Sonia Liebing’s tattoos include family names across her forearms, the word “Schlager,” a lion-and-floral arm piece, a treble clef on her right middle finger and a birthday-related wrist tattoo. Interviews and photographs document the designs at different points, including a studio visit that recorded the treble clef being added.
The family names across Sonia Liebing’s forearms
A Rundschau Online portrait shows “Sophia” in large script along one forearm; concert photographs also show “Emilia.” Reporting connects both names with Liebing’s daughters. The lettering is broad and easy to read in performance photos, where the names remain visible under stage lighting.
The “Schlager” statement on her right arm
Kölner Stadt-Anzeiger identifies “Schlager” on Liebing’s right arm and links the word to her music career. In live photographs it appears alongside the family lettering. The names refer to her daughters; “Schlager” names the genre she performs.
The lion, twins and zodiac imagery on the arm
Schlagerpuls reports that the lion is tied to one daughter, whose zodiac sign is Leo, while a pair of figures above it represents her younger daughter, a Gemini. In the Nau.ch portrait, the lion sits on the upper arm, with floral and ornamental work continuing down the forearm. The report supplies the family connection; the photograph shows the shape and placement.
The treble-clef tattoo on her right middle finger
SchlagerPlanet documented a treble-clef tattoo on Liebing’s right middle finger. Its studio sequence shows her choosing the design on an iPad, the tattooist beginning the work and Liebing with the finished result. It is a small musical mark compared with the forearm names and lion piece.
The birthday tattoo and the smaller hand details
Liebing has also described a tattoo connected with her eighteenth birthday. SchlagerPlanet says the wrist mark has helped her get into clubs more than once because it provides a visible sign of her age. Other close photographs show small lettering and ornamental marks around her hands and wrists, though not every detail is clear.
The daughters’ names remain the emotional center
SchlagerPlanet reports that Liebing has represented both her children and her husband in tattoo form. Kölner Stadt-Anzeiger identifies daughters Emilia and Sophia on her arms. These sources connect the lettering with her family, though they do not identify a specific design for her husband in the material cited here.
Several visual languages meet in one collection
The collection mixes large script, smaller lettering, a floral lion design and musical symbols. The words can be read directly; the lion’s family connection comes from Liebing’s reported explanation. The photographs show their different sizes and placements without making every tattoo part of one planned sleeve.
A studio sequence records a new chapter
The SchlagerPlanet photo essay records a tattoo appointment from design selection through the finished result. It shows Liebing at the studio, the treble clef on an iPad, the tattooist at work and a final portrait with the artist. That sequence documents when and how the finger tattoo was added, alongside the older arm lettering.
Family and music share the frame
Performance and portrait photos put the ink in the same frame as Liebing’s music work: forearm lettering beside a microphone, the lion in an outdoor portrait, and the treble clef in the studio. The images show context and placement; interviews provide the reported meanings.
The documented record in brief
The published record identifies the daughters’ names, “Schlager,” the lion’s Leo connection and the younger daughter’s Gemini imagery, the right middle finger treble clef and the birthday-related wrist mark. Together, interviews and photos show how those pieces differ in scale and subject. Smaller hand details remain unidentified where the sources do not explain them.
Sources: SchlagerPlanet tattoo-studio interview; Kölner Stadt-Anzeiger profile; Schlagerpuls tattoo explanation; Nau.ch portrait; Rundschau Online portrait.