The 2025 Dazed portraits show Greentea Peng’s tattoos across her neck, chest, arms, hands and legs.
The neck marks sit close to the face
In the close elevator portrait, dark marks run beneath Peng’s jaw and down the front of her neck. They sit between her face and chest, making the neck ink one of the most prominent parts of the collection.
The Dazed feature does not name the marks. In the photos, they read as a vertical series of dark lines beneath the jaw.
Chest lettering and the central vertical design
A long, dark design runs from Peng’s upper chest toward her sternum, with near-symmetrical forms spreading to either side. Smaller text-like marks and short lines sit around it. The central piece is the most noticeable part of the torso work, but the photographs show it alongside separate surrounding marks.
In the closer portraits, the open neckline makes the chest details easier to see. A wider frame shows the same area with more of the torso and upper arms, placing the central design within a larger grouping.
Left arm linework and wrist symbols
The seated portrait shows small black symbols, short bands and linework on Peng’s left forearm and wrist. Ink continues onto the hand and fingers. One forearm mark looks more pictorial than the nearby details, but the source does not name it.
Rings and bangles sit beside the wrist tattoos, and the raised-hand pose makes the forearm a diagonal across the frame. The marks vary in scale rather than forming one uninterrupted sleeve.
Right arm density and smaller motifs
The right arm has layered shapes from the upper arm toward the wrist. Some areas are densely filled; others leave gaps that separate individual marks. The two arms are not exact matches, though both carry dark linework and smaller motifs.
Jewellery, gloves and clothing overlap parts of the ink in some frames.
Leg tattoos add isolated details
The seated portrait also shows smaller tattoos on Peng’s legs, including marks near the knee and lower leg. Clothing and the angle hide some of them, so their exact forms are not all clear.
The marks sit farther apart than the dense chest and arm passages, extending the collection below the waist.
One black-and-white shoot shows the full arrangement
The Dazed gallery provides several views: a wide seated frame with the neck, chest, arms, hands and legs; close elevator portraits of the face and chest; and an upper-body image against a dark background. Together, they show how the pieces sit across the body.
Lighting, pose and clothing change what can be seen from frame to frame. A chest mark is clearer when the jacket opens, and the neck ink stands out when she turns her face. These are different views of the same tattoos, not evidence of new designs.
What is documented and what remains unconfirmed
Dazed describes Peng as having numerous tattoos, and its 2025 portraits show dark ink on her neck, chest, arms, hands and legs. The accompanying interview discusses Tell Dem It’s Sunny, motherhood, mental health and the difficult path behind the album, but it does not give meanings for individual tattoos.
The photographs support descriptions of placement, linework and density. They do not establish a complete list of names, dates, artists or personal meanings, so the designs should not be tied to the album’s themes without a direct source.
The photo session in context
Hats, braids, jewellery, gloves and dark clothing frame the tattoos throughout the Dazed shoot. Accessories sometimes cover the hands, while the neck and chest designs remain visible across several poses.
What the photographs show
In the wide seated shot, the chest design holds the center, the arms extend the linework outward, and the smaller leg tattoos sit apart from both. That is the arrangement the Dazed session documents.