Ozzo, also known as Ozzora, is a French tattoo model and artist whose work pairs sharp blackwork with flowers, shaded portraits and open skin. Her neck and torso combine into a dense composition; her arms and legs vary in coverage, with a few red details breaking up the dark palette.
Her ornamental neck tattoo and open chest detail
Ornamental lines rise along the front of Ozzo’s throat, while a large flower wraps around the side beneath her ear. At the base of her neck, a rounded opening narrows into a point inside a dark frame. The bare skin creates a heart-like shape against the surrounding ink; its appearance alone doesn’t tell us what it means to her.
The flower’s softer petals contrast with the fine curls of the neck design and the darker chest work below. The open center gives the otherwise dense upper-body tattoo a clear focal point.
The pointed blackwork across her chest
Ozzo’s chest piece spreads from the center in long, uneven points. Some reach toward her shoulders; others taper down across her chest. Bare channels separate the darker marks, so the sharp silhouette doesn’t turn into one solid patch. Flowers near the shoulders bring rounded petals beside the angular lines.
The design reads clearly from a distance, while finer marks show up closer in. Its character comes from the way the points spread and leave space between them.
Her branching stomach tattoo and central linework
Long black marks branch down Ozzo’s abdomen, following the length of her torso rather than forming a band. Near the center, finer lines make an oval-like shape with intersecting strokes below it. That small detail sits between heavier areas of ink, and wider dark forms curve around the sides near her waist.
The central motif is abstract in the available image, so it can’t be identified as a particular rune or religious symbol. The open skin around it keeps the fine lines distinct from the darker branches.
The blackout sleeve with flowers and a snake
A broad black field covers much of one sleeve, broken up by lighter flowers and a snake near the elbow. Its head and teeth add a sharper shape among the petals. The floral details stand out against the dark background because their outlines and open areas have room to show.
Her other arm has more visible shaded motifs, including a large rose and curved lines near the wrist. The two sleeves share a dark palette, but their different levels of solid coverage keep them from mirroring each other. The photos don’t establish whether the blackout work covers an older tattoo.
Her leg tattoos, shaded portraits, and red accents
Ozzo’s leg tattoos vary in coverage. One side has a dense arrangement running down from the thigh, including a shaded face whose identity isn’t established. The other leaves more skin between its lettering, smaller symbols and a larger shaded design lower down.
Small red details break up the mostly black-and-gray work. Against the heavier thigh coverage, they read as accents rather than a shift to an all-over color palette. The video below shows Joshua Beatson demonstrating blackwork on a separate horror tattoo.