Ella Purnell has said she has more than twenty tattoos. Public photographs show fine-line designs across her shoulders, arms, hands and legs, including cherubs, a small sun, stars, lettering and larger outlined figures. The pieces are spaced apart, so different outfits and poses reveal different parts of the collection.

Ella Purnell’s cherub tattoos on the shoulder

HUNGER’s portrait shows small cherub or angel figures across Purnell’s shoulder and upper arm. Two sit close together near the shoulder blade, with another lower on the arm. Thin outlines and open skin keep them separate rather than forming a shaded sleeve.

Cosmopolitan UK has described Purnell discussing inspiration from her great-grandmother. That gives personal context to some of the drawings, though the public sources do not explain the meaning of each individual figure.

The small sun tattoo near Purnell’s shoulder

A small outlined sun with short rays sits near the upper back and shoulder. Vanity Fair’s side-angle photograph shows its position above and apart from the cherubs, with open skin between the designs.

The sun is easy to miss in a straight-on portrait. The turned shoulder makes its placement clear without making it part of the larger figure group.

Fine-line figures across the upper arm

Cosmopolitan UK’s wider fashion photograph shows smaller marks on both arms and a larger outlined figure lower on the leg. The image makes the scale difference clear: tiny symbols sit near the wrists, while the illustrated figures occupy more skin.

The tattoos remain separate drawings rather than one continuous sleeve. The photograph shows their arrangement, but not enough detail to identify every small mark.

Stars, hand marks and tiny lettering

A black-coat portrait brings the stars and small hand and wrist marks into view. Some lettering is visible, but not sharp enough to read consistently across the public photographs. Where the words cannot be made out, they are best described simply as small lettering.

The stars are easy to recognize at a distance; the finer marks need a closer image. They add detail without crowding the larger shoulder and arm drawings.

The larger illustrated tattoo on her arm

A close editorial portrait shows a larger outlined figure along Purnell’s upper arm and shoulder. Its thin, slightly irregular lines match the cherubs in style, though the pose and placement are different.

When Purnell turns her shoulder toward the camera, the drawing follows the curve of the arm. A jacket or a different pose can hide most of it.

The wider fashion view

Fashion photographs also show tattoos on Purnell’s thighs and lower legs, including a larger outlined figure. The leg pieces give the collection another focal area beyond the shoulder and arms.

Open skin around the drawings keeps them distinct, and clothing can expose one group while covering another.

The personal context behind the drawings

Purnell has discussed her interest in tattoos and said her mother became interested in them too. A Vanity Fair lie-detector interview also referred to a tattoo based on one associated with her Sweetbitter character.

Those comments provide personal context, but not a complete explanation for the cherubs, stars, lettering or every figure in the photographs.

Why clothing changes the view

A backless dress exposes the shoulder tattoos; a sleeveless top shows more of the forearms and hands; a coat can cover nearly everything except the wrists. The HUNGER, Vanity Fair and Cosmopolitan photographs each record a different part of the collection.

Clothing and camera angle change what is visible, not the underlying placement of the designs.

A collection built from open linework

The photographs and interviews document more than twenty tattoos in fine-line styles, from shoulder cherubs and a small sun to stars, lettering and larger figures on the arms and legs. Some pieces have personal context; others are best identified by their visible form.

Purnell’s interview clip appears below.

Shaunie Henderson’s tattoos tell a before-and-after story across her back and wrist. In June 2025, she showed a colorful lotus covering the rose-and-butterfly tattoo on her back. The older design held her children’s names; Henderson said it was about 25 years old and had been touched up 19 years earlier. Footage from Houston tattoo artist Byron Lofton and coverage from The Shade Room document the change.

Henderson also has a separate matching 11:11 wrist tattoo with Keion Henderson. The back piece is a large floral cover-up; the wrist design is a smaller relationship reference.

Shaunie Henderson’s lotus tattoo cover-up

The lotus fills a broad area across Henderson’s upper back. A large pink and wine-colored bloom sits among smaller flowers and leaves, with saturated blue behind and between the petals. The coverage extends toward the shoulders and over the earlier tattoo.

Red, green and dark outlines define the petals and leaves, turning several flowers into one connected composition.

The first view of the back tattoo reveal

Lofton’s footage shows Henderson seated with her back toward the camera as he reveals the finished piece. The image makes the size clear: the central lotus is surrounded by smaller blossoms and curved leaves rather than ending at a straight border.

The footage documents the reveal and the placement, not a complete explanation of every color or petal.

The finished lotus tattoo image

The finished design uses bright pink petals against a blue field, with red accents and green leaves around the flowers. The largest bloom is the focal point; smaller blossoms and buds fill the surrounding space.

In the inspected photograph, the old lettering is not visible beneath the new work. The image shows a floral cover-up, though it cannot establish that every older mark is fully erased at every angle.

The earlier family tattoo marking

Before the lotus, Henderson had a rose and butterfly on her back. The Shade Room and Times of India reported that five leaves in the rose held the names of her children.

Henderson said the tattoo was about 25 years old. She later added her youngest daughter’s name in a touch-up about 19 years before the 2025 cover-up. The earlier image therefore had a long family history before the new floral design was added.

The names beneath the cover-up tattoo petals

The five names were part of the rose’s structure, with one name in each leaf. The finished lotus covers that area, and no lettering is legible in the reveal photograph.

The visual surface has changed, but the reports preserve the history of the family tattoo underneath. The sources do not claim that its personal importance disappeared with the cover-up.

The lotus tattoo meaning in the footage

During the session, Lofton asked whether Henderson liked lotus flowers, and she said she did. The reporting documents that exchange and the choice to use a lotus; it does not give a longer symbolic explanation for every petal or color.

The new design differs sharply from the old rose-and-butterfly arrangement: a broad, layered floral composition replaces a smaller family-centered image.

The tattoo timeline of the change

The timeline begins with the rose and butterfly, about 25 years before the June 2025 reveal. Henderson said the old tattoo had been touched up 19 years earlier when her youngest daughter’s name was added.

Lofton’s studio footage then records the new lotus. The Shade Room covered the process and reveal, while Times of India also described the earlier family design and the cover-up.

The visible tattoo reactions

The Shade Room reported that commenters reacted to the lotus’s size and color, while others discussed it in relation to Henderson being a pastor’s wife. Those comments describe public reaction; they do not add a confirmed meaning to the tattoo.

The photograph itself shows the broad, bright cover-up across her upper back.

The 11:11 wrist tattoo detail

Separate relationship coverage reports that Henderson and Keion have matching 11:11 tattoos, which they had before marriage. The small number design sits on the wrist and has a different scale and subject from the back piece.

The available report identifies the matching numerals and relationship context, without presenting the wrist tattoo as part of the back cover-up.

Sources

The back-tattoo history is documented by The Shade Room, the studio footage from Byron Lofton and Times of India coverage of the earlier rose, butterfly and five names. Separate relationship reporting documents the matching 11:11 wrist tattoos.

Conclusion

Henderson’s documented tattoos include a lotus cover-up over a decades-old family design and a separate matching 11:11 wrist tattoo. The new image changes what is visible on her back while the history of the names remains part of the record.

The tattoo footage appears below.

Simone Ashley’s best-documented tattoo is a small sphinx cat on her left ankle, which she gave herself during the first COVID-19 lockdown. She told the story on Jimmy Kimmel Live! in March 2022: after buying a rotary tattoo pen and following an online tutorial, she tried the design at home. A later Teen Vogue portrait also shows a separate tattoo on her upper shoulder.

The ankle piece is easy to miss in red-carpet photos, but Ashley has described how she made it and showed it on television. The interviews identify the sphinx cat and its lockdown origin; they don’t establish a larger symbolic meaning or provide a full inventory of her tattoos.

The Sphinx Cat Tattoo on the Left Ankle

Ashley’s ankle tattoo is a compact black outline of a sphinx cat. She held it up during the Kimmel interview, where the host joked that it looked like a dog. Ashley took the exchange in stride and described it as a cat with Egyptian styling.

Glamour, Teen Vogue and Entertainment Tonight report the same core details: the design is on Ashley’s ankle, she made it during quarantine, and she showed it on Jimmy Kimmel Live! None of those reports assigns a private meaning or names an artist.

A separate tattoo is visible on Ashley’s upper shoulder

A Teen Vogue portrait shows another tattoo across Ashley’s upper shoulder and back. The close-up identifies it as a peacock feather; the accompanying coverage doesn’t give it a formal meaning. It is separate from the sphinx and has a different placement.

How the Story Emerged in Lockdown

Ashley said the tattoo started with lockdown boredom. She had been baking banana bread and tie-dying, then decided to order a rotary tattoo pen online. She said the purchase took only a few clicks and did not require identification. The pen gave her a new project while studios were closed, but the account is about her own experience, not advice for others.

She was living outside her usual production routine, and the tattoo became a small record of that period. Ashley later became widely known for playing Kate Sharma in Bridgerton; the sphinx predates that role’s public success.

The Kimmel Conversation

In the interview, Ashley described finding a tutorial after she bought the pen. The person who made it was an inmate, a detail she found surprising and funny. She also said she tattooed people from her cast during that period. The story helps explain the experiment, while the sphinx on her own ankle remains the design with the clearest published documentation.

Kimmel’s guess that the sphinx looked like a dog made the small outline harder to identify at a glance. Ashley still called it a good attempt. The exchange is part of the tattoo’s public record: it shows the mark and captures her own description without adding a symbolic explanation.

A Small Mark in a Visible Moment

The sphinx is modest in size and sits where a shoe, trouser leg or long dress can cover it. Ashley’s television appearance briefly brought that otherwise private placement into view. The tattoo’s story comes from how she made it during lockdown, rather than from any meaning the sources have attributed to the image.

What the Published Images Add

The interview still and ankle close-ups provide the clearest evidence for the sphinx. Other editorial and red-carpet portraits show Ashley’s styling and career, but often crop out or cover the lower leg. The images serve different purposes: some document the tattoo directly, while others place it within the actor’s public life.

The Later Images and the Missing Ankle

Later photos don’t clearly show the ankle, usually because the leg is outside the frame or covered. That absence doesn’t indicate the tattoo was removed; it only limits what those pictures can confirm. The Teen Vogue portrait does show the separate upper-shoulder design, though its meaning remains unreported.

Fashion profiles such as British Vogue and the Los Angeles Times portrait focus on Ashley as an actor and public figure. They add career context, but they are not evidence of additional tattoo designs.

The Shape of the Story

The reported sequence is straightforward: Ashley bought a rotary pen during lockdown, learned from an online tutorial made by an inmate, and tattooed a sphinx cat on her left ankle. She later showed the result on television. The reports don’t establish an exact date, artist credit or a complete list of her body art.

A Personal Detail Within Ashley’s Screen Career

Ashley’s public roles and fashion appearances are carefully photographed; the ankle sphinx began as a private experiment. It became known through her own story and the close-up she showed on Jimmy Kimmel Live!, rather than through a red-carpet reveal. The available record is specific about that one tattoo and more limited about the rest of her collection.

Sonakshi Sinha and Zaheer Iqbal have a matching hand tattoo split between them. In a photograph shared by Hindustan Times, the two fine-line sections meet when they hold their hands together. Sinha described the design as “each other’s lifeline.”

Sinha also has a separate ornamental tattoo around her left ankle. Hindustan Times described it as an anklet, and Republic World linked it to a visit to Budapest.

The matching tattoo is one line, split in two

One section sits on each hand. The line is mostly straight, with a small arrow-like point and an infinity-style finish. It has no dense shading; the joined-hands photograph shows how the two pieces fit.

The layout is the detail that makes this a shared design rather than two identical copies. Hindustan Times shows the placement, while Sinha’s description gives the meaning she chose to share.

Sonakshi Sinha’s Budapest ankle tattoo

The dark, repeated linework circles Sinha’s left ankle and extends toward the foot like an anklet. The coverage connects it to Budapest but doesn’t give the motif a separate meaning.

A tiny mark with a big job

The hand tattoo uses a small amount of ink for a shared image. Its narrow lines keep the arrow-like point and infinity-style end easy to see without covering the surrounding hand.

Why the photos matter

The close-up shows that the hand design is divided between two people. Seen beside the ankle photograph, it also makes clear that Sinha’s anklet is a separate piece, not part of the matching tattoo.

The couple’s style is understated

Both photographs show restrained linework rather than large, shaded illustrations. The hand design stays fine and compact; the ankle piece follows the curve of the foot.

The visual logic of the split composition

Each hand carries only part of the line. The pointed and infinity-style ends become legible as one composition in the joined-hands image, while the tattoo remains two separate marks when viewed apart.

A simple finish

The public explanation is straightforward: Sinha called the matching design “each other’s lifeline.” The reports leave the ankle motif’s meaning unstated.

Fine-line details in the published photographs

The available images show placement and linework, but do not identify the tattoo artist or establish when either piece was made. The video below provides further context.