Published accounts describe four small tattoos on Florence Pugh: a worker bee, a maypole linked to Midsommar, two arrows pointing toward a deer, and a matchstick with its name written beneath it. The bee has the clearest story from Pugh herself. The meaning of the other small designs is less certain.
Florence Pugh’s tattoo collection in one look
This Vogue portrait sets the scene for Pugh’s understated style; it isn’t a close-up of her tattoos. The bee is better documented in Vogue’s interview about the day she got it.
Pugh walked into a New York tattoo parlour with her sisters without planning to get tattooed. She had first thought about a snail, then chose a bee instead. She wanted a view from above and a shape that felt “quite mathematical,” rather than a lifelike insect.
What the sources confirm
This portrait is film-era context, not evidence of a tattoo. The maypole is the piece linked to Midsommar: fans spotted it during one of Pugh’s Instagram Live cooking sessions, and Capital reported the connection to the film.
In Midsommar, the maypole is part of the summer celebration and Dani’s transformation. Pugh chose the image rather than a portrait or the film’s title. Reports place it on different parts of her arm, so wrist or forearm is the safest description.
How the collection changed
This fashion portrait is separate from the tattoo evidence. The reports describe the pieces in different ways: Vogue gives Pugh’s account of the bee, fans identified the maypole, and later roundups describe the arrows, deer and matchstick from photographs.
Those accounts don’t provide a complete timeline for how the collection developed. The bee’s unplanned origin is documented; the dates and reasons for the other pieces aren’t established here.
What remains uncertain
Contextual photo only – not tattoo evidence. PopSugar’s 2021 roundup describes a fine-line image of two arrows pointing toward a deer. Pugh hasn’t publicly explained its meaning, so it’s best to describe what is visible and leave the interpretation open.
The matchstick is easier to identify: a small lit match with the word “matchstick” beneath it. Pugh hasn’t explained that piece either. It’s visible in photographs, but its personal significance remains private.
Final thoughts
Contextual photo only – not tattoo evidence. Pugh’s tattoos sit mostly around her wrists and lower arms. Small designs there can be covered for a role or shown in a close-up, depending on clothing and styling.
The inner wrist is visible and moves often, so a small fine-line design needs enough space to stay clear. The forearm offers more room for open shapes like arrows or a maypole. These are practical placement considerations, not claims about why Pugh chose each spot.
A relaxed collection, not a matching set
The bee, maypole, arrows and deer, and matchstick look different from one another. The bee has a direct account from Pugh; the film reference and other shapes are pieced together from public reporting and photos. The collection doesn’t need a single shared theme to be interesting.
Ideas to borrow without copying
If you like Pugh’s tattoos, borrow the approach rather than the exact artwork. Choose a symbol with a connection to your own life, keep the silhouette readable at the size you want, and ask a tattooer to adapt it for the placement.
A tiny design can lose detail if too much is squeezed into it. Pugh’s bee is a top-down outline, and the matchstick uses a simple shape with a short label; neither needs extra decoration to be recognizable.
The simple takeaway
The bee’s story comes from Pugh’s own interview. The maypole is linked to Midsommar in reporting, while the arrows-and-deer and matchstick have no confirmed personal meaning. The photographs show the ink; they don’t fill in what Pugh hasn’t shared.
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