Azealia Banks’ tattoos are varied but easy to follow: currency signs on her wrist, a word down her back, hearts on her stomach, a birth date at her collarbone, and smaller designs that appear in photos from time to time. Some sit in plain view; others only show when her clothes or pose reveal them.
The stories attached to the tattoos are often straightforward. A date marks a birthday; a word can stand on its own; a design can simply appeal to her. This guide sticks to the pieces that have been photographed or described and keeps their locations clear, without reading meaning into every blurry detail.
The currency symbols sit together on her wrist
One of Banks’ most recognizable pieces is a small row of currency symbols on her wrist: the euro, pound and dollar signs. They are simple, easy-to-read designs that catch the eye in a close-up.
The symbols invite different interpretations, but the documented detail is the trio itself. They may also play off Banks’ public use of money language and the spelling of her name, though no deeper meaning needs to be assumed. Their wrist placement keeps them visible without taking over the whole look.
The design is quite different from the more emotional pieces elsewhere. It is a clean little group of icons, chosen for how it looks as much as for what anyone might read into it.
“Discipline” runs down the left side of her back
The word “discipline” runs vertically down the left side of Banks’ back. It follows the line of her body and stays mostly covered by everyday clothes, so the message is personal without being hidden completely.
Banks has not given a confirmed public explanation for it. The word can speak for itself as a value, reminder or mood she wanted close; anything beyond that would be guesswork.
There is little else around the lettering to compete with it. The clear space lets the word stand on its own, a contrast with the decorative hearts and animal imagery elsewhere in the collection.
A solid black heart fills the right side of her stomach
Banks has a solid black heart on the right side of her stomach. The shape is simple, but the heavy fill makes it stand out as a bold block of black.
The tattoo appears in photos when her outfit or pose leaves her midsection uncovered. The location gives her some choice over when it is seen, even though the design itself is unmistakable.
This is separate from the trail of hearts on the left side of her stomach. The two tattoos differ in both weight and placement, so they are better understood as distinct pieces.
Her birth date is written across the collarbone
Across her collarbone, Banks has the Roman numerals V – XXXI – MCMXCI, representing May 31, 1991, her birth date. It is one of the collection’s clearest references: the numbers can be read as a date and checked against her biography.
The horizontal placement gives the numerals room to sit along the collarbone. They can show with a low neckline and disappear under a T-shirt, keeping the tattoo personal while still visible at times.
The documentation connects the tattoo to Tattoos By Cake in Coney Island, New York. That gives the design some context beyond the photograph: the studio or artist associated with the piece has been identified.
A second heart shows on the left side of her stomach
On the left side of Banks’ stomach is a trail of hearts following the line of her body. The separate shapes look lighter than the solid heart on the opposite side.
The two stomach tattoos can be seen together, but they are not a matching or symmetrical pair. One is a filled-in heart; the other is a series of smaller shapes. The contrast helps explain why a wider photo can show more of the collection than a tight close-up.
The heart trail has a softer, more affectionate look. Its placement and design are clear, while any more personal meaning has not been firmly documented.
What the full collection says when the pieces are viewed together
The documented tattoos include the currency signs on Banks’ wrist, “discipline” on her back, the birth date at her collarbone and two different heart designs on her stomach. A tiger and the number seven are also mentioned among the visible pieces, though their personal stories are less clearly documented here.
The collection mixes text, numerals, small icons and bold shapes. Some designs are tiny, others carry more visual weight, and not all are visible in every photo. It does not look like a single matched set; each piece has its own placement and style.
The date has a clear meaning, and its documentation names Tattoos By Cake. The symbols, word, hearts, tiger and seven can be described by what is visible, but their deeper personal meanings should not be invented.
Banks’ tattoos do not all speak in the same voice. A birth date records a fact; “discipline” states a word; the money signs and hearts work as graphics. The uneven mix is part of what makes the collection feel personal rather than carefully coordinated.
Taken together, the tattoos read as a series of choices across different parts of her life, not a design planned all at once. The visible details make the set recognizable while leaving space for meanings she has not shared.
Watch a relevant Azealia Banks interview
This Hot 97 conversation is not a tattoo tour, but it offers useful interview context about Banks.