Raye’s tattoos include flags for Ghana, Switzerland and Great Britain, grouped near her wrist, along with an ace of hearts, an arrow, a target, her birth year and middle name. She has also talked about a small heart she got on a drunken night out. The designs have different stories; they don’t form one matching sleeve.

Raye’s Ghana, Switzerland and Great Britain flag tattoos

The three flags represent countries tied to Raye and her family background. Photos place them together around her wrist or lower forearm, close to the hand. The red, yellow, green and blue blocks keep the designs distinct while the small scale lets them read as one group.

The details that keep it personal

Raye has said she loves playing cards and carries a pack because they calm her down. That gives the ace of hearts on her wrist a clear connection to something she enjoys. Other small pieces include her arrow, target, birth year and middle name; the heart came from a drunken night out.

Why the colour feels right for Raye

Raye’s stage looks move from vintage curls and sharp eyeliner to more theatrical outfits with bright colour and large silhouettes. The flags add a few coloured marks without requiring every other tattoo or outfit to follow the same palette. The accompanying portrait gives style context; it doesn’t show another tattoo.

The collection is tied to family without being too literal

The flags are the clearest family reference, while Raye’s birth year and middle name bring the collection back to her own life. The ace of hearts reflects her interest in cards; the small heart has a less planned origin. The pieces don’t all need to share one explanation to belong together.

How the stage look frames her style

The wrist and hand pieces can disappear in a wide stage shot, then show up when Raye reaches for a microphone or raises her hand. Their placement changes how they read: a close view makes the flag cluster, arrow and target easier to see, while movement shifts the shapes with the hand and arm.

Ideas to borrow without copying Raye

If you’re considering a small flag, card or other symbol, choose one that means something to you and decide how visible you want it to be. Wrist and hand tattoos are hard to hide and get more friction, washing and sun than many other placements. Ask your artist how much room the design needs to stay legible and how the colour may heal; you can try a temporary version first if you’re unsure about seeing it every day.

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Jennie’s publicly documented tattoos are small: a fine-line angel on her foot, “Mantra” at her left waist, a dolphin high on her back or shoulder, and “Like” in older photos circulated by fans. The angel appeared in 2026 shortly before her Fallen Angel EP. London tattoo artist Marty shared photos of the new design and credited the work.

Jennie’s Angel Foot Tattoo

The small angel sits on the top of Jennie’s foot. In the clearest photo, it looks like a winged figure drawn with light, fine lines. Marty’s images show the design from more than one angle, including a wider view of Jennie in a black outfit.

The timing caught attention because Fallen Angel followed soon after. The overlap gives the tattoo and release a visual connection, but timing alone doesn’t show that the design was intended as a teaser.

Jennie’s Mantra Waist Tattoo

“Mantra” is written in loose cursive along the left side of Jennie’s waist. A close-up shows it above checkered trousers and beside a brown waistband strap; the lettering follows the curve of her body. Jennie hasn’t publicly explained why she chose the word, so its meaning remains hers.

The tattoo is small and easy to cover with clothing. A second close-up shows the script more clearly.

Jennie’s Dolphin Tattoo

Older photos show a small, dark dolphin high on Jennie’s back or shoulder. Its curved body is easiest to see when she turns away from the camera; an open-back outfit or tank top can reveal it. The images show the design and placement, but Jennie hasn’t publicly given it a specific meaning.

Older Photos and Fan Circulation

An older photo shared through fan accounts shows the cursive word “Like” on Jennie’s shoulder. The lettering is more decorative than “Mantra,” and the image gives a view of its placement when her shoulder is bare. There’s no confirmed explanation for the word, so it’s best to stick to what the photo shows.

The Bigger Picture

The pieces vary—a figure, two short words and a small animal—but most are modest in size. Their placements also change how often they show: shoes cover the foot, clothing covers the waist, and the back or shoulder appears with the right neckline. The stage image above is context, not evidence of another tattoo.

If you’re considering fine-line work, ask to see healed examples and discuss how much space the design needs. Shoes add friction to a foot tattoo, while script needs enough room for its letters to stay readable. Bring a reference for the mood, then let the artist adjust it to your body rather than copying Jennie’s exact design.

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Jesy Nelson’s tattoos include a rose-and-thorn design that runs from wrist toward elbow, a quote on her upper arm, smaller lettering and hand marks, and a face tattoo associated with her Little Mix years. Some designs are clear in published photos; others are only partly visible, so their exact wording or meaning isn’t always confirmed.

The Rose-and-Thorn Arm Tattoo

The large rose-and-thorn piece stretches along Jesy’s arm. Its flowers have visible centres and layered petals; leaves and stems fill the space between them. Glamour’s 2013 report described it as running from her wrist toward her elbow. The vertical arrangement follows the arm rather than reading as a set of separate flowers.

The Long Arm Collection Is More Than One Tattoo

This portrait shows the rose and leaf work on Jesy’s forearm alongside smaller marks nearer her wrist and higher on the arm. A narrow vertical design also appears near her torso. The line weights vary, and the pieces leave some skin between them, so the collection looks accumulated rather than built as one continuous sleeve.

Music Quote Upper-Arm Tattoo

“Music is the strongest form of magic” is written in dark script on the inside of Jesy’s upper right arm. Glamour reported that she showed the quote during a 2013 performance. The lettering follows the arm and is large enough to read; smaller illustrations and words sit nearby.

Lettering, Rib Ink, and the Pieces That Hide

The photo shows fine lettering near Jesy’s torso and more arm work below the rose. Reports have identified words such as “Keepers” and “girl power,” along with Roman numerals associated with Little Mix. The images don’t make every word clear, so it’s safer to describe what can be read than to fill in the rest.

Side and rib tattoos are easy to cover with everyday clothes and can appear with a crop top or stage outfit. The curved placement also means a line that looks straight on paper may follow the body differently.

The Small Hand and Finger Tattoos

Close portraits show small, dark marks on Jesy’s hands and fingers. One Guardian portrait catches a mark while her hand is near her face, but it doesn’t show enough detail to establish a specific design or meaning. The placement makes even a small tattoo noticeable when she gestures.

Fingers get frequent friction, washing and sun, so the ink can fade sooner than tattoos on less exposed areas. For hand work, discuss simple shapes, line spacing and possible touch-ups with the artist before settling on a tiny design.

The Bigger Picture

The stage photograph is context, not evidence of another tattoo. The rose, quote and hand marks each have room to read on their own; Jesy’s collection doesn’t depend on every design matching in subject or line style.

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Summer Walker’s tattoos range from the word “Celestial” and chest florals to ink on her arms, hands and face. Photos show the collection in different settings; stage lights, hair and clothing can make smaller details harder to read.

Summer Walker’s Celestial neck tattoo is impossible to miss

The word Celestial sits below Walker’s throat, inside a floral and ornamental design across her upper chest. The script and surrounding lines read as one composition, with the lettering easy to spot among the finer shapes.

A word across the chest needs enough width to follow the body without crowding the rest of the design. Trying the lettering at different sizes on the skin can show how it will sit when she moves, before the artist settles on a final layout.

The numbers and name tattoos make the neck personal

Concert photos show more lettering, numbers, flowers and darker shapes around the neck and shoulder. The smaller details are not always clear: hair, collars and stage lighting can cover or soften them. The photos show how the pieces sit together, but they don’t explain the meaning of every mark.

If you’re adding to a larger chest or neck design, pay attention to the direction and weight of the existing lines. Leaving room around smaller marks can keep them from disappearing into the main piece.

Her arm tattoos read best in live photos

In performance photos, Walker’s arm tattoos run from the upper arms toward the elbows, mixing larger shapes with smaller marks. The stage shot also catches tattoos on her thighs. Distance and lighting hide some details, but the outlines and overall density still come through.

A strong outline is easier to see while the body is moving; fine shading can be harder to pick out from the crowd. Some skin between the larger pieces also helps keep the designs distinct. If you’re planning a patchwork sleeve, decide which pieces need the most room before filling the gaps.

Hand tattoos are part of the performance

Photos show lettering and small symbols across Walker’s fingers and the backs of her hands. Onstage, her hands move between the microphone and the music, so the ink appears in different positions from one moment to the next.

Hand tattoos are exposed and the skin moves constantly. Designs need to stay readable at a small scale, and the artist can explain which details may soften as the tattoo heals. Rings or sleeves cover only part of the area, so it’s worth considering how often you want the ink in view.

Small face tattoos change the whole look

Small marks near Walker’s eye, cheek and temple draw attention because they sit in the centre of her face. Hair, makeup and jewelry change how they read in photos, and some marks are clearer than others.

Face tattoos are hard to conceal, so it helps to sit with a design before making it permanent. Trying it with makeup and checking photos in different lighting can show whether the size and placement still feel right away from a screen.

Walker’s collection moves between script, florals, dark shapes and small marks. There’s no single style to copy; the useful reference is how each tattoo sits on the body. Choose an idea that means something to you, then work with an artist on scale and placement.

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A 2018 Vogue profile counted 55 tattoos and said King got her first at 14. She named an AC/DC reference, a tattoo for her childhood dog Ivy, and a winged $100 bill with “I’m here to win,” which she linked to her love of gambling. Photos show other pieces too: a neck snake, a knife through a heart on her chest, flowers, lettering, playing cards and small hand designs.

The collection moves between family, music, jokes and old-school imagery. The pieces don’t share one style, and they don’t have to.

Elle King’s snake neck tattoo is the piece people notice first

The snake runs down the front of King’s neck, with small star-like marks around it. Its dark outline stays clear in the red-carpet photo, while the smaller shapes break up the space around the main design.

Front-of-neck ink stays visible as you turn or speak, so the vertical shape has to work with a narrow, moving area.

Her knife-through-heart chest tattoo has an old-school feel

King’s chest piece shows a knife through a heart, with a banner across the design. Earlier reports linked the banner to her then-fiancé’s name. The image follows a familiar flash layout: the heart, blade and lettering each have a clear place.

A low neckline reveals the full tattoo; a T-shirt hides most of it. If you’re considering a partner’s name, think about whether you want that detail fixed in the design or would rather leave the image open to other meanings over time.

Elle King’s arms mix flowers, lettering, and odd little pictures

King’s arms hold flowers, script, small objects and darker illustrative designs. They sit as separate pieces rather than one continuous sleeve, with open skin between some of them. The event photo sets black and grey ink against a patterned dress, making the mix of shapes easy to see.

For patchwork, spacing matters as much as the images. Pick the larger pieces first and leave room for smaller ideas later; you don’t need to fill every gap at once.

Her neck and face details make the larger pieces feel sharper

In a close portrait, the snake and small star marks sit alongside King’s nose ring, makeup and layered jewelry. The surrounding styling changes how bold the ink looks; eyeliner, lighting and clothing can all affect its contrast.

Small marks near the face are difficult to hide. If you’re considering one, try the position with makeup and look at it in several kinds of light before choosing a permanent size.

Her hand tattoos are where the collection gets especially personal

King’s fingers and the backs of her hands show small lines, symbols, lettering and illustrative shapes. The marks come into view whenever she holds a microphone or reaches for something.

Hand skin moves and gets more everyday wear than many other placements. Keep small designs readable, and ask an artist which fine lines may soften as the ink heals. Short lettering and simple symbols stay easier to read on the fingers than an illustration packed with tiny details.

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Bishop Briggs’ first tattoo was a snarling mountain lion from a medicine-card image she said kept appearing to her. She chose it for its association with leadership. A week later, during a difficult stretch, she impulsively added a crying heart-shaped face. The contrast still fits a collection that moves between deliberate references and spur-of-the-moment ideas.

Across her neck and arms are words, flowers, eyes, animal designs and smaller pictures, including a cherub and a skull-and-crossbones. The pieces don’t follow one strict style.

Bishop Briggs’ POWER neck tattoo makes a small word feel huge

The word POWER runs vertically along the side of Briggs’ neck, near a floral tattoo. She has another short word, WORLD, in the same area. They read as separate thoughts rather than one long sentence, and the narrow lettering follows the shape of her neck.

Her arms are a patchwork of eyes, animals, flowers, and small symbols

The forearms mix dark illustrations, small lettering, eyes, animal shapes, flowers and marks tucked between larger designs. Briggs has mentioned having several pairs of eyes on her arm. In a close photo they sit among the other pieces, not as a single sleeve image.

Different sizes help the patchwork stay readable. The larger designs hold their shape, while the smaller ones fill some of the gaps; the open skin between them keeps the arm from becoming one dark field.

Briggs’ colourful arm pieces sit beside darker black ink

One photo shows a large rose and leaves across Briggs’ upper arm. The petals bring in red and blue, against nearby black-and-grey designs. That bright section stands apart without turning the whole arm into a colour sleeve.

The floral image is familiar, but its scale and shading give it a heavier feel than a small, delicate rose. The surrounding dark work changes how it reads, so the colour becomes one part of a larger mix.

The hand and wrist tattoos are small, but they change the whole look

Briggs’ hands and wrists carry lettering, small symbols and illustrative shapes. The short phrase BECAUSE I’M FREE is visible on her hand; it takes little space but reads clearly. The ink shows in performance photos whenever her hands come up near the microphone or her face.

Hand tattoos get regular washing, sun and friction, and the skin moves constantly. Fine details can soften, so short lettering and clear shapes tend to hold up better than a crowded design.

The skull, shark tooth, and creature tattoos give the collection its edge

Briggs has said there’s usually some kind of creature on her mind. Her collection includes the mountain lion, a shark tooth, an owl, a tarantula, a moth and a dragon, alongside the skull-and-crossbones.

The skull came from a drawing her father made in a small travel encyclopedia, beside Led Zeppelin lyrics he had written there. Briggs had the image copied with its little imperfections; she said it reminds her of her father and the fearlessness she wanted to share with him.

She has described the shark tooth as a reminder to keep fighting for her dreams. The dragon carries a related but distinct idea: she wanted a reminder of power, and liked the image of a creature holding its fire until danger or protection called for it.

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