Fernanda Lira has discussed tattoos of King Diamond, Amy Winehouse, Beyoncé and the phrase “vida real.” Her interviews identify the portraits and explain some of the choices; photographs from studio and concert settings show the collection across her arms and legs. They do not identify every smaller mark.
Lira has performed with Nervosa and Crypta, and her tattoo references range from metal to pop. The account below sticks to designs she or a named source has identified.
Fernanda Lira’s arm tattoos
The seated portrait used by Louder shows extensive ink across Lira’s arms. It gives a broad view of the collection, but it is not a full inventory of every design. The interview is more useful for naming the portraits and explaining the pieces she has discussed.
The King Diamond leg tattoo
Lira has a portrait of King Diamond on one leg. In her Louder interview, she jokes about people asking why she chose a singer known for stage makeup with inverted crosses. The photograph provides context; her interview identifies the portrait and explains the recurring questions it brings.
The Amy Winehouse leg tattoo
Lira has also spoken about a large Amy Winehouse tattoo on her other leg. In a 2025 interview connected to her “Canta e Conta Amy Winehouse” project, she discussed Winehouse as a songwriter and person, beyond the narrow public story often attached to her. That interview supplies the context for the portrait.
The Beyoncé silhouette tattoo
Lira dates the stylised Beyoncé silhouette to around 2016 or 2017, near the start of the Lemonade tour. She has said it shows Beyoncé in a large hat, though people sometimes mistake it for Zorro or Kung Lao from Mortal Kombat. Lira has called the likeness bad herself; the story includes both her admiration and the imperfect result.
The vida real tattoo
Brazilian coverage reported a newer tattoo reading “vida real,” or “real life,” in 2025. Lira described it as a reminder of the person behind online projections and other people’s expectations. The concert photograph shows her tattooed arms, while the interview gives the phrase its meaning.
Fernanda Lira’s wider arm work
This closer portrait shows curving black lines, portrait-like forms and smaller marks across the upper arm. Some details are difficult to identify in published photos, and the interviews do not provide a complete list. They can be described by placement without guessing at a private meaning.
A tattooed stage portrait
The outdoor performance photograph catches Lira in motion with ink visible on both arms. It is a different view from the seated and studio portraits, showing how the tattoos appear during a Crypta performance.
The music behind the imagery
Lira’s tattoo references are not limited to one genre. King Diamond connects to metal, while Amy Winehouse and Beyoncé reflect other parts of her listening life. Her interviews describe a childhood shaped by metal as well as pop music, family influence and curiosity.
What the interviews add
The interviews identify the King Diamond and Amy Winehouse portraits, explain the Beyoncé silhouette and give Lira’s own account of “vida real.” She has also said that not every tattoo carries a hidden message; some are simply designs she wanted. That leaves room for humour, fandom and personal boundaries without forcing one explanation onto the whole collection.
Performance and identity
The photos show the tattoos in studio, seated and live settings. They travel with Lira through her work as a bassist and vocalist, but the sources do not reduce each design to band branding. The portraits and phrase have their own histories, which Lira explains in her interviews.
The interview trail
Louder supplies Lira’s accounts of the King Diamond and Beyoncé designs; the 2025 Amy Winehouse project explains that portrait’s context; Brazilian reporting documents “vida real.” The embedded IUF interview adds Crypta and music context. A separate face-visible featured portrait identifies Lira and is not reused as tattoo evidence.
A closing view of the collection
The named pieces record different interests: King Diamond and Amy Winehouse portraits, a Beyoncé silhouette Lira knows is imperfect, and “vida real” as her reminder of life beyond public projection. Seven distinct inline photographs show the tattoos in different settings; the featured portrait remains separate.