Shiwani Chakraborty has described her tattoos as personal markers tied to spirituality, astrology, family and her own life. Her newest piece is a pink lotus on her upper back.
She has said the lotus represents purity and has become meaningful to her. She also connected the design with the sun, moon and stars, and with ideas of balance.
Shiwani works on television, where makeup sometimes has to cover tattoos before filming. She has mentioned the last-minute scramble when she forgets, but that hasn’t made her stop getting ink.
Shiwani Chakraborty’s pink lotus
The new tattoo is a small pink lotus on her upper back, with a long, narrow stem and fine dark lines around the petals. The color is soft rather than bright, and the drawing leaves open space around the flower.
The upper-back placement keeps it covered by ordinary clothes and lets Shiwani show it when she wants to.
In a February 2026 Times of India report, Shiwani said she consulted an astrologer before choosing the lotus. She connected it with her planets and stars, as well as purity, balance, abundance and prosperity. She also linked the design to her acting career and skincare brand.
The pink and open linework give the flower room to read without turning it into a dark block.
Shiwani has described the sun, moon and stars as part of the thinking behind the tattoo. The lotus remains the main image; the wider symbolism doesn’t need to be drawn around every petal.
The tattoo appointment behind the new piece
Another Times of India photo shows Shiwani at an earlier tattoo appointment. It records the session, not a clear view of a finished design.
She has said her first tattoo came with a fever and described the pain as real but worth it. That was her experience; it doesn’t predict how someone else will feel.
Her advice is to choose a good artist and follow the precautions. A meaningful idea still needs a clean studio, sensible aftercare and time to heal.
Shiwani has described talking through her ideas with an artist, who helped turn them into an original drawing. The reference can start the conversation; the final design should fit the person and placement.
A collection built from small choices
Before the back lotus, Shiwani described four tattoos. Her first combined a peacock feather and flute connected to Brahma, Vishnu and Mahesh. She later got a lotus on the index finger of her right hand during Durga Puja, drawing on the flower’s spiritual importance in her tradition.
She also has three stars on the right collarbone. Shiwani said an astrologer advised the design because she identifies with the moon and likes looking at it; she got the stars in Goa and called them lucky. Three flying birds on her ankle were done the same day.
The designs sit on a finger, collarbone, ankle and back. They don’t form one continuous composition; each marks its own idea and place.
The early tattoos were closely tied to deities, astrology and spiritual practice. The later lotus also connects with her skincare brand and acting work, adding another layer rather than replacing the earlier meanings.
Why the images need context
Some of the photos show Shiwani away from a studio and don’t reveal a tattoo. They provide context, but a portrait shouldn’t be used as proof of ink that isn’t visible.
Her tattoos sit alongside her public work as an actor, as well as traditional and everyday photos. They’re part of her life, not a summary of it.
The upper back can be covered for a role and shown when she chooses. That gives the lotus more flexibility than a tattoo that stays visible in every costume.
Shiwani has noted that actors sometimes need makeup to cover their tattoos, and forgetting can cause a last-minute problem before a shot. Wardrobe and filming schedules are worth considering when choosing a visible placement.
What she might choose next
In a 2024 interview, Shiwani said she wanted a tattoo for her late father using the Bengali word “Baba.” She spoke about their connection and feeling that she still carried his blessings. The interview records an intention, not confirmation that she later got the piece.
A Bengali tribute would bring another kind of lettering into the collection. Anyone considering text in a language they don’t speak should check the wording with a fluent reader before the stencil is applied.
Her comments show that she takes time to connect a design to a meaning and asks for guidance before settling on the image. Whether she chooses the “Baba” tattoo or something else remains open.
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