Megan Fox’s collection mixes long quotations with small symbols, portraits and tattoos she later changed or removed. She has explained some choices in interviews; photographs show other designs without telling us why she chose them. Several pieces look different now than they did when first photographed.

Strength and Shakespeare frame the upper body

The small Chinese character at the nape of Fox’s neck is generally translated as strength. It is easy to miss beneath her hair or a collar, then clear when she turns her head or wears her hair up.

At her shoulder blade, Fox has “We will all laugh at gilded butterflies.” from Shakespeare’s King Lear. The long line and its spacing make it feel more like typography than an emblem. It is often read as a warning about appearances, though Fox has not said that is why she chose it.

The ribcage quotes are personal writing, not filler text

One rib carries the long line “And those who were seen dancing were thought to be insane by those who could not hear the music.” It is usually attributed to Nietzsche, though some early reports credited someone else. “Attributed to Nietzsche” is the most accurate description.

On the other side, Fox has a poem beginning “There once was a little girl who never knew love until a boy broke her heart.” Reports say she wrote it herself. The long text follows the curve of her ribs; the words are public, but the experience behind them is hers to explain.

Small symbols give the collection a different rhythm

Fox has smaller designs too: a yin-yang on her inner wrist and a coloured crescent moon and star near her right ankle. The ankle tattoo was one of the few coloured pieces in her earlier collection, so it stands out beside the black lettering. Photos show its shape clearly, but its personal meaning is less documented.

Lists also mention dots and tiny finger marks, plus a cat playing piano with the words “play him off.” Sources are less consistent about where that tattoo sits or whether it is still visible.

Marilyn Monroe and the Brian tattoo changed over time

The Marilyn Monroe portrait on Fox’s right forearm used to be one of her most recognizable tattoos. She later began laser removal, explaining that she no longer wanted to carry what she saw as Monroe’s negative energy. Older photos show the full portrait; later ones show it fading.

Fox also had Brian, the name of Brian Austin Green, tattooed near her hip during their relationship. Later coverage said she covered it. The change is part of the tattoo’s history, even though newer photos no longer show the original lettering.

“El Pistolero” belongs to the later chapter

Later photos show the Spanish phrase “El Pistolero” (“the gunman”) along Fox’s collarbone. Its timing and association with Machine Gun Kelly drew public speculation, especially after the couple discussed nickname-related tattoos in music. The visible wording and reported context are clear; more than that would be guesswork.

The designs do different things. Shakespeare and the rib poems are long passages of text; the small symbols are quieter, while the Monroe portrait and “El Pistolero” belong to different periods of Fox’s life.

What the public record can establish:

Photos and interviews identify the locations, wording and visible motifs, but they do not explain every choice. Fan lists sometimes add meanings that Fox has not shared. Her collection also changed, with some tattoos faded, covered or removed.

Fox’s tattoo collection moves between literary text, small symbols and pieces linked to people or eras in her life. The shoulder and upper-body lettering is easiest to see in close photos; the ribcage quotes are usually hidden by clothing.

The Monroe portrait and Brian’s name changed or disappeared over time. Later photos show the portrait fading and the name covered. “El Pistolero” appeared in a later period, so it belongs with newer images rather than with Fox’s earliest tattoos.

Small hearts, stars and other symbols fill the spaces around the larger words. Their shapes are visible, even when Fox has not explained what they mean.

Fox’s tattoos have not stayed in one form. Some were covered, adjusted or partly removed, and the angle of a photograph can make a mark look different. The date helps explain what a picture does—and does not—show.

The long quotations and tiny symbols have different visual weight. The lettering stretches across her ribs or shoulder, while the smaller marks show up only on closer inspection.

Small symbols between the larger words:

The compact marks give Fox’s collection a different rhythm. They break up the long lines and portraits, though their personal meanings are not always public.

How the later pieces changed the map:

Fox’s later tattoos sit on top of a history that includes cover-ups and changed designs. Older and newer photos show the difference around her forearm, hip and collarbone.

The quotes and small marks also sit at different scales. A line of text can run across the ribs, while a symbol may fit on a wrist or ankle. One photograph rarely shows every part of the collection.

A tattoo that appears in an older photo may be faint or covered in a later one. That does not make the first image wrong; it records an earlier version of the design.

The ribcage quotes are easiest to read in wide, well-lit photos. Cropped portraits can cut off the words, while a tight close-up helps show the smaller symbols.

Across the collection, Fox moves between literary lines, personal writing, small motifs, a portrait and later lettering. The designs do not all carry the same kind of meaning.

The photos show what each tattoo looks like; Fox’s interviews explain only some of the stories behind them.

Placement changes how the writing reads. A line across the ribs works differently from a short phrase near the shoulder, and a crop that cuts off the first or last word can make a quote look incomplete. Fox has not given a separate personal meaning for every inscription.

A heart, star or other small mark can be clear in a photo even when its personal meaning is unknown. The shape and location are still worth recording on their own.

Cover-ups matter in an older collection. A newer design may hide an earlier one, so a current photo cannot show what was underneath. Fox’s tattoo history includes both the original pieces and the changes that followed.

Angelina Jolie has been getting tattoos for more than two decades. Her collection ranges from family coordinates and script to Buddhist and Cambodian designs, a large tiger, older relationship tattoos and newer work on her hands. Jolie has explained some pieces herself; others are known through photographs or published reports, so not every detail is equally certain.

Coordinates on her forearm

The vertical coordinates on Jolie’s forearm are among her most recognizable tattoos. They mark places connected with her children. In 2011, CBS News reported that she had added a seventh line for Brad Pitt’s birthplace, Shawnee, Oklahoma. She clarified that the new line marked his hometown, not another child.

The list grew with Jolie’s family, so it looks different in photos from different years. Each line records latitude and longitude. Online lists sometimes give different locations, so it is best to check the numbers against a reliable source.

Family lettering and matching work

Family has come up often in Jolie’s tattoos. The forearm coordinates are the clearest example, but reports have linked other pieces to her children too. W Magazine says Jolie and her daughter Vivienne share the words “Stay Gold,” a reference to the stage production of The Outsiders. The reported matching tattoo is tied to that project, separate from the older coordinate work.

Photographs also show small script and lettering that reports connect to Jolie’s children and personal life. A mark near the coordinates is not necessarily a child’s name. If the writing cannot be read clearly and Jolie has not explained it, its meaning remains unknown.

Cambodian and Thai tattoos

Cambodia is part of both Jolie’s personal history and her tattoo story. She adopted Maddox from Cambodia and has returned for work and humanitarian activity. Her large lower-back tiger is widely described as a traditional Southeast Asian design. Vanity Fair reported that she travelled to Thailand and worked with tattoo artist Sompong Kanphai, who used a traditional method and blessed the piece.

Other large designs across her back and shoulder use Buddhist or Cambodian script. Reports often describe them as protective or spiritual, though translations are not always agreed on. Some are traditional designs whose meaning depends on their religious and cultural setting, rather than a simple English phrase. Published accounts describe the context, but not a confirmed word-for-word meaning for every symbol.

The tiger tattoo

The Bengal tiger is one of Jolie’s largest tattoos, stretching across her lower back. Public photos show it, and coverage often discusses it alongside her Thai tattoo session. Some published accounts also connect the tiger with her ties to Cambodia. That context appears in reporting; Jolie has not necessarily described it as the tattoo’s personal meaning.

The tiger is much larger than the small lettering on her arms and fingers, spanning her lower back. It was done using a traditional method. Photos show where it sits, but cannot capture all the ceremony’s details or its full religious significance.

Neck and upper-body lettering

Jolie has worn the words “Know Your Rights” across her neck. Marie Claire reported that she discussed the tattoo alongside her concerns about human rights; the phrase has also been linked to her 2004 film work. The lettering is clear, but no single account establishes all of the tattoo’s meaning or her reasons for choosing it.

More script and symbolic designs cover her upper back and shoulders. Older photos show the collection taking shape over time. A published account may identify a tattoo as Buddhist, Cambodian or Thai; a photograph alone can show where it sits and what it looks like.

Older tattoos and cover-ups

Jolie’s early tattoos include the Roman numeral XIII and a dragon, both associated with her younger years. She has also spoken about regretting some former partners’ names and having them removed or covered. Billy Bob Thornton is the best-known example in public coverage. Sources do not give a consistent timeline or method for every removal, so the full sequence is not clear.

Her tattoo history shows how designs can change over time. An old partner’s name may disappear while family coordinates remain and gain a new line. A current photo cannot show the whole collection; older images fill in what is no longer visible.

Hand and finger tattoos

Later photos show small tattoos on Jolie’s fingers. Bustle reported that tattoo artist Mr K shared an image of them. These marks are newer than the back pieces, but publications have not established a meaning for each design.

What is actually known?

Jolie’s tattoos include forearm coordinates, Cambodian and Thai script, the lower-back tiger, “Know Your Rights,” older relationship designs and newer finger work. She has explained some pieces herself; other details come from publications or photographs. The traditional designs, in particular, do not always have a single plain-English translation.

The clearest accounts identify a design, where it sits and, when a source has reported it, when it was done and who did it. Jolie has explained some meanings herself. For the rest, it helps to distinguish what a source reports from what a photograph can show.

Zoë Kravitz’s tattoos are easy to underestimate because most are small. They include a dragonfly near her shoulder, fine marks along her back, tiny symbols on her arms and short lettering at her neck or wrist. Close photos reveal details that disappear in a distant red-carpet shot.

Photos and interviews give a partial picture of Kravitz’s tattoos. Allure has discussed one of her favorites, while Cosmopolitan has gathered images and artist information for other pieces. Some designs are identified; others have no published explanation.

The dragonfly gives the shoulder its clearest focal point

Recent red-carpet photos show a dragonfly on Kravitz’s shoulder. Its small wings form a crisp outline when the image is clear, standing out from the finer marks across her back. It reads as one distinct shape rather than a patch of stray lines.

The dragonfly is visible in some shots and hidden in others. A halter gown may leave the shoulder blade bare, while hair, fabric or a straight-on portrait can cover it. Photos show it in the shoulder area; their changing angles do not mean the tattoo was newly added each time.

A dragonfly is often given a universal symbolic meaning, but the coverage does not establish one as Kravitz’s private explanation. The photos show the subject and placement. Its small scale and fine lines are clear even without assigning it a story.

Fine markings run down the back and spine

Backless photos reveal small marks along Kravitz’s upper back and spine. Some look like script, others like tiny symbols. They form a loose vertical line, with bare skin between them rather than one large back piece.

A wide photo shows how the marks run from the shoulder toward the spine, but may not resolve each character. When the lettering is too soft to read, it is better to describe the small marks than guess at a word.

The back pieces also show how Kravitz’s tattoos change the look of an outfit. A backless gown brings them into view; a shirt covers them again. Their small scale and spacing set them apart from a sleeve or a single large design.

A moon and star bring a simple celestial motif to the arm

Photo guides identify a moon and star among Kravitz’s arm tattoos. The curved moon sits beside a small star, forming a compact pair that can be seen when she turns her arm toward the camera. Jewelry, hair and stage lighting can easily obscure the fine lines.

The arm placement gives the pair a different kind of visibility from the spine marks: Kravitz can show it in a sleeveless outfit without revealing her back. Portraits and event photos have captured it at different points in the collection’s timeline.

A moon and star may be a private reference or simply a design Kravitz liked. Published photos identify the motif, but do not establish a personal meaning or belief behind it.

Short words such as baby and yes make the lettering personal in scale

Parade’s 2025 coverage described more lettering: baby at the neck, yes near the nape and Mississippi along an arm. Words are easy to misread in event photos; a turn of the shoulder can hide the first letter or make a short word look like a line.

The words appear in different places, and no report says they form one sentence. Photos show that Kravitz has small lettering at her neck and arm, but do not show that the pieces were planned together.

It is natural to wonder why someone chose a particular word. Here, the photographs establish what the lettering says and where it sits; the reason is not publicly clear.

Why the small scale changes how Kravitz’s tattoos should be photographed

Kravitz’s fine-line work can disappear into skin texture in low-resolution photos. Close views help separate a dragonfly wing or spine mark from a shadow. A clear photo of these small tattoos also makes her spine marks and moon-and-star pairing easier to identify.

Lighting changes how the fine lines look. Red-carpet flash can flatten them, while a softer portrait may make them easier to see. A dress can reveal the shoulder but cover the lower back, so different photos show different parts of the collection.

Not every dot in a large celebrity photo gallery is a tattoo. Even with many images of Kravitz, some marks remain hard to identify. The clearest record names the designs that can be seen and leaves the rest open.

The collection is clearer when image and evidence stay together

The collection has several distinct looks: the dragonfly at the shoulder, a line of tiny marks down the back, the moon and star on an arm, and short bits of lettering. Each stands out in a different kind of photo.

Kravitz has described tattooing as one way she decorates her body. The small scale of her designs fits that approach, even though she has not explained every mark. The most reliable descriptions stay close to what the photos show.

Her tattoos are subtle: a bare shoulder or back can bring a few lines into view, while clothes cover them again. New photos may clarify some small symbols, but their meanings are not always public. What is visible already gives a clear picture of the collection without inventing explanations.

Ruby Rose’s tattoos have grown piece by piece over the years: portraits, jokes, names, cartoons, religious marks and bright traditional designs. The collection is a mix, not one sleeve planned in a single sitting. Rose has given different tattoo counts at different times, and photos range from full-arm views to close-ups of individual pieces.

How many tattoos does Ruby Rose have?

A 2015 appearance put Rose’s collection at around 60 tattoos; a later interview gave a figure closer to 109 when small marks were counted separately. Both totals can fit a collection where several little designs fill one sleeve. Rose has said her tattoos carry stories and memories, though she has not explained every one.

Some tattoos are easy to identify in photos or published coverage; others are only visible as shapes. A colourful figure can be described as a figure, and indistinct lettering as lettering, without attaching a meaning Rose has not shared.

The arm sleeves mix portraits, colour and traditional tattoo shapes

Rose’s arms hold most of the collection. The sleeves combine colourful flowers, black-and-grey portraits, script, small stars and traditional-style designs. Full-arm photos show how the pieces differ in color and style: some are bright and playful, others use heavy shading and fine portrait detail.

The two arms look different from different angles, and a close-up can make one forearm tattoo seem like the whole design. It is one piece in a larger sleeve made up of separate tattoos, rather than a single continuous image with one meaning.

The tiger and other large arm pieces give the sleeves their weight

The tiger is one of the sleeve’s largest motifs. Its striped face and bold outline give that section a traditional tattoo look, while flowers and smaller marks connect it to the rest of the arm.

Rose has not publicly assigned one private meaning to the whole tiger composition. Photos show a major arm tattoo with bold linework, surrounded by flowers and other designs; they do not establish the story behind every detail.

Cartoon characters bring Gumby and other playful figures into the ink

Rose’s forearm also features cartoon imagery. A close photo shows a bright red character beside a smaller black-and-white figure, with green shapes and fine outlines nearby. Tattoo catalogues identify one of the figures as Gumby, alongside other childhood or pop-culture references. The cartoons stand out against the portraits, flowers and lettering around them.

The cartoon figures bring a different mood to the sleeves. Their bright colors and simple outlines break up the more detailed portrait work as the eye moves from shoulder to wrist.

The wrist mask and nearby symbols are smaller but sharply readable

The theatrical mask on Rose’s wrist is easiest to see in a close photo. Its black-outlined face sits among smaller marks near the forearm. It is compact, but the expression and placement make it noticeable when Rose raises her arm.

A mask invites interpretation, but Rose’s comments do not establish a specific meaning for this design. What the photo shows is a theatrical face on her wrist, part of the more illustrative side of the collection.

Rose’s hands and wrists carry crosses, lettering and a rainbow

The hands and wrists have smaller designs than the sleeves, including a simple cross, small finger symbols and a colorful rainbow above the word Life. These marks can appear or disappear as Rose moves her hands; a close shot of one hand may still hide the opposite wrist.

The small pieces show up in different moments: a cross in an interview, a word at a red-carpet event, or a finger symbol while Rose is holding something. Photos show how they look and where they sit, but not always what they mean to her.

The Phoebe and Ruby heart is a distinct back tribute

The red heart on Rose’s back is one of the clearest individual designs in public photos. Its banner reads Phoebe + Ruby, linking the tattoo to her former partner Phoebe Dahl. The traditional heart-and-banner layout is familiar, but the names make this piece personal.

The same photo shows script and portrait-style tattoos around the heart. They are separate pieces, and the heart’s inscription does not explain the rest of the back work.

The Pantone swatches turn colour selection into a tattoo joke

One unusual small tattoo is a row of Pantone-style colour swatches on Rose’s wrist. Red, orange, green, blue and yellow blocks are arranged like a paint palette. Rose joked that the swatches could help people choose a color when booking her for a photo. It is both a visual joke and a nod to her work in fashion and photography.

The swatches sit alongside more sentimental pieces without trying to look like them. A heart points to a relationship; the color chart turns fashion and photography into a joke about Rose’s recognizable image.

What the public record can and cannot establish

Rose has described tattoos as memories, and published photos document a large collection. They clearly show the sleeves, tiger, cartoon figures, wrist mask, rainbow-and-Life design, Pantone swatches and Phoebe-and-Ruby heart. The meaning of every flower, portrait or tiny symbol is not known.

Some tattoos may have been lightened, covered or changed over time, so older photos show particular moments rather than a permanent final version. Ruby Rose’s collection is a changing set of different designs, with the clearest stories attached to the pieces she has discussed.

Zoe Saldana has said she has many tattoos, though most are rarely visible in public photos. A backless dress may reveal script along her side; an awards close-up can show the small lettering at her ankle. The photos give a partial record, and they don’t tell us what a tattoo means unless Saldana has said so.

Among the designs that do show are colorful stars along Saldana’s side and ribs, Arabic script in open-back photos, and short ankle lettering. Specialist tattoo coverage has noted small stars on her wrist and ankle and other script. One detail was mistaken for a tattoo: the dramatic chest pattern seen at a 2025 awards event was part of Saldana’s dress.

Colorful side stars run along Zoe Saldana’s ribs

Colorful stars along Saldana’s side and ribcage are the clearest part of her public tattoo record. BET’s photo feature shows several small, scattered stars along her torso. They’re brighter than the black script in other photos, and a straight-on red-carpet shot can hide most of them.

A wide image may show several points of color; a tight crop may show only one or two. Photos confirm a group of stars along her side, but the number visible varies with the pose, lighting and crop.

InStyle has also photographed stars on Saldana’s arms and wrists. That connects the side pieces to smaller stars elsewhere, though the photos don’t provide a complete map. Saldana hasn’t publicly explained what the stars mean to her.

Open-back and side-facing poses reveal more than straight-on portraits. Lighting also changes how bright the colors look, so photos can show where the ink sits without giving a perfect sense of how it looks in person.

The Arabic-script tattoo shows in backless photos

Saldana’s Arabic-script tattoo is most visible in backless-gown photos. They show a line of writing along her side, and specialist tattoo pages connect it to other script designs attributed to her. The fine lettering can be hard to read at a distance or in compressed images.

Online references give English translations, but the sources reviewed here don’t show Saldana confirming the words or their context. A blurry image can lead to small copying or translation errors. Until the wording is confirmed, the visible script and its placement are clear; the published translations remain reports.

The script follows the curve of Saldana’s body; the stars sit in scattered points across her side. Together, they give that part of the collection two distinct designs. Clothes, posture and camera angle often hide the script completely.

Even a close-up may confirm that writing is there without making every character readable. That matters when the tattoo is in a language the viewer may not read: a translation repeated online isn’t the same as a meaning Saldana has confirmed.

Short lettering at the ankle

A close photo from the 2013 MTV Movie Awards shows short lettering around Saldana’s ankle. The crop makes the placement clearer than a full red-carpet shot. Online coverage has transcribed the words, but the image alone doesn’t tell us what they mean to her.

Ankle skin bends and the foot often points away from the camera, so the letters can look different from one photo to another. Lainey Gossip’s close-up shows them at a larger scale, apart from jewelry, shoe straps and shadows. It’s the clearest image for locating the tattoo.

The ankle lettering is one of the smaller designs in Saldana’s tattoo collection. It appears in public photos only when an uncovered ankle is visible.

Some online lists include small stars near the ankle and wrist. The close-up above makes the lettering clear, while those smaller marks are harder to confirm in distant photos.

What the photographs show

Saldana hasn’t published a complete list of her tattoos and has said some are private. Photos reveal them only when clothing and posture allow, so the public record is partial rather than a complete inventory.

Recent coverage corrected a false tattoo story: the apparent floral chest pattern at the 2025 Breakthrough Prize Awards was part of Saldana’s dress, not new ink.

The public photos confirm stars along Saldana’s side, Arabic script in backless shots and lettering at her ankle. There may be other designs outside the public record. Saldana has explained only some meanings; the rest can stay private unless she chooses to share them.

Colby’s tattoos have grown over many years around artists, family, bugs, music, heritage and burlesque. Interviews put the collection at more than thirty designs, though the exact count matters less than how they fit together: a torso she calls pagan suit of armor, a violin-shaped back, insects on the left arm and a Frida portrait on the right. Words appear too, including Irish Blood, English Heart and Hold Fast.

Colby has described herself as collecting tattoos. She gives artists a theme and trusts them to develop it. Some designs have a clear story; others are known mostly through photos.

The pagan suit of armor covers Colby’s chest and stomach

Patrick Cornalo of Speakeasy Custom Tattoo developed the pagan suit of armor across Colby’s chest and stomach. She says she brings him a theme and trusts his vision to build around it. The phrase describes a connected project, not a single emblem.

A chest tattoo can be read on its own; the armor is meant to work as overlapping shapes, panels and symbols. Photographs often show only part of the torso at a time.

Colby’s interest in vintage performance history adds context. She collects burlesque costumes and documents the women who wore them. No source says the armor copies a historical garment, but the broader project fits her interest in themed visual worlds and the artists who create them.

The violin-shaped back is the collection’s most unusual piece of body mapping.

Several tattoo profiles describe Colby’s back as a violin, with oversized F-holes on either side. The body supplies the instrument’s outline: it is not a small violin picture, but a composition built across her back.

A front-facing television shot cannot show the whole design. A portrait from behind reveals the F-holes and the way the piece follows the shoulder blades, though clothing or pose may hide the lower section.

The F-holes are large enough to read across the back, shaping the space around them instead of serving as random filler. The design changes how the surrounding tattoos are seen.

Entomology gives Colby’s left arm its subject

Colby told YuppiePunk that Chewie was finishing her left arm as an entomology project. She loves bugs; that is the theme.

A beetle, moth or other insect gives the arm different shapes and textures to work with. Fine wing lines can sit beside darker shading, and new pieces can be added without repeating the same composition.

Stage lights can flatten fine legs and wings, while a turned forearm hides the edge of a design. Colby’s interview explains the entomology theme; the photographs show how much of the arm is covered.

Frida brings a portrait to the right arm

Colby has identified a Frida portrait on her right arm as work by Alex Strangler. Knowing the subject and artist gives this entry a firmer basis than guessing from a photograph.

A face gives the arm a focal point, while the insects rely on many smaller shapes. That contrast lets Frida sit beside the entomology work without making the arm look uniform.

Colby names her collaborators and talks about trusting their vision. The tattoo’s identity includes both the subject on the skin and the artist’s approach to rendering it.

Irish Blood, English Heart crosses Colby’s shoulders

The words Irish Blood, English Heart run across Colby’s shoulders. Lettering reads in a glance, while the armor, violin and insects invite a closer look.

The phrase connects with the Irish heritage Colby has discussed. Its wording and placement are clear without adding a wider story about her family.

Posture changes how the line reads. A raised arm can stretch the shoulders; a relaxed pose makes the words easier to follow. Some television photos show only part of the phrase.

Hold Fast brings the knuckles into view

Colby told YuppiePunk that Chewie tattooed Hold Fast across her knuckles. The short phrase is easy to notice whenever she reaches for something or gestures on camera.

The wording draws on sailor and working-class tattoo traditions, but the interview does not give a personal explanation for Colby’s choice. Readers can take the phrase as written; no story behind it has been reported.

Why Colby’s collection works as a map

Read by location, the designs have their own threads: armor across the torso, a violin on the back, insects on the left arm, Frida on the right, Irish Blood across the shoulders and Hold Fast on the knuckles.

Colby has talked about artists continuing the work and about trusting them with a theme. New photographs may reveal additions or details older coverage missed; no single article gives a final count.

The appeal is how distinct ideas share the same body. Armor, a violin, insects, a portrait and short phrases each keep their own look, while the artists help them belong together.