Jenna Dewan has two small tattoos that are well documented: matching “Side by Side” script on her left foot and a pair of outline wings high on her back. SELF reported that she and Channing Tatum got the matching phrase during their 2009 honeymoon in Bali. The wings appear in photos too, though Dewan hasn’t given a definitive explanation for them.

The tattoos differ in placement and story. The foot lettering was part of a shared vow; the wings are a quieter design whose meaning is her own.

The Side by Side foot tattoo

The script runs along the top of Dewan’s left foot, just above the toes. It follows the length of the foot and is easy to cover with shoes, though sandals and barefoot photos show it clearly.

SELF reported that Dewan and Tatum got matching tattoos on their Bali honeymoon in 2009. Their phrase is commonly described as the Balinese or Bahasa wording for “side by side.” Dewan placed hers on her foot; Tatum’s is on his ribcage. The lettering is simple black script, without color, shading or extra symbols.

The short phrase came from the vows they shared. A line can hold a specific memory without spelling out a name, date or portrait, and the words can mean more to the wearer than the photo reveals.

A second design in the collection

Dewan also has a small pair of outline wings high on her upper back. The available crop shows mirrored wings with a narrow space between them and fine black lines. The sources identify the design and placement, but don’t give a confirmed meaning. There’s no need to assign wings a story about freedom or protection without her saying so.

The open outline keeps a familiar motif light. If you’re considering a similar design, scale and line weight matter more than adding a banner or background.

Why the foot design feels so personal

A photo shows the lettering, but the honeymoon and vows explain how the phrase became a matching tattoo. Dewan’s foot version and Tatum’s ribcage version aren’t usually shown together; the connection comes from the reporting.

The body in motion

Dewan’s dance career makes movement a useful part of looking at these placements, though there’s no claim that the tattoos were designed as choreography. The script follows the foot, which changes shape as she walks. The wings sit where the shoulders and back frame them.

If a tattoo will sit on a part of the body that bends or moves, check the stencil while standing, sitting and moving naturally. Script that looks clear on a screen can feel cramped on skin, especially on a small, high-friction area like the foot.

A personal choice

The foot tattoo has appeared in public photos for years without taking over Dewan’s look. It can show in sandals or barefoot shots and disappear in most shoes. The wings are covered by everyday clothes but can show with an open-back outfit. Both placements let the wearer choose when the tattoos are visible.

How to borrow the idea without copying it

Treat the tattoos as references for scale and placement, not designs to trace. For a matching tattoo, choose a short phrase that already matters to both people. Keep enough space for the script to remain legible, especially on the foot, where shoes can rub against it.

For wings, decide which part you like—the outline, symmetry or open space—and ask an artist to draw a new version for you. Think about how the area moves, how clothing covers it and whether you want the tattoo visible at work.

Why this small collection sticks

The foot phrase has a documented story; the wings have a clear shape and placement but no confirmed explanation. That difference is a useful reminder when looking at celebrity tattoos: a photograph can show the ink, while the meaning belongs to the person wearing it.

Among Maggie Q’s five documented tattoos are a phoenix on her left hip, writing along her side and forearms, and a small cross. She has linked the phoenix to starting over after a difficult relationship; the other marks have less complete public explanations.

Maggie Q’s Phoenix Hip Tattoo

The large phoenix runs from Maggie Q’s left hip toward her upper thigh. In the clearest image, the black-and-gray feathers follow the curve of her leg, with open skin around the lines so the shape stays readable.

She has said she got it in her early twenties, after a difficult relationship, and connected the bird with starting again and becoming stronger. The hip placement lets the design stay covered under everyday clothes.

The “Umuntu Ngumuntu Ngabantu” side tattoo.

The phrase umuntu ngumuntu ngabantu runs along her left side in narrow script. It is commonly translated as a person becoming who they are through other people, and is associated with the Southern African philosophy of ubuntu. The lettering follows the line of her torso and can be easy to miss.

If you’re considering a phrase in another language, check its spelling and context with someone qualified to read it. A translation can look right on a screen and still be wrong for the meaning or setting.

The Script and Cross on Maggie Q’s Arm

The Sanskrit tattoo on her right forearm. A small group of dark Sanskrit characters sits high on the inside of her right forearm. It’s compact enough to miss in a wider photo. Some coverage links her writing tattoos with Buddhist practice and years of study, though it doesn’t establish a definitive meaning for each piece.

Small scripts need room to stay distinct as the skin changes. Have a fluent reader check the final stencil, and work with an artist who understands the characters before setting the size.

The Chinese Characters on Her Left Forearm

The opposite forearm has a wider line of Chinese characters followed by a small triangle. Tattoo coverage has linked the characters to the name of a friend who died; the available photos don’t provide a translation. The triangle breaks up the line without taking attention away from the writing.

The cross on Maggie Q’s right forearm. The small cross has a soft, slightly worn look and sits where a sleeve can cover it or a rolled cuff can reveal it. Maggie Q hasn’t given a definitive explanation for the symbol, so it’s better to describe its shape and placement than assign it one meaning.

What Makes the Collection Feel Cohesive

The tattoos vary in size and style: a large phoenix, several pieces of writing and a small cross. They also sit in different places—her hip, side and forearms—so some can stay private while others show in photos or on screen. There’s no single sleeve tying them together.

During her run as Nikita, Maggie Q said productions sometimes needed to cover or write around her real tattoos. They are part of her life outside a role, even when a costume department has to account for them.

A Few Practical Notes

Use the designs as references for scale and placement rather than tracing them. A phoenix can be drawn around the curve of your own leg; a line of script should be checked by a fluent reader and sized so it remains legible. If you’re choosing a visible spot, think about how clothing and movement will expose or cover it.

For more about Maggie Q’s work, this interview comes from the press run for The Protégé.

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Janhvi Kapoor’s most consistently documented tattoos are a handwritten message from her mother, Sridevi, and a small evil eye that Vogue India said appears to match her sister Khushi’s. The rest of the article sticks to those two designs; other online claims aren’t supported by the same clear photos and reporting.

A quick look at the collection

The clearest reports describe two pieces:

• “I love you my Labbu” on Janhvi’s arm, copied from Sridevi’s handwriting.
• A small evil-eye tattoo on the inner wrist, reported as a match with Khushi Kapoor’s.

There are also online rumours about other marks and initials, but a photo of something on skin doesn’t establish what it means.

The Sridevi handwriting tattoo

The phrase “I love you my Labbu” is written in Sridevi’s handwriting on Janhvi’s forearm. Reports from 2021 identified “Labbu” as the affectionate name Sridevi used for her daughter. Janhvi had shared a longer handwritten note from her mother around the death anniversary before the tattoo appeared.

The lettering keeps the loose shape of the original writing. It reads like a line from a personal note, not a phrase copied from a font. The tattoo preserves Sridevi’s words as she wrote them.

What the tattoo looks like up close

In close photos, the script forms a narrow line with open space around it. The letters have small variations that make the handwriting recognizable. The source writing is part of the design, not just the backstory.

If you’re planning a handwriting tattoo, bring the actual note, card or signature to the artist. Decide how much of it to use, then check the stencil at its real size so the lettering has enough room to age clearly.

The moment behind the tribute

Janhvi has also shared a photo from the tattoo session. She is masked and flinching as the artist works. It shows the process behind the finished lettering and supports that it was a fresh tattoo, not a temporary mark for a photo shoot.

The small evil-eye tattoo

The second documented design is a small evil eye on Janhvi’s inner wrist. Vogue India described it as appearing to match Khushi’s tattoo. In the available close-up, the symbol has a dark centre and several simple rings.

The evil eye is a familiar protective motif, though its meaning can vary by wearer. Here, the reported link to Khushi gives the symbol a sibling connection. The inner wrist keeps it small and visible when the hand turns.

Why these two pieces feel connected

This event portrait is contextual; it doesn’t show either tattoo. The designs use different forms—handwriting and a symbol—but both connect Janhvi to family: one to her mother, the other to her sister.

What to borrow from Janhvi’s ideas

For a handwriting tattoo, start with the real note and keep the details that make it look like that person’s hand. For a matching symbol, decide what should stay the same and leave room for each person to make the rest their own.

Think about placement and size before booking. Wrist and forearm designs can be easy to see and easy to cover, but small writing still needs enough space to stay legible as the skin changes.

Final take

The handwriting keeps Sridevi’s voice close; the small evil eye links Janhvi and Khushi. Both tattoos start with a specific relationship, which is more useful to borrow than the exact designs.

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Joey King’s tattoos include matching ladybugs with her sister, a Hebrew “chummus” tattoo from a Tel Aviv trip, and a narrow line of Chinese characters on her upper arm. Reports also describe smaller designs on her wrist, hip and ankle. The pieces are spread around her body instead of forming one large sleeve.

The best-documented stories come from King and the people who worked with her. She and her sister Hunter got their ladybugs during a tattoo appointment linked to a donation for A21, an organization that fights human trafficking. Israeli artist Ronni Winkler did the lettering at the back of King’s neck. The Chinese-character photo confirms its placement, but the source doesn’t explain its meaning.

Joey King’s style is small, fine-line, and personal

Most of King’s reported tattoos are small. The ladybugs are linked by a dotted path; the Hebrew lettering is compact, and the other reported designs use simple outlines. Their placements range from the shoulder blades to the wrist, hip, ankle, upper arm and nape.

Each piece can sit on its own, with room around it. Fine lines still need enough space to stay legible as they age, so “small” works best when the artist keeps the details clear.

The matching ladybug tattoos with Hunter King

King and her sister Hunter have matching ladybugs on their shoulder blades. A dotted line runs between the two insects, so the tattoos form one image when the sisters stand together. Each bug has a black outline, darker spots and a little red in its body.

Tattoo artist Haney shared the sisters’ appointment and its connection to a donation for A21. The design can be read on its own or as a pair, and the cause gives the session a context beyond matching ink.

A few other details from the sister appointment

Reports from the same appointment describe a flower and semicolon on King’s wrist, interlocking hands on her hip and a band-aid on her ankle. The subjects are different, but each is small enough to stay understated. The contextual portrait here doesn’t show those tattoos clearly; it shouldn’t be treated as proof of their details.

Interlocking hands need enough space between the fingers to remain readable. The band-aid is a more playful choice, while the semicolon gives the group a simple graphic shape. The available reports don’t attach a confirmed meaning to every piece.

The Hebrew “chummus” tattoo on the back of her neck

King got the Hebrew word “chummus” on the back of her neck during a trip to Tel Aviv. Israeli artist Ronni Winkler did the small black lettering just below her hairline. Her hair can cover it when she wears it down.

King has described the word as a choice from that trip; there’s no larger symbol to decode. The placement leaves open skin around the lettering, but small text needs enough room for each character to stay distinct. If you’re considering a word in a language you don’t read, check the spelling and translation with a fluent reader before the stencil is applied.

A fine-line Chinese-character tattoo on her upper arm

A photo shows a vertical line of Chinese characters on the back of King’s upper arm. They follow the length of the arm rather than sitting in a row across it. The image makes the placement visible, but the source doesn’t give a reliable explanation of the phrase, so its meaning remains unconfirmed.

The narrow layout leaves open space around the characters. For lettering in another language, that photo is a reminder to separate what an image shows—the design and placement—from what it can’t establish about the wearer’s reason for choosing it.

Why Joey’s choices work

The collection doesn’t rely on one theme to hold together. The ladybugs connect two sisters; the neck lettering recalls a trip, and the smaller wrist, hip and ankle designs keep things playful. Separate placements give each mark room to read.

Small work can soften over time, and tightly packed details may blur together. A simple silhouette and enough spacing usually matter more than adding another tiny line. The contextual image above belongs to the appointment story, not to the evidence for any particular tattoo.

What to borrow from Joey King’s ideas

The useful ideas are about choosing and placing a design. For matching tattoos, give the pieces a link that still makes sense when each person is on their own. For a travel tattoo, pick a word or object that actually belongs to the trip. Think about whether the design should be easy to cover, then check its size and translation with the artist before booking.

King’s tattoos don’t need to form one perfect theme. A few personal marks can sit together without matching, as long as each design has enough room to read and the wearer knows what they want it to mean.

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Alia Shawkat’s tattoos include loose forearm drawings and a small smiley on her chest. Some are playful; others are connected to people close to her. The pieces don’t follow one theme, and the photos show only part of their story.

The Two Forearm Doodles

One forearm tattoo is a loose abstract doodle, made from uneven lines and a shape that reads more like a quick sketch than a shaded illustration. Another centers on a triangle with a small, rounded, acorn-like form inside. Both use black linework and leave the surrounding skin open.

The designs don’t try to look perfectly measured, which keeps them close to a hand-drawn source. Steal Her Style also identifies a third forearm doodle as the animated character “Mister Jones.”

If you like this kind of work, start with a drawing you want to keep looking at. An artist can adjust a line so it holds over time without removing the odd shape that made you like it.

Another Alia Shawkat Tattoo: A Triangle Doodle

Shawkat has said she draws a tattoo idea herself, places it on her body more than once, and gets it because she likes the way it looks. She has also described keeping a regular studio practice and spending time with friends who make art.

She has written and co-written film projects, too, and speaks about acting as one part of a wider creative life. Different drawings can sit together without becoming a sleeve built around one theme.

Why Her Style Feels More Like a Sketchbook

The forearm pieces use simple outlines and little shading; the lines do most of the work. In the available photos, they read quickly and keep a loose, hand-drawn look.

Small drawings still need enough room for their lines to remain clear as they heal. If you bring an original sketch to an artist, ask which details may blur and how much space the design needs. You can keep its uneven character while adjusting the size to suit the skin.

A Quiet Memory

The letters “AY” on Shawkat’s fingers and “lurker” on her arm are connected to Anton Yelchin. Friends got tattoos based on his initials after his death; “lurker” is tied to the way he remained present in the memories of people who loved him.

The initials and the word sit in different places, but both refer to the same friendship. Finger lettering is easy to see when her hands are uncovered, though the skin there moves and rubs against things throughout the day. Anyone considering finger ink should ask an artist how that placement may affect the lettering over time.

Alia Shawkat Beyond the Camera

Shawkat is known for playing Maeby in Arrested Development and Dory in Search Party, alongside her work in independent film, writing and painting. The contextual images here show her away from the tattoo close-ups; they aren’t evidence of additional designs.

Her forearm doodles are easier to see in everyday photos, while the chest smiley can stay covered by clothing.

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Emma Stone has one widely documented tattoo: two small sets of blackbird feet on her inner left wrist. She got the design with her family after her mother recovered from breast cancer. A song her mother loved helped them choose it.

The blackbird feet wrist tattoo

The two sets of feet sit on the inside of her left wrist, just above the hand. Thin black lines make up the design, with no shading or background. In photos, the marks can be easy to miss against her skin.

Stone has said the tattoo spread with time and that she covered it for work. The wrist moves throughout the day, and the lines have softened, but the shape still reads as two sets of bird tracks.

A tiny mark with a real family story

Stone has said her mother, father, brother and she all got matching versions after her mother’s recovery. The family wanted a mark of that moment, but chose an image instead of a name or date.

Without the story, someone might read the tattoo as two tiny sets of bird tracks. For the family, it refers to a hard period and the point when Stone’s mother came through it. The song gave them a shared reference they could keep close without writing out the whole story on their wrists.

What the family chose

Stone wrote to Paul McCartney, who wrote “Blackbird.” He sent a drawing of the bird feet for the family to use. Stone was young when she took his sketch to a tattoo shop.

“Blackbird” was her mother’s favorite song. Its line “Take these broken wings and learn to fly.” connected the design to her recovery. The tattoo is not a picture of a bird in flight; it is a small reference the family recognized.

Keep the proportions quiet

Stone has joked that her version was done badly, while the rest of her family went to better artists. She has been open about the uneven finish; the design still reads as two sets of feet.

With a small tattoo, spacing and line weight matter. Ask the artist how much room the marks need on your skin and how fine lines may change over time. The smallest possible version may not be the one that stays clear.

A personal piece, not a trend piece

Stone hasn’t built a public image around having lots of tattoos, and this small mark can be covered when she wants. The connection to McCartney is part of its history, but it isn’t visible in the design itself; a viewer needs her explanation to know the family story.

If you take inspiration from Stone’s tattoo, start with a song or memory that matters to you and find a simple image of your own. The bird feet are specific to her family, even if someone else could borrow the idea of keeping the design understated.

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Adria Arjona’s only confirmed tattoo is a small X connected to Bix Caleen, the character she played on Andor. Her makeup artist gave her the stick-and-poke as the production ended. The mark is simple; the story behind it is tied to years spent with the cast and crew.

Arjona has described getting it during filming, while later reports place it in her trailer on the final day. She has also described the tattoo as being on her leg, though one fan-circulated close crop appears to show a mark on her arm. The image alone doesn’t settle the placement, so her account is the clearest guide to what the X means.

The Bix tattoo is a tiny X

The design is a small X for Bix Caleen, the mechanic and survivor Arjona played in Andor. In an interview with The Hollywood Reporter, she said her makeup artist did it as a stick-and-poke during a break in filming. She later described the tattoo as a small X on her leg, made in her trailer on the last day of the set. Those accounts differ on the exact moment, but both connect it to the end of her time playing Bix.

A fan-shared close crop shows a tiny dark mark circled for viewers, though it appears to be on Arjona’s arm rather than the leg she described. It’s not a clear, posed tattoo photo, so the safest account of the design comes from Arjona herself: a small X for Bix.

A keepsake from the final day on set

The tattoo marked the end of a long project. Arjona has described Andor as a turning point in her career, and the X gave her a small reminder of Bix and the people she worked with. Its meaning comes from that experience, not from a literal image of the character.

A more elaborate tribute could have used a tool, a Ferrix reference or Star Wars lettering. Arjona chose two crossing lines. The small mark reads as a private keepsake rather than official-looking merchandise, and it doesn’t need to explain the whole show to anyone who sees it.

Keeping a simple shape readable

A small symbol still needs clean lines and enough space to hold its shape. An X has a clear outline, but the strokes can blur together if the mark is too fine or cramped. Size and placement matter as much as the idea.

The X is easy to recognize at a glance, while leaving room for someone else to read it as a simple graphic. A fine-line version will look softer; heavier strokes make it bolder. The right weight depends on how visible the wearer wants the design to be and how much room the artist needs to keep the lines distinct.

The Bix connection without the costume

Bix spends much of Andor repairing equipment and making decisions under pressure. Arjona’s tattoo doesn’t copy the character’s clothes or the machinery of Ferrix. It keeps the reference compact, tied to the role and the experience of making the series.

In later interviews, Arjona has called Andor a before-and-after point in her career and discussed the show’s effect on her relationship with the audience. The X marks that part of her life without trying to sum up Bix’s whole story.

What the X leaves behind

The design needs no extra details to make the tribute clear. Its meaning comes from the role and the time Arjona spent on the show; the X itself stays easy to read.

A small idea with a long afterlife

A tribute can stay personal without taking up much space or turning every outfit into a conversation about the tattoo. Arjona’s X is a reminder of a role and a project that mattered to her, while remaining a small part of her day-to-day life.

For a similar design, start with the memory you want to keep, then see whether one clear symbol can carry it. Ask an artist about placement and size before settling on the smallest possible version. Fine lines can soften as a tattoo ages, and the design needs enough room to stay legible.

Arjona’s mark is spare, but its reference is specific: Bix, the Andor crew and the end of filming. Two crossing lines are enough to hold that memory without adding a costume-like portrait or a longer explanation.

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Zoey Deutch’s tattoo collection is made up of small pieces that don’t need to match: a portrait of her dog Maybelle, the dog’s name, a scorpion, moon and stars, “Yes,” “818,” and a bowl of matzah ball soup. Some were birthday tattoos; others are little things she wanted to keep close.

The mix is part of the appeal. A pet portrait sits alongside a bowl of soup and a simple word. The tattoos feel more like a record of things she likes than a planned sleeve or a single theme.

The short version: Deutch’s best-known tattoos include Maybelle’s black-and-grey portrait and name, a tiny scorpion, moon and stars, “Yes” on her foot, “818,” and a matzah ball soup tattoo. The collection is personal, playful and deliberately varied.

Zoey Deutch’s Maybelle dog portrait

The portrait of Maybelle is one of Deutch’s clearest tattoos. It’s a small black-and-grey face with floppy ears, a dark patch around one eye, and a little tongue showing. Those details make it look like one particular dog, rather than a stock pet design.

Deutch has called Maybelle a rescue and joked about whether a pet portrait is adorable or a bit unhinged. The tattoo is affectionate, but she can laugh at it too. Public references place it on her right calf, where the face has more room than it would at the ankle.

The shading stays soft around the muzzle and ears, with the nose and eye patch giving the portrait contrast. For a pet tattoo, the useful starting point is a clear photo that captures the feature you’d miss most: a crooked smile, a folded ear or a familiar expression. The artist needs enough room to keep those details readable.

The “MAYBELLE” name tattoo

The other Maybelle piece is just the name, in small black capitals with a period at the end. There’s no border or decorative script. That tiny full stop makes the lettering feel like a finished thought: “MAYBELLE.”

Steal Her Style’s archive credits Jon Boy at West 4 Tattoo and gives the date as May 24, 2016. Sources describe the placement around the ankle and heel; in the photo, the letters sit above a black shoe. The photo is the clearest guide to where the design sits.

The portrait and the lettering do different jobs. One holds onto Maybelle’s face; the other names her. They don’t have to repeat the same image to feel connected.

The matzah ball soup tattoo

Deutch’s soup tattoo is a small bowl with a matzah ball, broth and wisps of steam. She told the story on Jimmy Kimmel Live! while promoting Something From Tiffany’s: she was really into soup, got the tattoo on her ankle for her birthday, and wanted the steam to look hot. She loves it, though she joked that the steam can look a little like hair.

The image has enough detail to read as a meal, but it remains a light, fine-line drawing. That balance suits the story: it’s an oddly specific favorite, not a symbol that needs a grand explanation. A tattoo of a dish can carry a family or holiday memory, but it can also be there because you like the food.

Moon and stars in a fine-line style

The moon-and-stars design sits above Deutch’s ankle. It has a crescent with a star inside, with smaller stars above and below. Light shading and open space keep the little cluster from turning into a solid patch.

A moon and stars are familiar images, so spacing and line weight do most of the work here. The design has a dotted texture in the crescent and a vertical shape that follows the lower leg. Several of Deutch’s small tattoos are associated with Dr. Woo’s fine-line style, though the public sources don’t give every star a confirmed personal meaning. It may simply be an image she likes.

Context around the collection

This black-and-white still from Nouvelle Vague shows Deutch as Jean Seberg, standing in a fountain in a strapless dress. It’s here for context, not as evidence of a tattoo: the frame doesn’t show her ink clearly enough to identify a design.

Photos from films and fashion shoots can show someone’s look and the setting around them. They can’t confirm a small ankle tattoo from a distance. For that, the image needs to show the tattoo itself.

How to borrow the ideas without copying them

Deutch’s collection works because each piece starts with something specific to her: a dog, a favorite food, a hometown number or an image she likes. The designs don’t need a shared style to belong together. If you’re thinking about a pet portrait, bring photos that show what makes your animal recognizable. For a tiny object or food tattoo, decide which details matter and leave room for them to read.

Placement changes how a small tattoo feels. An ankle or foot design can stay tucked away, but shoes rub against the skin. A calf gives a portrait more space; lettering needs to remain legible while the leg moves. Ask to see the design at its actual size and on a curved surface before settling on it.

A dog, a scorpion, soup and a crescent moon don’t have to look like a set. The connection can live in the memories behind them. Deutch’s Maybelle portrait and name are affectionate, while the soup bowl keeps a favorite meal—and a joke about its steam—close by. The moon and stars add a different kind of image without needing an explanation.

If you’re browsing celebrity tattoo ideas, her collection is a reminder that a design can be personal without being elaborate. Start with something you like, and let the meaning stay yours.

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Brooke Shields’ best-known tattoos are small and tied to family. She and older daughter Rowan share a ladybug; she and younger daughter Grier share a drawing of two pairs of high heels.

Brooke has also spoken about a lily of the valley for her mother, a matching tattoo with husband Chris Henchy, and a prayer tattoo she got in Thailand and later planned to remove after it bled. The details for those pieces come from what she has shared.

Brooke Shields’ matching ladybug tattoo with Rowan

Brooke and Rowan got matching ladybug tattoos in 2021, around Rowan’s high school graduation. ABC News reported that they went to Stefano’s Tattoo Studio in New York City; Brooke called it a special graduation gift and a memory they made together.

Brooke wears her ladybug near the inside of her wrist, while Rowan has hers on her ankle. They share the same image but chose different placements. Brooke has also called Rowan her “bug,” giving the small insect a connection to their family nickname as well as the graduation.

The ladybug reads clearly at a small size: a rounded body and a few spots do the work. It doesn’t need much detail to be recognizable.

The high-heels tattoo is a tiny step into Brooke’s shoes

Brooke’s matching tattoo with Grier shows two pairs of feet in high heels, one adult-sized and one smaller, with the child’s feet not quite filling the shoes. Brooke has it on her forearm; Grier wears hers on her wrist.

Grier asked for the tattoo for her 18th birthday. Brooke told Entertainment Tonight that Grier used to put on her high heels when she was little. Allure described the drawing as a woman’s feet in heels facing a child’s feet in oversized heels. The proportions make the childhood memory visible without a portrait or a long inscription.

The shoes carry the story. It’s a small scene from their life together, turned into line art.

Brooke’s family photos show the scale

The image here is an event-context photo, not a close-up that establishes tattoo details. The reported designs themselves are modest: a ladybug near the wrist and the heel drawing on Brooke’s forearm. They’re easy to show when she chooses, but neither takes over the arm.

Matching tattoos don’t have to sit in the same place or be identical in size. Brooke and Rowan share a ladybug, while Brooke and Grier share the heels; each pair put the design where it suited them.

A red-carpet look gives the family story some room

Brooke’s wrist and forearm tattoos are visible, but easy to cover with a sleeve or bracelet. They can appear in an event photo without becoming the focus of her look. The placements also leave room for each daughter to make her version feel comfortable.

Wrist and forearm skin gets sun and movement, so fine lines can soften over time. A tattoo artist can adjust a reference drawing for the size and placement instead of tracing every line from a photo.

Her event style stays polished and relaxed

The family designs start with specific memories: Rowan’s graduation and the nickname Brooke uses for her, and Grier wearing her mother’s shoes as a child. They weren’t chosen as general symbols of motherhood; the meaning was already there before the tattoos.

That’s a useful way to plan matching ink. Keep the image recognizable between you, then decide together whether the size, placement, or color should match exactly. A shared idea can stay personal even when each person makes small changes.

The other pieces stay private

On the Go Ask Ali podcast, Brooke described a lily of the valley on her ankle in honor of her mother. She also mentioned a small matching tattoo with Chris Henchy near her bikini line; his corresponding design is on his arm.

She has described another tattoo as a prayer she got in Thailand. It bled, and she said she was having it removed. The account gives the reason she planned to remove it, but not a detailed visual description.

The ladybug and heels are easier to describe because reports and photographs show the designs. For the other pieces, it’s better to stick to what Brooke has said than guess at details that aren’t visible.

If you’re planning a family tattoo, start with a real memory and find a simple object or symbol that brings it back. It might be shoes, a book from graduation, or something used in a family ritual. Decide whether you want an exact match or just one shared feature, then let the artist size and redraw it for skin.

For Brooke and Grier’s account of the matching tattoo, watch the segment below.

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Samara Weaving’s tattoos are small and spread across her arms, wrists, fingers and ankle. A 2017 W profile described a black cat on her wrist, a small moon on one finger and an elephant on the inside of her wrist. Weaving joked, “My body is a jungle!” Later photos show a BUSINESS doodle on her upper arm, a dark animal shape on her forearm and a little potted plant. The available images don’t explain every design.

The BUSINESS tattoo on Samara Weaving’s upper arm

A photo shows the word “BUSINESS” above a small black line drawing on the back of Weaving’s upper arm. The compact lettering and doodle read as one playful design, though the image doesn’t explain what the word or figure means to her.

The upper-arm placement leaves room for both parts and can be covered by a sleeve. If you like text paired with an image, keeping each element clear at its actual tattoo size matters more than adding extra detail.

The black animal silhouette on her forearm

A close-up shows a compact black animal shape on Weaving’s forearm, with four legs, a tail and a low, prowling stance. The photo doesn’t establish whether it is the cat mentioned by W Magazine or a separate tattoo, so it’s safest to describe what’s visible.

The solid silhouette has little interior detail; its posture gives the animal its direction. That is enough to distinguish it from the smaller cat shown in other photos.

The cat wrist tattoo

In this casual photo, Weaving rests her face in her hands, and a small black cat is visible on the inside of her wrist. W Magazine also identified a black cat tattoo there, making this a strong match between a reported design and a photograph.

Neither source gives its date or personal meaning. The design is small but clear enough to read without a caption, and the wrist position makes it visible when her hand turns upward.

The moon, elephant, and tiny collection around them

The W Magazine profile also mentioned a dainty moon on one finger and an elephant on the inside of a wrist. Finger skin gets frequent movement and wear, so tiny lines may soften. An elephant needs enough space between its trunk, body and ears to remain legible at a small size.

These reported designs add to the cat and the later photographs, but the profile doesn’t give a full list or a meaning for each one. The tattoo ideas are recognizable; the reasons behind them aren’t all public.

The small plant tattoo visible in a Vogue portrait

A Vogue portrait shows a small potted plant on Weaving’s upper arm. The drawing has a pot, stem and leaves, with more open linework than the solid animal silhouette. The photograph makes the placement visible, though it doesn’t add a story for the plant.

Another candid view of the cat tattoo

A second candid image shows the same cat low on Weaving’s forearm, near the wrist, as she sits in a convertible. It gives a wider sense of the tattoo’s scale and placement; it isn’t a separate design.

Why the collection feels easy

Weaving’s tattoos include lettering and a doodle, a cat, a moon, an elephant, an animal silhouette and a potted plant. The designs don’t form one theme, but their small scale and simple shapes let them sit together. The “jungle” joke from the W profile fits that loose mix better than a complete catalogue would.

There are limits to what the photos confirm. The cat and the plant are identifiable, while the forearm silhouette can’t be matched with certainty to the cat in the profile. The sources don’t supply meanings for most of the marks.

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