Matt Heafy’s tattoos have grown alongside Trivium rather than arriving as one finished statement. What started as visible →
Henry Rollins has never treated tattoos like decoration. On him, the ink reads like a private map of →
Sabrina Carpenter’s tattoos are easy to miss on purpose. She has five known pieces, most of them tiny, →
Ant McPartlin’s tattoos are easy to miss when he’s in a suit, which is probably why they keep →
Nick Mayhugh’s tattoos are easy to notice, but the interesting part is how closely they follow his life. →
Phoebe Bridgers has a funny way of hiding a lot in plain sight. The clothes are often oversized, →
Ireland Baldwin’s tattoo collection now centres on a Ghostface cover-up, with older colourful arm pieces, writing, a rose, lotus, scorpion and Totoro still part of the story. →
Lana Del Rey’s tattoos have always felt like small pieces of a notebook she carries from city to →
Diplo’s tattoos make more sense once you know where the name came from. Before Thomas Wesley Pentz became →
Gary Barlow has never looked like someone racing to fill every inch of skin. His tattoos are small, →
Tyler Seguin’s tattoos look like they were built one honest piece at a time. There’s family in the →
John Stamos got his first tattoo at 62: a large Native American rider on horseback tied to the Beach Boys and a new creative chapter. →