as a precise copy of the sculpture. It reads as a compact portrait rather than a full historical scene.

For anyone drawn to a similar portrait, the profile, crown or angle of the head may be enough to make the reference clear. A small design needs room around the lines; too many details squeezed together can blur as it heals and ages. In Mahmood’s collection, the portrait stays one detail among several.

Mahmood’s family triangle tattoo

Mahmood said the triangle represents his family. That is the confirmed meaning; there’s no need to assign a separate person to each point or add a story the design itself doesn’t tell. In photos, the small shape can be easy to miss, which suits a private marker.

Geometric family tattoos can stay spare. If you’re using that idea for your own design, decide whether the lines should be crisp or hand-drawn, then check that the triangle still reads at its actual size. The family connection is the point; the symbol doesn’t need to explain every detail.

The scarab tattoo is small but distinctive

The scarab is another tattoo Mahmood named. Its oval body and wings give the insect a clear shape even at a modest size, so it can work without a pyramid, sun or other surrounding imagery. The interview doesn’t give a reason for this choice, so the beetle itself is what the record confirms.

The photo gives a sense of scale, but not enough to map every line or placement. If you like the motif, start with the outline and decide how much shell and leg detail will stay legible at the size you want. Fine lines and heavier blackwork give it different weight; neither needs extra symbols to feel complete.

The phrase tattoo stays close to the skin

Mahmood’s fourth reported tattoo is a phrase. In the photos, the lettering runs along his forearm, though the wording isn’t identified here. The placement follows the arm, so spacing matters as much as the type style.

Lettering needs enough room to stay legible as skin changes. A short phrase can leave space between letters; longer wording may need more room or deliberate line breaks. The forearm is visible in many situations, but a sleeve can cover it when he wants the tattoo out of view.

How the smaller tattoos read in motion

His smaller pieces can disappear in performance photos; movement, lighting and clothes compete for the eye. A patterned shirt may cover them, while a sleeveless stage look brings the forearm lettering forward. They move in and out of view with the outfit.

The four designs don’t share one obvious theme: a portrait, a family symbol, a scarab and lettering. They can sit together without matching, and the gaps between them keep each mark distinct. His clothes and music remain part of the picture too.

What to borrow from Mahmood’s approach

Mahmood named four different designs, and the specific meaning he explained was the triangle for his family. That’s a useful distinction when looking at anyone’s tattoos: a photo may show the image, while the wearer’s own account tells you what they’ve said it means.

If you’re planning a tattoo, start with what you want to remember or express, then choose a shape that can carry the idea. Try the drawing at its real size and placement before settling on it. Mahmood’s photos show a compact collection; they don’t supply a private explanation for every piece.

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